Large Japanese Satsuma Covered Vase, Showa Period, Mid 20th Century, Japan

A lovely tall Japanese Imari porcelain baluster vase with images of Chinese boys, Meiji Period, late 19th century, Japan. The tall vase of baluster form, with a short, slightly spla...

A fantastic small Japanese Satsuma vase with image of writhing dragons, Meiji Period, circa 1900, Japan. The vase of elegant baluster form, with a slightly flared foot, slender body...

A fantastic Japanese Satsuma incense burner, koro, with phoenix and brocade designs and a silver lid, Meiji Period, late 19th century, Japan. The cens...

A large and boldly painted Korean "Bamboo and Plum" underglaze iron brown porcelain vase, 20th century, Korea. The large porcelain vase of baluster vase form with generous proportions. The bulbous body with high, wide shoulders, tapering down to a flat recessed foot. The body decorated in underglaze iron brown with large designs of tall, leafy bamboo stalks to one side. The opposite side with gnarled branches of blossoming plum. Bamboo is revered in Korea, and Asia in general for its strength, flexibility and quick growing nature. Plum is invested with similar ideals, representing strength and resilience, as it flowers in the depth of winter. The neck and shoulders featuring a design of stylized clouds. The base with a band of stylized waves. All in underglaze iron brown. The vase with a transparent overglaze of bluish white. The vase modeled after a 16th century Joseon vase...

A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost. The neck of the vase is also slightly unusual with two rolled rings...

Faboulous and small japanese earthenware jar. Mark at the base. Second half 20th century. Additional information: Material: Porcelain & Pot...

A LARGE JAPANESE SATSUMA BALUSTER VASE. MEIJI PERIOD (1868 - 1912) Signed by Kitamura of hexagonal form, decorated with a scene of Japanese saints surrounded by attendants, ano...

Quality large antique Japanese satsuma lidded vase, having a fantastic large antique satsuma vase decorated with flowers, trees and insects with gilt de...