Large Vintage Minoyaki Kozan Gamma Op-Art Bowl, Showa Era, 1970's, Japan

A charming Korean celadon glazed stoneware bowl with white and black sangam inlay, Goryeo Dynasty, 12th - 13th century, Korea. The celadon glazed stoneware bowl of generous propor...

A fine and rare Japanese ao-oribe glazed minoyaki stoneware dish, late Momoyama or early Edo period, 17th century, Japan. The circular dish of wheel thrown ...

A large and attractive vintage Chinese white ground cloisonne scalloped rimmed bowl, mid 20th century, circa 1950's, China. The large vintage cloisonne bowl of generous proportions,...

A large and charming Japanese imari charger with Chinese boys, Edo to Meiji Period, mid 19th century, Japan. The large porcelain charger measuring 16" in diameter features high, slo...

A wonderful and rare large work by Danish designer Arne Bang. Truly special. Beautifully glazed and signed with artist mark and number on the base. Would be a great addition to...

An exquisitely decorated and wonderfully executed ceramic Mingei glazed plate/ low bowl by Japanese National Treasure and Mashiko pottery master Tatsuzo Shimaoka. This work displays his famous Jomon Zogan rope inlay design, hand-painted decoration, and has his impressed "Ta" signature on the base. Shimaoka, who started as an apprentice to famed Japanese potter Shoji Hamada in 1946 before opening his pottery studio, has exhibited worldwide including in North America, Asia, and Europe. In 1996 he was bestowed the title of Japanese Living Treasure...

An exceptionally rare, wonderfully designed Chawan tea bowl by famed Japanese master woodblock printmaker/ artist Shiko Munakata (1903-1975) who is widely considered to be the most important Japanese visual artist of the 20th century and the Pablo Picasso of Japan. This hand-painted work clearly illustrates Munakata's whimsical side as it is of a Koma - a child's spinning top toy. Very few examples of Munakata's work in ceramics exist still today. The work is signed by Munakata on the base as well as the original wood protective storage box (his seal can also be seen faintly in the lower-left corner). The bowl has a small kintsugi or "golden joinery" repair - the Japanese art of repairing broken pottery by mending the areas of breakage with lacquer dusted or mixed with powdered gold - on the inside. As a philosophy, it treats breakage and repair as part of the history of an object, rather than something to disguise. Munakata who is often compared to Picasso was primarily associated with and a principal figure in both the Sosaku-Hanga (which stressed the artist as the sole creator ) and the Mingei (folk art) movements. His many accolades and awards include the "Prize of Excellence" at the Second International Print Exhibition in Lugano, Switzerland in 1952, and first prize at the São Paulo Bienal Exhibition in Brazil in 1955, followed by the Grand Prix Award at the Venice Biennale in 1956, and the Order of Cultural Merit, the highest honor in the arts by the Japanese government in 1970. In 1960 after returning from a year abroad exhibiting his work in the United States, the Horinji Temple in Kyoto bestowed upon him the honorary rank of “Hokkyo”. In 1962, he received the rank of “Hogan” from Nisseki Temple in Toyama prefecture. He also received a Medal of Honor in 1963 and the Asahi Shimbun culture prize in 1965. Munakata's work can be found in numerous international collections and museums including: The Britsih Museum, UK The Chicago Art Institute Museum of Modern Art (MOMA), NY The Metropolitan Museum of Art (The Met), NY The Philadelphia Museum of Art The Smithsonian American Art Museum (SAAM), Washington DC Kemper Art Museum, St. Louis And his own museum The Munakata Shiko...

On offer is a rare ceramic bowl with overglazed design by the famed Japanese ceramic artist Makuzu Kozan (1842-1916), circa 1906-1916. The bowl is rather unusual from the potter's repertoire with its unique glaze colors and decoration, and it likely belonged to a small series that Kozan made in and after 1906. A bowl of similar glaze and nearly identical dragon motif was recorded as a diplomatic present to the British royalty Arthur Connaught (1883-1932) when he represented King Gorge V in Japan in 1906. Other pieces, such as this bowl, were likely made with similar materials and designs afterwards. Essentially round in form, the bowl has a generous volume with six harmonious lobes. The bottom of the interior showcases a coiled dragon in red, green and gold slithering on a cobalt blue background. The roundel shares an echoing lobed perimeter, which is further outlined by red and turquois bands and rising sun design. The exterior of the bowl features six stylized Japanese camellias...