A Museum Quality Japanese Hirado bottle vase. Signed . Edo period

A Fine Japanese Satsuma Vase with Bijin, Peacock, and Chrysanthemums. Attributed to Kinkozan Workshop, Kyoto, Meiji period (late 19th century) Of pear-shaped form with a flared f...

A magnificent Cloisonné-enamel and Musen Baluster vase attributed to Namikawa Sosuke. Meiji era (1868-1912), late 19th century. This vase features an elegant classic form with a sle...

We have received very rare and beautiful pottery. This is Japanese "Seto ware". Seto is a historic kiln in Aichi prefecture. (The red circle on the map is the Seto kiln) It is sai...

An Satsuma ceramic stone ware vase, circa 19th century, around the end of the Edo and the beginning of Meiji period. In the form of a Classic garlic bottle whose prototype was from China, the white bodied piece is decorated with an early form of kin nishikide, the so called golden brocade, a palette of iron-red, blue, green, yellow, purple and black with golden highlight. The over glazed enamel paint shows a group of robed figures in a garden setting with a lion and three tigers. A transparent overall glaze shows very fine crackles. The design is relatively sparse with plenty of negative space in contrast to the Satsuma production from the late 19th century, when the trend became fussy and overly glitz, due to the influence by the perceived western taste for the export market. This piece may still be made for export but its pattern was more influenced by both Kyoto Pottery and the Kano school of painting compared to the export ware by the end of the 19th century onward to the early 20th century. It was believed by many that this was a result of Satsuma potters visiting Kyoto in the late seventeenth century to learn over glaze painting techniques. There are some age glaze crackles especially around the foot. The piece is not signed in keeping with the earlier production before Satsuma ceramics...