Petite Neolithic Terracotta Pot with Brown Geometric Décor and Flaring Neck

A Chinese vintage extra large grey altar vase from the mid 20th century, with crackle finish. Created in China during the midcentury period, this extra large vase features a flaring ...

A Chinese vintage altar vase from the mid 20th century, with celadon crackle finish and flaring neck. We currently have 3 vases available, priced and sold $1,300 each. Created in China during the midcentury period, this tall altar vase charms...

An oversized Chinese vintage blanc de Chine altar vase from the mid 20th century, with discreet crackle finish and flaring neck. Created in China during the midcentury period, this large vase features a tall neck supporting a flaring neck (with a 13.5 inches diameter opening) sitting above a nicely tapering body. Adorned with a subtle crackled finish, this extra large vintage Chinese vase...

A large vintage oxblood altar vase with flaring neck. This large vintage oxblood altar vase captivates with its rich, deep finish and elegant silhouette. The vase features a graceful...

A Japanese stoneware tea pot by Hamada Shoji (Japanese 1894-1978) circa 1960-80s. The teapot is of the classic form and of a strong style of Mingei (folk ...

Turn of the century (circa 1900) enameled Terracotta pot with substantial internal glaze popping. Once a common piece of pottery used daily in ...

A 19th century, French glazed terracotta pot with two small handles on either side and a large handle that looks like a spout. Beautiful color a...

Made by Japanese ceramic artist Makoto Yabe (1947-2005), this stoneware vase features a globular body supported by a round pedestal foot. A similarly shaped neck extends to a rimmed mouth opening. Robust in form with thick wall, the vase is noted for its irregular cloved form. The surface is covered in a beige-yellow glaze, on top of which, dark brown strokes and thick white feldspar slip were artistically applied in a splashed and washed pattern. Together with some random shallow incision lines, they form an abstract painting with textured surface where some slip forms small droplets at the end of the stroke. The work was created in traditional Japanese manner and reflects the beauty of Wabi Sabi, a Zen aesthetic for the imperfect perfection. The base was incised with the artist's cipher. "Makoto Yabe's work beautifully exemplifies the transmission of Japanese ceramics to the West. Born in Fukushima, Japan, Yabe began studying ceramics in Kyoto at the age of nine. He completed his training at the age of 24, with a four-year apprenticeship under Jinmatsu Uno and Sango Uno. Yabe then came to Boston, where he was an integral member of the local ceramic community, yet he maintained his Japanese roots. As an instructor of ceramics, Yabe worked in the Boston area at numerous schools and universities, touching the lives of all his students and expanding their knowledge and appreciation of studio ceramics." Biography sited from Pucker Gallery...