Rare Large Japanese Porcelain Presentation Plate Makuzu Kozan

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With an impressively large size, this vase was likely made and reserved as a presentation piece for one of the many expositions the studio participated in the early 20th century. It was decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional literary landscape known as "Mountain and Water". Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

A beautiful ceramic vessel in the form of Bo, the so-called monk's alms bowl from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this piece was made as a decorative center piece for display. It was brilliantly decorated with underglaze paint of a green-on-green bamboo motif, using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. To create design that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

A porcelain incense burner (koro) made by Japanese potter Makuzu Kozan (also known as Miyagawa Kozan, 1842-1916) circa 1890s-1900s (end of Meiji Period). The koro features an elegant...

A finely decorated and glazed Japanese porcelain vase by Makuzu Kozan (1842-1916) circa 1900s Meiji Period. The vase is of a classic bottle form with baluster body and short neck. It was decorated with underglaze white magnolia blossom on a pleasant celadon background. The stamens of the flower were artistically rendered in a low relief, giving the design a realistic appeal with the dimension. Miyagawa Kozan...

Beautiful pale green ceramic tray featuring white lilies. It is signed on the base by Miyagawa (Makuzu) Kozan (1842-1916). This tray has no damage and is in perfect condition. It measures 8"diameter and 1 1/8"high. It is a beautiful example of the work of this Meiji Era ceramic artist. Miyagawa (Makuzu) Kozan (1842-1916) was appointed artist to the Japanese Imperial household...

This is a good quality, hand decorated Japanese porcelain charger, large plate or bowl with an Imari pattern, dating to the late 19th centur...

Japanese Meiji Period Satsuma large square bowl Antique early Meiji Period 15" square with scalloped rim Satsuma bowl. Highly unusual and finely painted. ...

This is a very good Chinese Export, (Canton) large porcelain plate or dish, all hand painted with a light green celadon glaze, which we date to the early 19th century, circa 1820, of the Qing dynasty. A feature of this plate is its size, having a large dinner plate diameter of nearly 10 inches, as the majority of plates of this type have a much smaller diameter . The plate has a light green, Celadon ground glaze with beautifully hand painted decoration, in over-glaze poly-chrome enamels of the Famille-Rose palette, featuring a bird, butterflies, fruits and flowers. The rim is hand painted in a café-au-lait light brown finish. There is an under-glaze, cobalt blue square seal mark, hand painted to the base. Overall a very good large example of a beautiful Chinese hand painted plate...