Rosanjin Kitaoji Signed Shino Ware Chawan Tea Bowl Original Sealed Signed Box

An absolutely gorgeous Shino ware pottery sake/ teacup by Japanese master potter Kitaoji Rosanjin (1883-1959) who was arguably one of if not the great...

A beautiful, perfectly shaped antique Bizen ware Chawan tea bowl by renowned Japanese master potter/artist Kaneshige Toyo (1896-1967) featuring a unique one of a kind, natural, organic forming ash glaze. Kaneshige is universally considered to be the founder of modern Bizen Yaki Ware pottery. In 1956, Kaneshige was certified as a Living National Treasure (Important Intangible Cultural Heritage) for his work in Bizen Ware pottery/ceramics. Bizen Ware is a type of Japanese pottery traditionally from the Bizen province, presently a part of the Okayama prefecture. It is considered one of the Six Ancient Japanese Kilns (along with Echizen ware, Seto ware, Shigaraki ware, Tamba ware, and Tokoname ware). The piece is signed on the base with one of Kaneshige's traditional incised marks (fundo weight mark of Toyo) . The work also comes with the original Toyo Kaneshige...

A Japanese Kutsu-gata (clog-shaped) chawan (tea bowl) circa 19th century possibly older. The stoneware bowl potted from buff clay has a slight irregular shape and an unusual depth for a tea bowl. Of Mino ware...

A rare ceramic bowl with overglaze paint decoration by Japanese imperial potter Makuzu Kozan ((1842–1916). Unlike the better-known works Kozan made for the expositions in the west and export to the foreign market, this piece exemplifies his work for the domestic market and the tea ceremony. The bowl was made in the so called "Utusushi" Ogata Kenzan (1663-1743), a celebrated Edo painter and ceramicist. Utusushi is loosely translated as "in the spirit of". It is not at all a simple imitation of a master, but a Japanese concept of embracing the spiritual essence of a master while the creator is free to mix in his or her own unique artistic interpretation and flavor. The bowl was made to hold fruits during the tea ceremony. It has a very distinguished form with a circular lower body morphing into a square upper portion that further opening with flared rim. The surface has a grey glaze onto which Asagao flowers (Japanese morning glory) on the vines were painted in a free and poetic style. White was used for the petals, green for the leaves with touches of gold highlight. Asagao, the symbol of the summer was rendered in the spirit of Ogata Kenzan, and interestingly the shape of the blossom echoes the unique form the bowl. It was likely reserved for the tea ceremony during the summer months. Under the base, Kozan was signed in black on a white porcelain plaque inlay. For two similar examples of Kozan's work Utusushi Kenzan, see Page 168-169 of the book: Sekai ni Aisa Reta ya Kimono Miyagawa Kozan Makuzu...