Satsuma porcelain vase from the Meiji period, Japan

Two porcelain hexagonal Satsuma vases painted in polychrome enamels and gold. The paunch is decorated with intricate Japanese characters in a landscape, the neck and the shoulder wit...

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Bulb-bottomed vase with long neck decorated with multicolored enamel and gold. It is embellished with arabesques, flowers and latticework patterns in orientalist taste on a marbled Bordeaux background. Remnants of a mark underneath. The fascination with the orient and its exotic decoration dominated the 18th-19th centuries. It was China that started the enthusiasm for the costumes and artistic shapes that came from faraway lands. However, as a result of conquests and colonial Expansion, this fascination saw the displacement of its origins. During the 18th century, Chinese and Turkish styles invaded the salons and gardens of royalty as well as affluent esthetes who prided themselves on their taste for The Orient. From then on, baths were Turkish, furniture was lacquered, Persian tapestries...

Late 19th century perfume bottle and opium flacon crafted of porcelain and multicolored enamels, with gilt and chiseled bronze pierced moun...

From our Japanese Satsuma Collection, we are delighted to offer this Japanese Satsuma Vase by Ryokuzan 緑山. The Satsuma vase of ovoid shape with a tapered body, circular foot rim, wai...

MEIJI PERIOD 1868-1912 From our Japanese collection, we are delighted to offer this Japanese Satsuma Vase by Ryozan. The vase of tapered form with tightly pinched neck and flared to...

A exquisite Satsuma vase signed by Ryokuzan. Meiji Era. Of a slender ovoid shape featuring intricate hand-painted designs and delicate gilded accents. The vase is adorned with...

the body of this small marvelous vase is painted with a scene of a puppet show vendor with his wood backpack, on top of the backpack there are toys and dolls, he is surrounded with a group of 6 children, and on the background you can see a village. on the other side of the vase there is an amazing painting of flowers and on the sides there are two amazing strong pine trees, the amorphous background is decorated in a "Tortoiseshell" color and design that gives it a real character and which is quite rare to see on satsuma pottery. all the vase is over richly overpainted over the glaze with gold, which gives it its depth and realism. signed Kyoto Kinkozan zo, and sealed Kinkozan zo Kyoto’s Satsuma: The painting technique used in Kyoto’s Satsuma-style ware is said to be the invention of the sixth generation Kinkōzan Sōbei (1824–1884). The Kinkōzan were a famous family of Kyoto Awataguchi potters who made ceramics that were used at Shōren'in, a temple closely tied to the imperial family, and by the shoguns of the Edo government. In fact the shogun is said to have granted them the name Kinkōzan. With the upheavals at the end of the Edo period, however, and the reforms of the subsequent Meiji government, the potters lost their traditional patrons and had to develop new markets. Just at that time, the visit of a certain Westerner is said to have decided them to embark on overseas trade. By 1870, they had perfected Kyō Satsuma...