Heavy, Japanese bronze temple bell 梵鐘 (bonshô) of traditional shape

Very refined Japanese bronze okimono of a ‘karasu tengu’ holding a candlestick. Well cast as a tengu in half-human, half-bird form standing atop a pile of leaves on a rounded square...

Elegant brown patinated bronze trumpet vase with gold and red sprinkled design. It has an impressive broad outward curved mouth decorated on both sides with the dots. Its slender bod...

Exceptionally shaped bronze vase with a striking ‘coarse’-textured red mottled patina. The bowl subtly shaped like a flower, its slightly concave body flanked by ‘butterfly wing’-sha...

Remarkable and very large bronze 4-tiered trumpet vase intricately designed with a motif of tumultuous waves. It’s crafted to give the impression that the trumpet-shaped chalice, is ...

An elegant pair of Japanese cast and lacquered bronze pagoda lanterns, Taisho Period, circa 1920, Japan. The lanterns a true pair, with mirrored decorations and lantern doors opening in opposite directions. The lanterns of traditional toro form, cast in bronze, and lacquered. Each lantern comprised of three parts - the "roof", the "fire box", and the pedestal. This type of pedestal lantern is called a dai-doro, as opposed to the hanging lantern type, tsuri-doro. The hexagonal roof of the lantern, reminiscent of temples or pagodas, features a wonderful, dense cloud pattern with three heart-shaped cutouts, known as inome, or boar's eye. The roof topped by a hoju, the Buddhist flaming Jewel of Wisdom. Each of the six corners feature a fantastic shachihoko, mythical beasts with the face of a tiger and body of a fish. Bells are suspended from the shachihoko. The globular body of the lantern features four pierced panels with the three leaf hollyhock mon of the Tokugawa clan surrounded by a karakusa pattern of scrolling vines. One panel serving as a hinged door with a lock stylized as the Three Jewels...

Meiji period (1868-1912) bronze, with removable top, stylized geometric shape and silver inlay. Signature reads: Miharu Kadayashi.

A Chinese antique handbell made of copper alloy. I think it is from the late Qing dynasty to the end of the Qing dynasty. Although it is a casting, ...

19th century Burmese bronze temple bell with original carved hardwood stand, painted iron hanging bracket, and striker. This rare large scale cast bronze bell has a splendid sculptural and spiritual presence. The bell has a long inscription on the upper part. The offering of a bronze bell to a monastery or temple was considered second only to the offering of a Buddha image as an act of merit (kutho). Such bells were cast using the lost wax (cire perdue) method. Casting of such bells was auspicious with specific rituals being performed by the caster and sponsors to ensure the appropriate blessings. The bell here, as with all such Burmese bells...