Bronze Metalwork

Qing Dynasty Chinese Bronze Bell with Auspicious Symbols 4.5" height. Acquired from Upstate New York

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

Chinese Archaistic gilt bronze ritual bell with raised panthers on the sides, a stylized mask on front and back, incised and relief geometric decoration. With a wonderful verdigris p...

A heavy traditional bronze temple bell (bonshô), boasting a bright green patina and a resonant sound. The top handle (ryûzu), is beautifully sculpted into the form of twin dragon he...

Exceptional floor lamp - lantern made of solid bronze, crafted in Japan during the 1920s Taisho period. This historic lantern was made in Japan in the 1920s and was originally inten...

These are a very good pair of antique Ming style Chinese foo or lion dog sculptures, sometimes called temple lions, made of bronze, with good detail, which we date to the late Qing or early Republic period of the 20th Century, Circa 1920. These pieces are well cast with very good detail, showing wear and a good natural patination to the high points as expected from use and polishing over a long period, the lustrous copper bronze metal below. The places on the castings where one would not normally polish ( eg. the underside, the back and neck area) are fairly rough to the touch in keeping with their age These are a substantial pair of bronzes, weighing over 900gm unpacked These lovely pair of antique Chinese foo dogs...

Antique Laos bronze gong, a kind of Laos musical instrument which produces a loud and sonorous sound. Gong stick is included. Age: Laos, 19th Century Size of Gong: Diameter 47 C.M. ...

Burmese bronze bell with clapper inside with stand. Age: Burma, 19th century Size: Height 15.2 C.M. / Width 8.8 C.M. Size including stand: Hei...

This striking Indian brass ghanta temple bell assembly features three bells, each suspended from the trunk of a cast elephant head, forming a visually dynamic and symbolically rich c...

A fine bronze tribute drum (Heger Type III), Pazi (Burmese), pam klo’ (Karen). This unique lost wax casting of a drum is ornamented with 8 frogs with bulging eyes placed in stacks o...

19th century Japanese bronze vase of classic form with a lovely rich patina. The vase has been drilled for wiring as a lamp. It will make ...

Small Betel Nut Box, Maranao, Southern Philippines (Mindanao). A mixed metal box having a bronze body with bordered silver inlay design overall of a symmetrical floral tendril vine p...

Quality pair of antique Japanese twin handle bronze vases having a quality pair of Japanese bronze vases decorated with flowers, birds and foliage with twin flower handles to the sid...

This is a small oval shaped antique metal Pill Box with Inlay to the lid and dating to the Edwardian or late Victorian period. The box is made ...

Antique Asian Bronze buddhist bell Tibetan Meditation Prayer Ghanta Bell. Buddhist Tibetan Meditation Prayer Bell. A Bronze ritual bell "DRILBU" in Tibetan or commonly known as "Ghan...

TA04027 Set of Three Antique Thai Bronze Lime Boxes. Tall Cylinders of varying shapes and sizes: A) Thai Bronze Lime Container in the shape of a Stupa, u...

This is an exceptionally beautiful, heavily detailed Japanese bronze incense burner, known as a koro (香炉), dating to the Meiji Period (1868–1912). While it bears a Japanese maker's mark on the base, the visual identity of this pot is intentionally styled to look like an ancient Chinese ritual vessel...

Pair of vintage Asian bronze incense burners A pair of bronze censers with lids, handles, and knobs as mythological animals, China circa 1...

Oriental rain drum in bronze, richly decorated with oriental characters and frogs on top. Approx. 1880. Dimensions Height approx. 41.5 cm. Island approx. 56 cm. This type of drum i...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

Antique Chinese bronze mask.

This is an objet of turtle which you can use as a jewelry holder. This is made with bronze and it was made in Japan around 1980s. The thing that written on the bottom of the turtle i...

A beautiful and heavy large ovoid brown patinated bronze vase with an unique vibrant red murashidô motif. The shoulder with a slender circular recess. The bottom of the vase with a ...

A late 19th century Indian Mughal brass betel nut cutter from the North Western regions. This is a betel-nut cutter made of brass using casting technique with bird motifs and rosette...

Large Betel Nut Box, Maranao, Southern Philippines (Mindanao). Bronze with bordered silver inlay design overall of a symmetrical floral tendril vine pattern referred to as “the okir ...

Pair of vintage patinated bronze bird sculptures by Toyo, Japan, dating to the mid-20th century. Depicting two pheasants in contrasting poses, the figures are rendered with finely mo...

Antique Very Large Pair of Japanese Bronze Vases - Exquisite Meiji Period Presentation Pieces! These magnificent Japanese bronze vases, dating back to the Meiji Period and dated 190...

A bronze Japanese okimono cast in refined and realistic form of a praying mantis attributed to Myochin lineage circa 19th century of Meiji period. The insect features a segmented bod...

A remarkable pair of Thai Ayutthaya period bronze crowned Buddha mounted on wood display stands. Thailand. 17th/18th Century Dimensions: (approx) Head: 15" High, 7.75" Wide, 6" Deep (tallest) Overall: tbd Provenance / Acquisition: Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 March Fine & Decorative Asian Art Signature Catalog Auction #8155 Lot #78357 Condition Report: Attractive pair with beautifully aged patina, condition commensurate of age, use, and exposure. Scattered areas of desirable verdigris green patina and oxidation throughout to each. Minor loss to front shell point of one example. Small holes scattered throughout and scews/nails through each fixing both examples to wooden bases. Both well preserved and present superbly History: The first Crowned Buddha images or Jambupati Buddha statues are known to have been originated from the Pyu, where the Indian influence of Buddhist arts and non-Theravada Buddhism was extremely felt in those days. There may have been various background stories behind the crowned Buddha statues in the course of history but one of the most popular stories goes by the legend of Jambupati. This particular legend is not known in the home of Buddhism India, however the crowned Buddha statues have been attached to the name Jambupati as the Buddha is believed to have humbled a boastful and arrogant king Jambupati. The story goes on about how the Buddha transformed himself into a mighty king with a crown and jewelry and set himself a majestic yet incomparable palace. Seeing this, the king accepted the great ability of the Buddha and submitted himself to the Dharma and became a Buddhist monk. This particular story has gained a lot of popularity and stood the test of time in Burma as the number of Crowned Buddha statues in Burma is considerably great in amount. There are also other versions of the background story of crowned statues...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

A bronze Japanese okimono cast in refined and realistic form of a grasshopper attributed to Myochin lineage circa 19th century of Meiji period. The insect features a segmented body u...

Outstanding Japanese Meiji Period Samurai Archer bronze statue/sculpture. Wonderful form and details. The bronze statue has gilt accents. Very high quality piece and made well. I am ...

A Chinese Cloisonne Tray with Qianlong Mark, Early 20th Century Home decor, Interior design and collectibles. Provenance: Private Victoria Collection. ...

Japanese bronze vase with artist sign, used to decorate flower arrangements in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Period, ...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

These are an excellent matching pair of large antique Chinese Foo or lion dog sculptures, sometimes called temple lions or Shishi, made of bronze with fine detail, originally hand enameled and gilded dating to the 19th century, Qing period or earlier. These are a very beautiful matching pair of large Bronze Chinese...

A small bronze mirror from Cambodia, circa 13th-15th Century. In Southeast Asia, The Khmer culture existed between the 9th and 15 centuries, originating in Cambodia and extending t...

A Chinese antique handbell made of copper alloy. I think it is from the late Qing dynasty to the end of the Qing dynasty. Although it is a casting, ...

A fine antique Chinese cloisonne enamel tankard. In a tapering cylindrical form with an ear-shaped gilt bronze handle. The body decorated with stylized lotuses on a yellow ground a...

A very large, high quality incense burner (kôro) of the Chinese official, poet and calligrapher Toba, famously known for his journey on a mule. Crafted to show Toba in a seated posi...

Dating somewhere around the 11th–13th century, it has a remarkable balance of strength and refinement. The proportions are especially satisfying in person — tall, slightly restrain...

Japanese bronze vase with nice form, used to decorate flower arrangements in Japanese traditional tea ceremony. Age: Japan, Showa Period, Early 20th Century Size: Height 13.8 C.M. ...

Japanese bronze vase with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony. Age: Japan, Showa Period, Early 20th Century Size: Height 15.3...

Japanese bronze vase with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony. Age: Japan, Showa Period, Early 20th Century Size: Height 24.1...

Antique Chinese Silvery bronze lobed “Beast and Birds” Mirror, Tang Dynasty. The eight-foliated barbed form having a a center cast relief knop in a four legged Beast form surrounded ...

A set of Japanese bronze vases with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Age: Japan, Showa Period, Early 20th Century Size:...

Pair of exquisite bronze Thai Teppanom kneeling angel Buddha table lamps. These intricate bronze sculptures lamps, dating 1940’s to 1950’s, feature a dark green patina with gold det...

Japanese bronze vase with artist sign, used to decorate flower arrangements in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Period, ...

On offer is an impressively large and finely cast Sino-Tibetan gilt antiquebronze statue of Vajrasattva Bodhisattva, circa 19th century maybe earlier. The deity is depicted seating i...

A finely cast antique Himalayan bronze sculpture depicting a bodhisattva seated atop a richly caparisoned elephant, elevated on a double lotus pedestal and framed by a pierced foliat...

This wonderful Japanese cast bronze okimono in the form of crab was made by Ryubundo Yasunosuke VI (1840-1921), a sixth generation of the Yasunosuke family active in Meiji and Taisho...

Large 24" tall antique Chinese Champlevé enamel and bronze vase. Fine cloisonne floral decoration with stylized rooster head handles dating to the late 19th-early 20th century. Lovel...

Thai Khmer Bronze Gilt Singha Guardian Lion Sculpture, Mid-20th Century An exquisite Thai–Khmer bronze Singha guardian lion, also referred to in the West as a Foo Dog, richly decorat...

Designed to hold burning incense, censer bowls have been used throughout China for thousands of years. Incense made from dried aromatic plants and essential oils would be burned with...

Mahakala is among the most revered protector deities in Himalayan Buddhist tradition. A wrathful manifestation associated with compassion and spiritual guardianship, he embodies the ...

Outstanding Japanese modernist Ikebana bronze vase/vessel, circa 1960s. Wonderful modernist form and design. Has the original wood piece to attach flowe...

Chinese patinated bronze censer with fine cloisonne inlaid enamel designs of a red dragon on imperial yellow ground in the Kangxi dynasty style measuring 16 by 19 by 12.5 inches and ...

This is a very good antique Chinese foo or lion dog sculpture, sometimes called a temple lions, made of bronze, with excellent detail, dating to the 19th century, Qing period or poss...

A monumental bronze vase with a dark brown patina, depicting a Ryu dragon in high relief. The vase has a cylindrical shape with a flared base reminiscent of Mount Fuji's profile. ...