Japanese Cloisonné Vase Ando Jubei with Storage Box

A finely decorated Japanese satsuma ceramic vase by Ryozan Okamoto (c.1820s-1910s) for Yasuda. Ryozan is the head artist working for Yasuda company, a Japanese ceramic makers and dea...

A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost. The neck of the vase is also slightly unusual with two rolled rings...

A miniature Japanese ceramic vase from the end of Meiji period circa 1880s- 1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time ...

On offer is a large Japanese Imari ceramic bottle vase with elaborate surface design circa 19th century (late Meiji Period). The distinct shape of the bottle is called tea-whisk form and the rare prototype was found in the early Ko-Imari production dated back to 16-17th century of Edo period. The shape was designed specifically to store liquor. This revived bottle was made in the 19th century and showcases decoration and colors typical of Imari ware. A lady in kimono holding a fan under a Sakura tree is showcased in the front and the back, with underglaze blue contrasting the rich overglaze enamel and gold. On the two sides, raised relief borders enclose scenes of combatant dragons and tigers under plum trees, both rendered in great relief details and of sculptural quality. The base was marked in underglaze blue the archaic Chinese characters "Da Ming Cheng Hua Year Made...

Japanese vase from the Meiji Period (1868-1912). Beautiful antique decorative vase, created in Japan during the Meiji period (1868-1912), circa 1890s. It was carefully crafted in so...

An ancient Japanese vase with magnificent flower decoration made in a polychrome cloisonne enamel on a pale turquoise ground. Classic form for Ja...

Large antique Japanese vase. Dating from the late Meiji period, 19th century. Made of copper and brass with 'Cloisonne' polychrome enamel decorations. Cloisonne is a very ancient t...

Description Made By Ando Jubei, early 20th century Worked in copper wire with stalks of flowering spider chrysanthemums and plum and narcissus reserved on a pale-green ground, th...