A Ming Dynasty Patinated Bronze Relief Work Vase Turned to a Lamp

A beautiful French patinated bronze figure of a standing Japanese geisha in a traditional kimono with an obi. This geisha is exceptionally cast with immense detail. Starting from the...

A Pair of Chinese Ming Period Patinated Bronze Enameled Elephant Vases/Censors. The elephant has a Buddhistic caparisoned dress with pearl harness, tassels, and high-relief dragon p...

A fantastic pair of French empire period patinated and dore bronze candlesticks mounted as lamps. Each is beautifully cast, hand-chased, and hand-chiseled with the finest quality of burnished and matted dore bronze mounts. The fluted columnar bodies are beautiful with a dark patina which is offset with magnificent rich dore bronze mounts. The bodies are fluted with acanthus leaf dore bronze mounts which terminate at either end. The tops are supported by multiple patinated bronze lions paws. The bases are square with dore bronze medusa...

Important and rare silver figures of eight immortals Yangqinghe Jiuji marks, Late Qing dynasty. Each hollow figure portraying one of the immortals in an animated pose, with highly detailed facial features, four pierced with apertures for the insertion of facial hair, clad in finely chased robes, all but two with their characteristic attributes, their bases bearing either two seal marks reading Yangqinghe Jiuji gongyibu and Zhe'ning Hu Qiusheng zao, or three marks in regular script reading Yangqinghe Jiuji gongyibu, Shang and Sheng zuo, original hand-carved wood stands. Measures: 11 1/4in (28.5cm) high (tallest one). The earliest records of the silver atelier known as Yangqinghe date to 1775 in Shanghai...

Cast with a globular top with a central aperture on both sides, pierced with radiating petals to one side, supported on a tall spreading foot of rectangular section cast with raised ...

This fine old urn cast as an honorific nod to the ancient past of China was made circa 1600-1650. The shape or Hue was a common and well-represented form in the Han dynasty in pottery and bronze. This urn shows thin casting to the walls with incorporated toe tia or facial masks...

Patinated bronze vase, characterized by a refined naturalistic decoration with a lizard sculpted in relief in the center. The lizard is placed on leaves overlapping each other creati...

A small and interesting cast bronze archaistic scholar vase with loose ring handles and taotie mask design, late Ming or early Qing Dynasty, mid 17th century, China. The small vase of archaistic hu form, and cast with archaistic designs. Sitting on a tall splayed ring foot, the round body is cast with a large band featuring a ferocious taotie (ogre) mask. The taotie mask in this case id decidedly feline, with a ruyi shaped snout above a whiskered mouth. Two flanges stick out to either side of the mask, reminiscent of ears. A wide, tall neck rises from the body, terminating in a slightly everted mouth. The archaistic cast design on the neck is not as clear, but most likely represents Fusang, a mythical island in the Eastern Sea where the legendary Fusang tree grows. The Fusang tree, home to the mythical Sun Bird...