Indonesian Metalwork
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Place of Origin: Indonesian
Antique Dutch Colonial VOC Batavian Tortoise Shell Silver Sirih Casket 1750
Located in Portland, OR
A rare, Dutch Colonial, Batavian (now Jakarta) Dutch East Indies silver and tortoise shell Sirih casket, circa 1750.
The casket was used for storing highly prized betel nut, which was chewed ritually by high ranking Indonesian officials and adopted by settlers from the Dutch East Indies Company...
Category
1750s Dutch Colonial Antique Indonesian Metalwork
Materials
Silver
Vintage Yogya Silver Kala Bowl by Tom's Silver, circa 1960's, Indonesia
Located in Austin, TX
A bold and well crafted Indonesian Yogya (Jogja, Djokja) silver bowl by Tom's Silver, Yogyakarta, Java, Indonesia, circa 1960's.
The elegant bowl features a striking design of a Kala face, a protective monster often found above temple doors, and representative of time, death, and rebirth. A pair of makara flank the wide open, smiling mouth. A stylized foliate design surrounds the Kala.
Kala are analogous with the Kirtimukha, or face of glory, originating in India and associated with Shiva. Both beings are devourers of evil and tasked with protection
The bowl features two beaded borders, and a scalloped rim.
The bowl set on three short out-swept feet.
Stamped mark to the underside reading "TOM" "800" "DELUX". TOM stands for Tom's Silver, perhaps the most famous silver workshop in Yogyakarta. 800 is the purity of the silver (80%). DELUX is a common mark on Yogya silver...
Category
1960s Vintage Indonesian Metalwork
Materials
Silver
Antique Indonesian Garuda brass bell
Located in Chonburi, TH
This Antique Indonesian Garuda brass bell is a truly exceptional piece that embodies the magnificence and symbolism of the mythical Garuda bird in In...
Category
Early 20th Century Indonesian Metalwork
Materials
Brass
Vintage East Java Indonesian Brass Tepak Sireh Betel Nut Set 7 Pieces
Located in Topeka, KS
Phenomenal vintage East Java Indonesian brass Tepak Sireh betel nut set including a large brass bowl with removeable lid which doubles as a tray, two ...
Category
Mid-20th Century Anglo-Indian Indonesian Metalwork
Materials
Brass
A superb Minangkabau red-enamelled and brass wedding crown or 'Suntiang'
Located in Amsterdam, NL
A Minangkabau red-enamelled and brass wedding crown or 'Suntiang'
A Minangkabau red-enamelled and brass wedding crown or 'Suntiang'West Sumatra, Minangkabau, probably 1st half 20th ...
Category
Mid-20th Century Indonesian Metalwork
Materials
Brass, Enamel
Splendid and Heavy Late 17th Century Dutch-Colonial Silver Filigree Salver
Located in Amsterdam, NL
A splendid and heavy Dutch-colonial silver filigree salver
Indonesia, Batavia (Jakarta) or possibly Padang, West Sumatra, 2nd half 17th century
Diam. 22.9 cm
Weight 551 grams
This filigree-work was probably done by Chinese masters...
Category
17th Century Dutch Colonial Antique Indonesian Metalwork
Materials
Silver
An elaborate Minangkabau gem-set brass floral wedding crown or 'Suntiang'
Located in Amsterdam, NL
An elaborate Minangkabau gem-set brass floral wedding crown or 'Suntiang'
West Sumatra, Minangkabau, probably 1st half 20th century
H. 66.5 cm (incl. stand)
Provenance: Private co...
Category
Mid-20th Century Indonesian Metalwork
Materials
Brass, Enamel
Fabulous Indonesian Yogya-Silver Plate
Located in Amsterdam, NL
An Indonesian Yogya-silver plate
Yogyakarta or Kotagede, 1935-1940, marked, (alloy) 800 and maker’s mark PH (Prawirohardjo, act. from 1935)
Diam. 27.2 cm Weight 454 grams
Th...
Category
Early 20th Century Art Deco Indonesian Metalwork
Materials
Silver
Dutch Colonial Silver Dish with the Von Pfeffel Coat-of-arms, 17th Century
Located in Amsterdam, NL
An unusual Indonesian lobbed silver dish
Jakarta (Batavia) or Coromandel coast, third quarter 17th century, apparently unmarked
The eight lobbed dish exuberantly decorated with floral motifs, with the middle section replaced, consisting of indistinctly marked German silver from the early 19th century, bearing the coat-of-arms of the Von Pfeffel family.
Diam. 30.5 cm
Weight 461 grams
Note:
Lobbed silver dishes with exuberant floral decorations were characteristic of the decorative arts in the Netherlands in the first half of the 17th century. This style of floral decoration was adopted by silversmiths as well as by furniture makers working on the Coromandel Coast and in Batavia, often by workers who had fled the Coromandel Coast because of war and famine. In Batavia this style was known as “Custwerck” (work from the Bengal coast).
These lobbed dishes are seldom marked. Only after 1667 the use of the town mark became obligatory in Batavia but only for silver made in Batavia not for silver imported in Batavia from other VOC settlements. The engraved coat of arms in the centre is a replacement of the original centre.
The coat of arms can be identified as those of Christian Hubert von Pfeffel (1765- 1834). As a diplomat, statesman, ambassador of Bavaria in London and Saxony and councillor to the King of Bavaria, he was made “Freiherr” in 1828 and since then used this coat of arms. His son Karl Maximilian Friederich Hubert Freiherr von Pfeffel (1811-1890) in 1836 married Karoline Adelheid Pauline von Rottenburg (1805-1872), the natural daughter of Prins Paul von Württemberg (1785-1852) and his mistress Margrethe Porth. Paul was the jounger brother of the King Wilhelm I of Württemberg (1781-1864). The heraldic motto of the von Pfeffels Vur Schande habe den Huot means as much as “Beware of Shame”. Christian Hubert Theodoor Marie Karl von Pfeffel Karl Maximilian’s grandson was the last male in the von Pfeffel line. His daughter, Marie Louise (Paris in 1882 - Cornwall 1944), born and grown-up in France, changed her name in de Pfeffel. She was the great grandmother of Boris Alexander de Pfeffel Johnson, the present British Secretary of State. None of the members of the von Pfeffel family had any direct links with the Dutch East Indies but indirectly by way of the Royal House of Württemberg they did.
Sophia Frederika Mathilda von Württemberg (1818-1877), daughter of Wilhelm I King of Württemberg, in 1839 married Willem III...
Category
Late 17th Century Dutch Colonial Antique Indonesian Metalwork
Materials
Silver
Balinese Traditional Offering Container
Located in Fukuoka, JP
Balinese Traditional Offering Container
Bali, Indonesia
Date: 19th to early 20th century
Dimensions: 24.5 x 24.5 cm
Materials: Brass, wood, shell inlay
This rare and refined Balines...
Category
19th Century Antique Indonesian Metalwork
Materials
Brass
Central Javanese Bronze Footed Offering Vessel, 8th-10th Century
Located in Austin, TX
A gorgeously patinated bronze pedestal offering tray, talam, Central Javanese Period, Java, 8th-10th century.
The offering tray of beautiful form and proportions, with a splayed a...
Category
15th Century and Earlier Antique Indonesian Metalwork
Materials
Bronze
Indonesian Gong on Stand, Mid-20th Century
Located in New York, NY
A vintage Indonesian gong, polychromed and repurposed for a freestanding sculpture. Mounted on a black metal stand. Circa 1940. The front is painted i...
Category
1940s Other Vintage Indonesian Metalwork
Materials
Metal
Celebes Island Hand-Tooled Temple Monster Sculpture with Swine Ears and Horn
Located in Yonkers, NY
An Indonesian hand-tooled metal sculpture from the Celebes Island depicting a temple monster with swine ears and legs, horn, tail and a bell around his collar. Created on the Indones...
Category
19th Century Antique Indonesian Metalwork
Materials
Metal
Reliquary Urn in Brass
Located in Paris, FR
Urn reliquary in polished brass. In two parts, base
and lid.
Category
21st Century and Contemporary Indonesian Metalwork
Materials
Brass
Central Javanese Bronze Footed and Lidded Offering Vessel, 8th-10th Century
Located in Austin, TX
A stunning and rare Javanese bronze footed offering vessel and cover, Central Javanese Period, 8th-10th century.
The ritual offering vessel of elega...
Category
15th Century and Earlier Antique Indonesian Metalwork
Materials
Bronze
Antique Indonesian ceremonial bell
Located in Chonburi, TH
This Antique Indonesian brass bell holds a significant place in ceremonial practices conducted by priests. Crafted with meticulous detail, this bell ...
Category
Mid-20th Century Indonesian Metalwork
Materials
Brass
Very Decorative Late 20th Century Large Metal Hand Painted Model of a Fish
Located in Petworth,West Sussex, GB
A very decorative large coloured painted metal fish with candleholder. This beautiful fish made by a Jodhpur ironworker is painted and patinated by hand. Wonderful decorative object,...
Category
Late 20th Century Indonesian Metalwork
Materials
Metal, Iron
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Japanese Meiji Period Sterling Silver 2 Handled Basket by Katsu Miyamoto
By Miyamoto Shoko 1
Located in Dallas, TX
PRESENTING a GORGEOUS, VERY HIGH QUALITY and EXTREMELY RARE piece of Japanese Meiji Period Sterling Silver 2 Handled Basket by Katsu Miyamoto.
EXQUISITE, EXCEPTIONAL, RARE & IMPORTANT!
This is definitely a Meiji Period piece due to the fact that it is marked with the sterling silver mark “jungin”.
The Meiji period was from 1868 to 1912 and in 1928 a law was introduced in Japan compelling the use of decimal marks for silver.
This pre-dates that decimalization law.
We are of the opinion that it is from circa 1900.
Miyamoto Shoko was founded in 1880 as the first silverware specialty shop. In 1899, Miyamoto Shoko’s silverwares were ordered by the family members of the Emperor of Japan, and to this day, they are making fine and graceful handicrafts with skillful craftsmen.
Loved by numerous customers since the Meiji era, Miyamoto Shoko’s products have also been given to Princess Mako and Princess Kako of Akishino, as well as Princess Aiko Toshinomiya, on their birthdays.
Katsu Miyamoto (宮本勝), in 1880, in order to increase the sales of tobacco and cigarettes to foreigners founded the Moyamoto Shoko company, which produced different silverwares in general and particularly silver cigarette cases. Miyamoto’s first name, Katsu (勝) in some sources is written as “Masaru”, since 勝 kanji can be pronounced in both ways.
This basket is of the HIGHEST QUALITY imaginable!
The top of the basket has the MOST GORGEOUS repousse work of flowers, probably lotus flowers, with leaves and foliage. It has an underlying chevron effect chasing, reflecting parquetry.
The 2 handles are cast in the form of bamboo handles.
The rim of the top likewise is cast as bamboo.
The base is equally stunning in a different way!
It is chased with a chevron effect, like parquetry flooring and the four feet simulate pieces of sliced bamboo with an interlinking gallery of support columns, likewise, simulating bamboo.
The QUALITY of WORKMANSHIP is OUTSTANDING!
The pieces weighs exactly 525 grams.
This piece takes my breath away!
This is one for the SERIOUS COLLECTOR of EXQUISITE AND RARE Japanese silver. You will not find another like it, for sale ANYWHERE ELSE IN THE WORLD …… I know as I have searched!
Provenance: Acquired from a Dallas Private Collector.
Dimensions: 9.6 inches wide, 7.6 inches deep and 2.75 inches tall ( 7.25 inches tall with handles up)
Condition: Very good. It looks like the base 4 legged gallery, has been repaired/re-attached to the base, but otherwise it is excellent and of Museum quality.
The Meiji period (明治時代 Meiji-jidai?), also known as the Meiji era, is a Japanese era which extended from October 23, 1868 through July 30, 1912.[1] This period represents the first half of the Empire of Japan during which Japanese society moved from being an isolated feudal society to its modern form. Fundamental changes affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded with the reign of Emperor Meiji after 1868, and lasted until his death in 1912. It was succeeded by the Taishō period upon the accession of Emperor Taishō to the throne.
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19th Century, Antique Burmese Bronze Elephant Bell with Stand
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Chinese Tobacco Water Pipe, c. 1900
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Large Betel Nut Brass Bowl 'Sireh' East Java Indonesia, circa 1900
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Rare Dutch Colonial Silver Auricular Lobed Covered Bowl , Indonesia 17th century
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H 7.29 in Dm 8.27 in L 7.29 in
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