Tibetan Metalwork

Antique Asian Bronze buddhist bell Tibetan Meditation Prayer Ghanta Bell. Buddhist Tibetan Meditation Prayer Bell. A Bronze ritual bell "DRILBU" in Tibetan or commonly known as "Ghan...

Large vintage heavy bronze statue of Prince Pra Apai Manee playing a traditional Asian string instrument called "Zueng". This bronze has a dark green patina, the ceremonial costume and the jewelry are adorned with gold leaf. The base is adorned with some small bonsai trees. Very fine art work on cast bronze. Very fine Intricate decorative Asian art work...

Vintage Buddhist protector deity statue bronze heavy, ornate, symbolic, fertility symbol door handle from old temple Heavy bronze door handle in the ...

A beautifully fashioned Bronze Bowl with traditional form, good weight and deep sound. The OM Mani Padme Hum Mantra, shown here in Tibetan script. OM Mani Padme Hum, sometimes trans...

Tibetan Bronze Horse Door Pull Handle Jumping Male Animal Shape Door Pull. Set of four Flying Horse Door Pull Handle Door Hardware. Brass Temple Door Handle Fertility Symbol, Nepal...

On offer is an impressively large and finely cast Sino-Tibetan gilt antiquebronze statue of Vajrasattva Bodhisattva, circa 19th century maybe earlier. The deity is depicted seating i...

Tibetan traveling shrines, known as Gau, were believed to offer protective powers and were used to hold and carry sacred objects during long journeys. Crafted over a century ago, a B...

19th century Burmese bronze temple bell with original carved hardwood stand, painted iron hanging bracket, and striker. This rare large scale cast bronze bell has a splendid sculptural and spiritual presence. The bell has a long inscription on the upper part. The offering of a bronze bell to a monastery or temple was considered second only to the offering of a Buddha image as an act of merit (kutho). Such bells were cast using the lost wax (cire perdue) method. Casting of such bells was auspicious with specific rituals being performed by the caster and sponsors to ensure the appropriate blessings. The bell here, as with all such Burmese bells...

Tibetan traveling shrines, known as Gau, were believed to offer protective powers and were used to hold and carry sacred objects during long journeys....

Antique Asian and extremely detailed cast bronze fragment of the head of Buddha, dating from the 18 century and presumably having Thai or Tibetan origins. The sculpture fragment is s...

This early 20th century Tibetan snuff bottle is delightfully ornate, crafted with silver metalwork and encrusted with colorful beads. The small bo...

An oversized Gilt and Polychrome Cast Metal Copper alloy Sculpture of Sahasrabhuja Lokeshvara Avalokiteshvara Nepal. Nepal, 20st century. Dimensions: height 88in; width 60in; depth 3...

Sculpture of Shiva Nataraja, depicting the god within a ring of fire, holding a damaru drum in his right hand and a flame in the left. The Shiva is dancing on a reclining figure hold...

Tibetan traveling shrines, known as Gau, were believed to offer protective powers and were used to hold and carry sacred objects during long journeys. Crafted over a century ago, a B...

A deep circular hammered bronze gong with center boss, suspended from a carved, painted and silver gilt stand. The stand with scrolled openwork decorated crest with center monstrous ...

Pair of exquisite bronze Thai Teppanom kneeling angel Buddha table lamps. These intricate bronze sculptures lamps, dating 1940’s to 1950’s, feature a dark green patina with gold det...

A heavy and solidly cast, richly gilt, bronze caryatid figure from Densatil Monastery, Central Tibet, early 15th century or earlier. Cast in the form of two four armed figures standing back to back in tribhanga (thrice bent position) on a lotus platform, this piece would originally have served as a pillar for a larger seated deity...

Vintage Tibetan Bronze Meditation Bell with Gilt Vajra Handle – 20th Century A beautifully cast antique Tibetan Ghanta bell, also known as a Drilbu, used in advanced Vajrayana Buddhi...

Antique Bronze bell or Cymbal, hand hammered - Tibet - half XIX century - can be hung from the ceiling, hanging and hitting it. CYMBAL is a percussion instrument. Now it is used in m...

A richly detailed 19th-century Tibetan ritual vessel, hand-forged from copper and embellished with applied repousse and engraved brass medallions, geometric plaques, and symbolic mounts. Raised on three splayed feet, this bulbous, high-necked vessel features a domed body adorned with a dense array of ritual and decorative appliques, including stylized floral medallions, abstract symbols, and keyhole-like forms that reference tantric iconography. The vessel's expressive form is punctuated by three protruding spouts and retains its original arched swing handle with pierced brass finials. Meticulously decorated in traditional metalworking techniques, the surface patina reveals a rich, warm interplay between the copper ground and the golden brass overlay. An aesthetic that speaks to both spiritual function and ornamental sophistication. Likely used in ceremonial or domestic rituals, this vessel stands as a worthy testament to Tibetan artisanship and Buddhist ritual culture. A compelling piece for collectors of Himalayan antiques...

This is a water ewer used in Tibetan ritual offerings to the "hungry ghosts". They have been reborn so, as a result of greed and avarice and are condemned to wander as spirits with b...

Fine antique ceremonial antique indian cast bronze Puja spoon with brown patina. Indian Asian bronze Hindu ritual bronze spoon puja Achamani India Asia. Antique ceremonial spoon used during Hindu worship for offering holy water to deities, from Maharashtra. This Utharini is exceptionally well made, lotus shaped receptacle, the Hanuman sculpture...

This fine ceremonial ewer was made at the end of the 19th century and originates from the north Indian or Tibetan region. It is made in a very elegant form from plain patinated coppe...

19th Century Bronze Rain Drum with Snail and Elephant Motifs - Antique Collectible Discover this stunning 19th-century bronze rain drum, a remarkable antique collectible featuring i...

An impressive copper alloy mask of Arhat, the disciple and follower of Buddha (also known as Luohan in Chinese) from Tibetan region circa 19th century. The larger-than-life mask has striking iconic facial features: large, rounded eyes under bushy eyebrows, wide nostrils, full lips and elongated earlobes. The molded mask is lined with a red lacquered line-like textile on the back with seams still visible on the edge. Masks with realistic rendition of Arhats were not as common as the fantastical and fierce deity masks...

"Bronze Statue Of Nepalese Tara (royal Relaxation Position), Late 19th Century" A finely cast bronze figure of Tara, seated in lalitasana (royal ease pose) atop a double-lotus base. ...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...