Early 2000s More Asian Art, Objects and Furniture

Treasures of Islam by Toby FALK, Hardback in the excellent pictorial dust-jacket. pp 400; 567 color illustrations. Catalogue of the immense exhibition of Islamic Art held at the ...

A impressive bronze Buddha head fragment displayed on wood stand circa late 19th century. The Buddha was cast in the early "U Thong" style that flourished between the 12-13rd century A.D in Central Thailand. The Buddha iconography of that period is exemplified by the influence from Mon and Khmer kingdom, featuring a more square face and a characteristic small band between the hairline and the forehead. This large Buddha head...

This stone Buddha sculpture, believed to date back to the early Edo period or earlier, depicts Jizo Bosatsu in a seated pose. Crafted from granite, it showcases the natural effects ...

Timor Island sculpted wooden traditional mask (circa 1970s) on contemporary metal stand. This is a traditional mask of a figure with male facial features and two holes as eyes and another for the mouth with a handle below the face. The island of Timor gave rise to a distinctive practice of creating traditional masks whose precise origins and significance remain uncertain. Portraying both male and female ancestors, they were held by men during dances and other ceremonies, including celebrations of victory in war. Carved sculptures and masks are specific to rural villages. Here the practice of animism, or nature-worship, is incorporated with the carving of ancestral statues and masks, which have a ritualistic function. Some occasions that call for these ceremonies may include asking for successful crop planting, for prosperity, for good weather...

First Edition, published by Christie's Realty International, London, 2008. Accompanies the auction Post-War and Contemporary Art Evening Sale, Tuesday 13th May, 2008. This beautif...

A celebration of evolving taste, told through the stories behind 250 objects sold by the world's leading auction house founded in London in 1766, Christie's is one of the most import...

An unusual pottery statue of ox and cart on plexi stand, Tang dynasty 618-907, comes with Oxford authentication TL test certificate. Oxford TL test sample ...

Christie's Important Old Master Paintings catalog, New York January, 29 1999. This auction catalog consists of 206 lots, all color illustrations, with all lots described in detail. C...

Vintage silver Hindu Ganesh collectible Hindu diety statue amulet India. Silver amulet in original green velvet box. Hindu gift their loved ones with this...

The Buddha statue was made from a copper alloy in a standing position with hands in double Abhaya mudra. This mudra symbolizes the act of dispelling fear in the face of adversity. In Laos and Thailand where this mudra are used as one of the most iconic gestures, with its origin was pre-Buddhism era, when it was a symbol of good intentions and friendship when approaching strangers. In contrast to Indian iconography, it was often shown with both hands raised to the level of the shoulder in Southeast Asia. The statue was made in the classic Lopburi style, which historically was heavily influenced by Khmer art...

A large and magnificent cast bronze image of the Medicine Buddha, Bhaisajyaguru, rendered in the Burmese Pagan style, and most likely based on a period example that was either damaged or lost, 19th century, Burma or Thailand. He can be identified as the Medicine Buddha by the hand that rests in his lap, with his middle finger touching the thumb. A medicine pot or fruit stem would originally have been placed in his upturned palm. The face of this Buddha has been sculpted masterfully. He has a beautiful heart shaped face topped by hair neatly arranged in the typical "snail shell curls", and surmounted by a high ushnisha. Long, pendulous earlobes frame his face, a symbol of his princely past. He gazes serenely outwards from heavily lidded, downcast eyes, a content smile upon his full, lush lips. The Buddha is portrayed seated in vajrasana (full lotus position), his elegant hands displayed in varada mudra, the gesture of granting favors and fulfilling wishes. Long, exquisite fingers extended, the thumb and middle finger touching in a gesture of compassion. He is clothed in a simple kasaya wrapped around his body and over one shoulder, leaving the shoulder and part of his chest bare. The diaphanous garment clings to his body, outlining his well proportioned and graceful, almost sensuous, form. The excess material pooled in neat pleats in front of him. A sash thrown over his shoulder. He sits upon a double lotus base upon a raised platform. The platform features two kneeling attendants, usually interpreted as the monks Ananda and Kasyapa. Between them is a circular disc representing the Wheel of Dharma. Contained in the disk is a flower with eight petals, symbolizing the eightfold path, one of the principle teachings of the Buddha. The sides and back of the platform featuring a series of singha, or lions, representative of the Buddha's royal past. An applied lacquer patina covers the entirety of the image. Large deposits of ash (from incense) are present between the curls of the hair, as well as some the other crevices, indicating this image was the subject of worship for many years. Bhaisajyaguru, also called the Medicine Buddha, or Buddha of Healing, is a revered figure in the Buddhist pantheon as a master able to cure suffering, both physical and spiritual, through his teachings. The Pagan Empire ruled most of present day Burma (Myanmar) from 849 to 1297. The capital, Bagan, served as a both the center of government and religion, where Buddhism reigned supreme. Bagan was also at a crossroads of the Buddhist world, with influence from India, Nepal, Tibet, China, and even Indonesia shaping their culture. As such, Pagan Buddha...

Catalog of a Christie’s London sale held on Wednesday, May 10, 2000 dispersing an important collection of French 20th century decorative arts, featuring al...