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19th Century Japanese Silk Painting by Kano Chikanobu, Cherry Blossom & Birds

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19th Century Japanese Silk Painting by Kano Chikanobu, Phoenix & Paulownia
Located in Kyoto, JP
Birds & Flowers of the seasons Pheasants & Plum in Snow Unframed painting. Ink, pigment and gofun on silk Kano Chikanobu 1819-1888 Signature...
Category

Antique Mid-19th Century Asian Edo Paintings and Screens

Materials

Silk

19th Century Japanese Silk Painting by Kano Chikanobu, Turtles & Azalea
Located in Kyoto, JP
Birds & flowers of the seasons Pheasants & plum in snow Unframed painting. Ink, pigment and gofun on silk Kano Chikanobu 1819-1888 Signature...
Category

Antique Mid-19th Century Asian Edo Paintings and Screens

Materials

Silk

19th Century Japanese Silk Painting by Kano Chikanobu, Peacock & Bamboo
Located in Kyoto, JP
Birds & Flowers of the Seasons Pheasants & Plum in Snow Unframed painting. Ink, pigment and gofun on silk Kano Chikanobu 1819-1888 Signature...
Category

Antique Mid-19th Century Asian Edo Paintings and Screens

Materials

Silk

Early 20th Century Japanese Cherry Blossom Screen by Kano Sanrakuki
Located in Kyoto, JP
Cherry Blossoms Kano Sanrakuki (1898-1981) Showa period, circa 1930 2-panel Japanese Screen Color, gofun and gold leaf on paper Against a backdrop of gold-leafed ground, the lichen covered trunk and branches of the life-sized cherry blossom tree reach out and beyond the confines of the pictorial surface. The overall composition has a feeling of flatness which draws emphasis to the surface and the three-dimensionality of the cherry blossoms. Painstakingly built-up layers of thickly applied shell-white gofun detail the voluminous blossoms and cover large areas of this tour-de-force of Japanese Nihonga painting. By simplifying the background, minimizing the number of colors and depicting the blossoms with such heavy relief, the artist has emphasized the stunning presence of the cherry tree. The type of tree depicted is the Yae-Zakura; a double-layered type of cherry blossom famed for its beauty and strength. When we think of Japanese cherry blossoms, the first thing that comes to mind is Somei Yoshino variety, which has a single flower with five almost white petals. This type is fragile and easily blown away by strong wind or rain. Most of the double-flowered cherry blossoms begin to bloom when the Somei-Yoshino falls, and the flowering period lasts longer than that of the Somei-Yoshino. Kano Sanrakuki originally studied painting at the Kyoto City Arts and Crafts School under the tutelage of Yamamoto Shunkyo...
Category

Early 20th Century Japanese Showa Paintings and Screens

Materials

Gold Leaf

Early 19th Century Japanese Screen. Cherry Blossom & Pheasants by Mori Tetsuzan
Located in Kyoto, JP
Mori Tetsuzan (1775-1841) Pheasants and Cherry Blossoms Two-fold Japanese screen. Ink, color, gofun, gold and silver on paper. A two-fold Japanese bir...
Category

Antique Early 19th Century Japanese Edo Paintings and Screens

Materials

Gold Leaf

17th Century Japanese Screen. Ink Plum Tree & Birds by Kano Naonobu.
Located in Kyoto, JP
Kano Naonobu (1607-1650) Plum Tree and Birds Six-fold Japanese Screen. Ink and slight color on paper. In this evocative ink work spread over a six-panel folding screen, we see the consummation of the elegance and refinement of the Edo Kano school. This 17th century screen is a rare surviving example of a large-scale bird and flower painting by Kano Naonobu, the younger brother of Kano Tanyu...
Category

Antique 17th Century Japanese Edo Paintings and Screens

Materials

Wood, Paper

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19th Century Japanese Edo Six Panel Kano School Landscape Screen
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Late Edo period 19th century Japanese six-panel landscape screen featuring a cypress tree over a flowering hibiscus with a pair of hototogisu birds. Kano school painted with ink and ...
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Antique Japanese Six-Panel Screen by Kano Chikanobu "Shushin"
Located in Prahran, Victoria
Late 17th century Kano school peony landscape screens. Both screens signed: Hogan Josen Fujiwara Chikanobu Hitsu - Kano Chikanobu (Shushin) (1660 - 1728...
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Fine Japanese Brush Painting of Cherry Blossom Festival
Located in Greenwich, CT
Fine Japanese brush painting of cherry blossom festival, ink and color on silk, 19th century, museum conservation framed. Overall size: 68" hi...
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Antique 1880s Japanese Meiji Paintings and Screens

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18th Century Japanese Kano School Landscape Screen
Located in Prahran, Victoria
Japanese Kano school screen with pine tree, camellias, cherry blossom and Chinese figures in the landscape, circa 18th century. Materials: Pigmen...
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Antique 18th Century Japanese Paintings and Screens

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Silver Leaf

19th Century Japanese Edo Screen Kano School Garden Terrace
Located in Rio Vista, CA
Fantastic 19th century Japanese Edo/Tokugawa period two-panel byobu screen featuring Chinese children frolicking on a garden terrace with a pavilion and large pine tree. Made in the ...
Category

Antique 19th Century Japanese Edo Paintings and Screens

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Brass, Gold Leaf

Set of 6 Large Kakemonos Japanese Mythology, 19th Century Japan circa 1800 Edo
Located in Beuzevillette, FR
Beautiful set of 6 large kakemonos from 19th century Japanese mythology. Paper support with a canvas pasted on the paper Wonderful set that is part of Japan's history and beliefs When not hung, the Kakemonos are rolled up. circa 1800 - Japan - Edo Period A kakemono translates as "object to hang". In Japan this refers to a painting or calligraphy, most often done on silk or paper framed in a scroll that was intended to be hung on walls or in public lighting. This particular form, which allows them to be in a roll, dates back to the Tang dynasty in China (this would be related to the copying and preservation of ancient Buddhist texts). A Kami is a deity or spirit worshipped in the Shinto religion. A Yokai is a spirit, ghost, demon, or strange apparition from the creatures of Japanese folklore. Each of these kakemonos represents a unique story: - A kami, a Japanese deity, is shown painting a rainbow. Indeed, he performs the action with his right hand while his left hand holds a kind of basket with three pots of paint. This kami has a rather closed attitude. He is standing in a dark and tormented sky. Below this figure, 8 villagers are dressed in traditional Japanese clothes. Their faces are softened. They are not afraid of the elements made by the kami above their heads. - A character with an unreal look is holding a kind of jar with his two hands, which he spills on human figures above. This being is floating in the air, probably a character from mythology, perhaps Susanoo. Underneath, villagers on umbrellas. They are trying to protect themselves as best they can from what is falling on them. One of them is carrying baskets with fish on her shoulders. A character in the background is thrown forward and falls. - On this kakemono, the god Raijin, dressed in a white and blue outfit, strikes the sky with his two drum hammers to create lightning and its thunderous sound. Surrounded by Tomoe and a long red scarf, Raijin, enraged and with dishevelled hair, creates a dark and violent storm. The villagers seem frightened by this meteorological phenomenon. One of the villagers can be seen fainting in the arms of a man. This scene may seem chaotic, but Japanese legend tells us that once a field is struck by lightning, the harvest is good. - On this kakemono, we see an unreal-looking figure holding a fan, as if he were sweeping away the bad weather, or simply producing gusts of wind. He is probably the kami of wind and air, Shina tsu-hiko. The figures below him seem surprised by so much wind. An umbrella flies away on the left, the women hold their hair and scarf, the clothes are caught in the power of the wind, there is even a woman on the ground on the bottom left. - This Kakemono represents a short moment. This Raiju is a yokai (ghost spirit...
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Antique 19th Century Japanese Edo Paintings

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Paper

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