19th Century Saudi Mashrabiya Screen

PRESENTING a rare Saudi Arabian Camel Saddle with it’s camel whip. A real conversation piece from the mid-20th Century, circa 1960-1980. Made of oli...

PRESENTING a STUNNING and HIGHLY DESIRABLE and IMPORTANT 19C Reverse Glass Painting of Shiva, Parvati and Ganesh from the Pal Collection. This piece has impeccable Provenance! It was purchased by a Private Dallas Collector at Christie’s New York Auction on 20th March 2008. Sale Number 2112, Lot No. 290. Christie’s operate a twice yearly auction of Southeast Asian Art & Antiquities in New York in the months of March and September. This sale was titled “The Scholar’s Vision: The Pal Family Collection”. The painting was described as “A reverse glass painting of Shiva, Parvati and Ganesh – India, Maharashtra, 19th Century. The holy family seated on the floor, mother and child in the lap of Shiva, with a red background and blue borders. Opaque pigments and metal leaf on glass. 12 x 16 in. (30.4 x 40.6 cm.) Exhibited: Durga: Avenging Goddess, Nurturing Mother, Norton Simon Museum of Art, 7 October 2005 – 27 March 2006″. It carried an Auction estimate of USD 2,500 to USD 3,500 and Sold for USD 2,500 (not including Buyers Premium). Allowing for inflation alone this would be over $4,300 in today’s value. At highest estimate, this would equate to over $6k in today’s value. As an added bonus and proof of authenticity the painting still retains it’s original Christie’s Lot No. Label. It has substantially increased in value over the years as a RARE piece from the ‘renowned’ Pal Family Collection and a RARE piece of antique Asian Indian...

PRESENTING a GLORIOUS Contemporary piece of Art by a recognized Indian Master – C J Anthony Doss – The Temptation 1957 . This piece has impeccable Provenance ! It was purchased by a Private Dallas Collector at Sotheby’s New York Auction on 20th September 2005. Sale No: 8111 Lot No. 223. Sotheby’s operate a twice yearly auction of Southeast Asian Art & Antiquities in New York in the months of March and September. This sale was titled “Indian and Southeast Asian Art”. The Lot is described as: “C.J. Anthony Doss (b. 1933) THE TEMPTATION. Signed and dated ‘C J A Doss/57’ lower right. Oil on canvas laid on board. 27.5 by 20.5 in (69.9 by 52 cm.) The Provenance is given as: “Property from the Collection of Mr. Artur Isenberg”. The painting carried an Auction estimate of USD 2,000 to USD 4,000. Allowing for inflation alone this would be over $6,000 in today’s value. As an added bonus and proof of authenticity the painting still retains it’s original Sotheby’s Lot No. Label. It has substantially increased in value over the years as a HIGHLY DESIRABLE piece from an exhibited and highly collected Modern Indian Master painter. C.J. Anthony Doss is a very highly regarded and widely exhibited, Indian painter. He was born in 1933 and died in 2008. DAG Modern in Mumbai featured Doss’s work. Doss represented India at biennales in Paris and Sao Paulo. He was also a prominent member of the South Indian Society of Painters. His works are in Indian museums...

Presenting a stunning piece of Indian antiquity from the 17th century, namely, a pair of indian erotic paintings from a kama sutra series. India, Orissa, 17th century. Hand-painted on cloth canvas. These have impeccable Provenance! They were purchased by a Private Dallas Collector at Christie’s New York Auction on 19th September 2002. Sale Number 1115, Lot No. 251. Christie’s operate a twice yearly auction of Southeast Asian Art & Antiquities in New York in the months of March and September. The Lot was described as: “Two Erotic Paintings from a Karma Sutra...

A beautiful red lacquered, solid wood fragment painted with an opera scene of victory celebration, featuring various figures dressed in official uniforms and crowns. Remnant gold lea...

This screen, comprised of four sections and formed from Chinese hardwood and nephrite, is a beautiful piece of Chinese design—the dark lustre of the nephrite accenting the warm tones...

Six-panels screen depicting the exit from the city of a Chinese emperor on horseback and his concubine in a luxurious palanquin. It may be a scene illustrating the poem The Song of Everlasting Sorrow (Chang hen ge, ???) written by Bai Juyi (772-846), which recounts the tragic love story between the emperor Ming Huang (also known as Tang Xuanzong, 685-762) and his favorite concubine, the beautiful Yang Guifei...

Mid-19th Century Japanese sixfold screen with atmospheric Nanga style painting. Black ink over gold leaf on paper, of a peaceful mountainous landscape emerging from mist. In the fore...