Byôbu Screen 屏風 Chrysanthemums, Rinpa School, Edo / Meiji period

Stunning Japanese cabinet in lacquered wood, original from the Shōwa period. The Shōwa era (in Japanese, 昭和時代, literally "period of enlightened peace") or Shōwa period is the period ...

Elegant and beautiful Dressing Table or it could be suitable for a jewellery box , Meiji Period ( 1868 - 1912 ). Executed with black lacquer, holding a bronze hand mirror ( ekagami) Configured with five smooth-running drawers of different Size. Two are equipped with slender "hirute"-shaped bail handles and three with decorative pull-rings. The front-and backside featuring oval grips for easy transport. Surmounted by a mirror frame in a shape reminiscent of a Shintô shrine torii-gate- a twin-posted framework with a triangular crossbar flared in upswept Chinese-style gable ( Karahafu) endings. Resting of the frame is the Japanese traditional handheld mirror with auspicious embossed design of wisteria ( fuji) and lovely patina. Inscription on the right. Considering its age the set is in a very good condition with some traces of usage and wear conform age. Dimensions: Dressing stand...

Exceptional painting depicting a Mediterranean seascape. The two fishing boats in the center of the composition stand out. In the far distance, a village with a small harbor, charact...

Piece unique, an exceptional table lamp in original bamboo cylinders with bronze finials, 1970. Beautiful black and interior gold patent leather screen in a Hollywood Regency style. ...

A Chrysanthemum and Bush Clover painting on gold leaf six-panel folding screen, painted with clusters of leafy green chrysanthemum plants with white blossoms having moriage relief petals of gofun growing amidst pink blossoming bush clover within a bunched bush clover garden fence rendered in lighter gold relief, all on a background entirely of rich gold leaf. These two flowers are symbolic of Japan and the autumn season. The classic patterned paper verso with a Naga Antiques...

“Kiku Byobu”, a six-panel chrysanthemum folding screen, Rinpa School, Meiji Period (1869-1912). Painted with several variations of white moriage chrysanthemums interspersed with sma...

School of Ogata Korin White Chrysanthemums 18th Century, Edo period. A two-panel Japanese screen. Ink, color, gofun and gold leaf on paper. Dimensions: H. 171 cm x W. 188 cm (67.5” x 74”) On this two-panel Japanese screen we see blooming chrysanthemums, a flower which embodies the essence of autumn in Japan. Here the traditional floral theme has been simplified and stylized. The bright colors and asymmetrical composition against the delicate gold leaf create a luxurious and ornate work of art. Its background, a strikingly patinated grid of gold leaf, denies any sense of place or time and imbues everything with an ethereal glow. The leaves and stems of the plants are nothing more than pools of mottled color and ink without any outline whatsoever. These are typical Rinpa adaptations of traditional ink painting methods; tarashikomi, or diluted washes of color blended while very wet, and mokkotsu, or “bonelessness,” which creates forms without exterior outlines. The relief work of the rounded flower petals has been obtained by the moriage process (a mixture based on ground shells modeled on the surface of the paper). On the lower right of the screen, the siganture “Hokyo Korin Jakumyo” and the “Hoshuku” seal can be read. Korin is Ogata Korin, famed for the Irises (Nezu Museum) and Red and White Plum Blossom (MOA Museum of Art) folding screens, both National Treasures. Korin worked in both Kyoto and Edo in the mid-Edo period. Korin was using the art name “Jakumyo” just after he received the Hokyo level, which was in 1701. This particular screen was published in May of 1961 in the Japanese Sansai Fine Art Magazine*. An in depth article accompanies the photograph of the screen and and a photograph of the signature and seal. This article devotes much of its body to discussing the moriage technique, how it enlivens the chrysanthemum flowers and Korin’s specific skill in using the technique. The article goes on to discuss the most famous works of Korin, utilizing this technique, which were known at the time. Specifically a two-panel screen held in the Honolulu Museum which was discovered in the store-house of Takahashi Soan. A two-panel screen pair which the Nakano family own. A two-panel screen pair with chrysanthemums in moriage in fan designs owned by the Nomura family. Also a small folding screen featuring chrysanthemums held in the Yamato Bunkakan. The article goes on to say that this particular two-fold screen came from the Nijo family. Korin is known to have had a strong connection with the aristocratic Nijo family. The article explains that Korin received a lot of favors from the Nijo family and that this screen would have been gifted to them. Since that time the Honolulu screen has been amended to ‘attributed to Ogata Korin’ and I do not know further details of the other 3 screens. Other Chrysanthemum screens...

Japanese Kano School Edo period two-panel screen depicting flowering prunus and bamboo on a rock formation, with colorful birds next to a body of water. ...