Cherry Blossoms Showa Period Scroll Japan 20c Artist Mataichiro Isoda Nihonga St

Kawai Gyokudo (?? ??, November 24, 1873-June 30, 1957) was the pseudonym of a Japanese painter in the Nihongo school, active from Meiji through Showa period Japan. His real name was Kawai Yoshisaburo. Contents Biography Gyokudo was born in what is now Ichinomiya city, Aichi Prefecture, as the eldest son of a paper, ink and brush merchant. He went to Kyoto in 1887 to study under Kono Bairei of the Maruyama-Shijo school of painting. In 1896, he moved to Tokyo and he became the student of Hashimoto Gaho, of the Kano school. He also studied Western-style painting and developed a highly personal style, especially in the field of landscape painting. Gyokudo is noted for his polychrome and occasionally monochrome works depicting the mountains and rivers of Japan in the four seasons, with humans and animals shown as part of the natural landscape. Among his representative works are Futsuka zuki (“The New Moon”), Yuku haru (“The Departing Spring”), Mine-no-yu (“Evening at the Mountain Top”), and Bosetsu (“Snow in the Evening”). In 1898, Gyokudo joined with Okakura Tenshin and Yokoyama Taikan...

As you can see, Hisato Miyao, Okayama Prefecture, wrote "Shiraume" plum and warbler, and comes with a box. It is a plum and warbler figure expressed in a truly wonderful color, and...

If it is good enough for the Japanese emperor :) The painting's inscription says that it was painted in the artist's 82nd year, which would be 1913. In the early Meiji Period following the Buncho ideal of hasshu kengaku ('learning eight schools'), Kanpo expanded his talents to incorporate Western painting techniques and began studying oil painting with Kawakami Togai (1827-1881) and Kunisawa Shinkuro (1847-1877). He achieved notable recognition as an oil painter and apparently was awarded the honor of painting a portrait of the Empress Dowager. Later Kanpo returned to Nihonga and continued to receive numerous honors for his work. He received a silver medal (2nd place) at the Tokyo Prefecture Crafts Competition in 1887; 2nd place with a painting of peacocks...

Overall perfect: Size scroll... 142.0cm × about 55.0cm. Painting about 40.0cm × about 41.5cm. 30-12-18-1-11 (65) Condition Overall Perfect: Size scroll... 142.0cm × about 55.0cm...

Cherry Blossoms Kano Sanrakuki (1898-1981) Showa period, circa 1930 2-panel Japanese Screen Color, gofun and gold leaf on paper Against a backdrop of gold-leafed ground, the lichen covered trunk and branches of the life-sized cherry blossom tree reach out and beyond the confines of the pictorial surface. The overall composition has a feeling of flatness which draws emphasis to the surface and the three-dimensionality of the cherry blossoms. Painstakingly built-up layers of thickly applied shell-white gofun detail the voluminous blossoms and cover large areas of this tour-de-force of Japanese Nihonga painting. By simplifying the background, minimizing the number of colors and depicting the blossoms with such heavy relief, the artist has emphasized the stunning presence of the cherry tree. The type of tree depicted is the Yae-Zakura; a double-layered type of cherry blossom famed for its beauty and strength. When we think of Japanese cherry blossoms, the first thing that comes to mind is Somei Yoshino variety, which has a single flower with five almost white petals. This type is fragile and easily blown away by strong wind or rain. Most of the double-flowered cherry blossoms begin to bloom when the Somei-Yoshino falls, and the flowering period lasts longer than that of the Somei-Yoshino. Kano Sanrakuki originally studied painting at the Kyoto City Arts and Crafts School under the tutelage of Yamamoto Shunkyo...

A Japanese mounted vertical hanging scroll painting by Mori Tetsuzan (Japanese, 1775-1841) circa 19th century Edo period. The watercolor and ink on silk ...

Size: The door size is 90 x 188 cm (35.4 x 74 inches) Number of doors: 6 pieces Period: Showa (1926-1989) This exquisite 6-panel fusuma screen, hailing from the Showa period, captures the serene beauty of Japan's beloved plum blossoms. Each panel is meticulously crafted with high-quality Japanese paper, providing a delicate backdrop for the elegantly hand-painted plum tree that spans across the panels. The artwork vividly portrays the fleeting beauty of early spring, where plum blossoms emerge in a burst of life against tranquil landscapes. The fusuma panels...

Japanese ink on paper painting of Plum Blossoms and Poem, scroll mounting, signature & single seal: Tani Buncho (1763 - 1840). A famous and prol...