Chinese Carved and Pierced Window Panels, Qing Dynasty, Early 20th Century, Pair

A very fine mid-Qing Dynasty Chinese hardwood and lacquer six-panel screen, Jailing Period, circa 1800. The hardwood frame inset with black lacquer panels. One side features an over...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

A Qing Dynasty fretwork four-panel screen with geometric motifs and floral accents. This late Qing Dynasty period fretwork four-panel screen, crafted in the early 20th century, offers a harmonious blend of geometric precision and floral delicacy. Each of the four vertical wooden panels is adorned with meticulously arranged pierced geometric motifs, gracefully punctuated by delicate floral accents. The composition is framed by raised panels at the top and bottom, adding an element of depth and sophistication to the piece. The screen's warm honey-colored patina enhances the intricacy of the fretwork, creating a subtle yet captivating visual effect. Perfect for adding a refined touch to any home, this four-panel screen can be used in various ways to complement your decor. Position it as an elegant room divider in a spacious living room, or use it as a decorative accent against a wall to draw the eye and add depth to the room. Its intricate patterns allow light to filter through, creating an ever-changing play of shadows that brings warmth and character to the space. With its rich historical roots and timeless design, this Qing Dynasty screen...

Provenance: Christie’s. The panels with carved figural vignettes- floral vines at the top, the bottom with small ones with figures at various tasks in landscapes with houses, the lar...