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Edo period Japanese Screen. Tiger and Pine by Kishi Ganku.

$28,000
£21,261.06
€24,313.61
CA$39,120.06
A$43,510.05
CHF 22,719.59
MX$529,470.98
NOK 290,163.89
SEK 272,122.54
DKK 181,461.81
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About the Item

Kishi Ganku (1749/1756-1838) Tiger and Pine A six-panel Japanese Screen. Ink on silver leaf. The central focus of this Japanese screen is a large tiger, emerging from shadow, crouched beneath an ancient pine tree. The pine branches extend diagonally across the upper portion, creating a dynamic counterbalance to the grounded, muscular form of the tiger below. Sparse foliage and misty emptiness in the background emphasize the negative space, allowing the tiger and trees to dominate. The angled ink washes, slanting from the upper left toward the lower right, mimic the invisible force of wind sweeping through the landscape. They energize the composition and draw the viewer’s eye in a sweeping motion. The tiger has been associated with the earth and wind since ancient times, much as its counterpart, the dragon, has been associated with the heavens and rain. The entire background is covered with silver leaf, creating a luminous and atmospheric backdrop. Over time, the silver has oxidized, giving it a mottled, antique appearance of reflective silver, muted grays and copper browns. The oxidized silver leaf is a dynamic and reactive surface that changes dramatically in color and appearance depending on lighting conditions and angle of view. Kishi Ganku (1749/1756-1838) is an artist whose birth year and birthplace are shrouded in mystery. He is said to have been born in either Kanazawa or Toyama, but he spent his childhood and youth in Kanazawa. After moving to Kyoto, he was discovered by Prince Arisugawa and served him, building connections with the Imperial Court and nobles. He produced paintings for the sliding doors of the Imperial Palace and Kanazawa Castle, and received many requests from feudal lords around the country. The Kishi school became a major force in Kyoto, alongside the Maruyama Shijo school. Ganku’s paintings of tigers were particularly popular. He was so skilled at painting tigers that he was nicknamed "Kishikoma no Tora. He was made honorary governor of Echizen (Echizen no kami, 越前守) toward the end of his life. Initially, Ganku studied Kano style painting but early in his studies he shifted to explore the meticulous Nanpin style named for the Chinese painter Shen Nanpin (active early 18th century). Following his study of Nanpin, he explored Japanese naturalism under Maruyama Okyo, and Chinese-inspired naturalism under Matsumura Goshun of the Shijo school in Kyoto. Perhaps unsatisfied with any of these popular styles, he founded his own school, the Kishi school, characterized by a rough and vigorous brush style but still reflective of the many influences his training had provided.
  • Dimensions:
    Height: 174 in (441.96 cm)Width: 146 in (370.84 cm)Depth: 0.75 in (1.91 cm)
  • Style:
    Edo (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    Circa 1800
  • Condition:
    Refinished. Wear consistent with age and use. The screen was most recently re-mounted approximately 20 years ago.
  • Seller Location:
    Kyoto, JP
  • Reference Number:
    1stDibs: LU2472345369062

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