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Japanese Painting, 17th Century, Tale of Genji, Makibashira, Tosa School

$3,200List Price

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Japanese Painting, 17th Century, Tale of Genji, Tosa School
Located in Kyoto, JP
Illustration to an unidentified chapter of the Tale of Genji (Genji Monogatari) Tosa School (second half of the 17th Century) Ink, pigment, gofun and...
Category

Antique Late 17th Century Japanese Edo Paintings and Screens

Materials

Gold Leaf

Japanese Painting, 17th Century, Tale of Genji, Fujibakama, Tosa School
Located in Kyoto, JP
Purple Trousers (Fujibakama), Illustration to Chapter 30 of the Tale of Genji (Genji Monogatari) Tosa School (second half of the 17th century) Ink, ...
Category

Antique Late 17th Century Japanese Edo Paintings and Screens

Materials

Gold Leaf

17th century Japanese Falcon Painting, Mitani Toshuku, Unkoku School
By Mitani Toshuku
Located in Kyoto, JP
Mitani Toshuku (1577-1654) “Falcon” Wall panel, ink and light color on paper. Upper Seal: Mitani Lower Seal: Toshuku Dimensions: Each 118.5 cm x 51 cm x 2 cm (46.5” x 20” x .75”) Individual falcon paintings by Mitani Toshuku (1577-1654), an early artist of the Unkoku School. Founded by Unkoku Togan (1547–1618), a master of the Momoyama period, the Unkoku school enjoyed long lasting patronage in southern Japan. Togan was a retainer of the Mori family in present day Yamaguchi prefecture. Members of the school considered themselves to be in the artistic lineage of Sesshu Toyo...
Category

Antique Early 17th Century Japanese Edo Paintings and Screens

Materials

Paper

Japanese Screen Painting, Circa 1700 'Tales of Ise' by Tosa Mitsusuke
By Tosa Mitsusuke 1
Located in Kyoto, JP
A six-fold Japanese screen by Tosa Mitsusuke (1675-1710), Japan 17th-18th century, Edo period. The signature reads Shoroku-i ge Tosa sa Konoe Shogen Mit...
Category

Antique Late 17th Century Japanese Edo Paintings and Screens

Materials

Gold Leaf

Japanese Painting, Framed Panel, 17th Century Falcon by Mitani Toshuku
By Mitani Toshuku
Located in Kyoto, JP
Mitani Toshuku (1577-1654) “Falcon” Wall panel, ink and light color on paper. Upper seal: Mitani Lower seal: Toshuku Dimensions: Each 118.5 cm x 51 cm x 2 cm (46.5” x 20” x .75”) Individual falcon paintings by Mitani Toshuku (1577-1654), an early artist of the Unkoku School. Founded by Unkoku Togan (1547–1618), a master of the Momoyama period, the Unkoku school enjoyed long lasting patronage in southern Japan. Togan was a retainer of the Mori family in present day Yamaguchi prefecture. Members of the school considered themselves to be in the artistic lineage of Sesshu Toyo...
Category

Antique Early 17th Century Japanese Edo Paintings and Screens

Materials

Wood, Paper

17th Century Japanese Screen Pair. Tiger & Dragon by Kaiho Yusetsu
Located in Kyoto, JP
Kaiho Yusetsu (1598-1677) Tiger and Dragon Early Edo Period, Circa 1650 A Pair of Six-fold Japanese Screens. Ink and slight color on paper. Dimensions: Each screen: H. 171 cm x W. 380 cm (67.5’’ x 149.5’’) In this pair of early Edo period Japanese screens a group of tigers prowl in a bamboo grove whipped with fierce wind, while a dragon claws through clouds and mist. The dragon embodies elemental qualities - looming out of the mist, the coils of its body disappearing in the clouds. The dragon is calling for rain, symbolizing spring which is considered the fountain of life. On the other side, the tigers calls for the wind, symbolizing autumn which is considered the end of life. Tigers were familiar motifs within Japanese art from ancient times though the animals were imaginary to the people in the 17th century. While dragons and tigers are usually associated as sacred and ferocious, in this painting, both animals have rather amusing expressions. The tigers appear to glare at the dragon with cat-like eyes, and the look on the swirling dragon’s face appears almost affectionate - lending a playful flair to an otherwise magnificent theme. The tiger and dragon are cosmological symbols of the balancing forces in the world. Screens such as this were originally meant to express the fluctuating nature of the world. For Japanese in the early Edo period, they likely suggested the powers of the cosmos. In Japan the tiger and dragon motif was originally absorbed into the circles of Zen monasteries before spreading into the secular world. The theme especially appealed to the military classes with the Kano school, the official painters to the Shogun and the samurai, being the leading contributors. The painter of this pair of screens, Kaiho Yusetsu (1598-1677), was closely patronized by the third Shogun Tokugawa Iemitsu. In his later years he worked with Kano school artists...
Category

Antique Mid-17th Century Japanese Edo Paintings and Screens

Materials

Silk, Wood, Paper

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