Japanese Style Four Panel Screen by Lucien Leinfelder

Dramatic Showa period two panel folding byobu screen depicting a large white goose in flight in an evening snow covered winter landscape. Made in the American school style watercolor...

Whimsical Japanese late Edo period two-panel screen circa 1800 by Yokoyama Kazan (Japanese 1784-1837). The screen depicts four of the seven Gods or deities ...

Fantastic Japanese late Meiji period two-panel byobu screen by Hashimoto Koshu. The large screen features two white geese amid brightly colored reeds. The symbolism of geese and reeds was introduced to Japan from China in the 13th century. This was a popular subject for Japanese zen artists of the period. Beautifully crafted with exceptional brush strokes and details. Made with natural pigments in dramatic vivid colors of white, pink, and mint green on a silk background of gilt. Circa 1900 with artist seal on bottom right corner. Koshu studied Western art under...

Large Japanese Meiji period six-panel screen depicting a winter landscape with a Chinese sage visiting friends in a country villa. Ink and vivid color pigments on mulberry paper mounted to a gilt background. Painted in the 19th century Kano school...

Four individual mounted panels of calligraphy. Each panel contains a poem inspired by one of the four seasons. Each panel signed: To Rei. Ink on mulberry paper with silk brocade border.

Modern painting in mineral pigments on mulberry paper with a silk brocade border.

Hinoki (Japanese red pine) and other deciduous trees in mineral pigments on mulberry paper. Signature reads: Yosui.

Powerful depiction of sprawling monastery with massive mountains in the background. Ink on paper. Signature and seal read: Tetsuzan.