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Large Japanese 6-panel folding screen with chrysanthemums on silver leaf

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Japanese Two Panel Screen, Chrysanthemums

Japanese Two Panel Screen, Chrysanthemums

H 22.5 in W 67.5 in D 0.75 in

Japanese Two Panel Screen, Chrysanthemums

Located in Hudson, NY

Beautiful white chrysanthemums are emphasized by heavy gold on a soft floral landscape, while gold clouds create a striking and dream-like floral scene. Gold leaf and gofun with min...

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Antique Early 18th Century Japanese Paintings and Screens

Materials

Gold, Gold Leaf

Japanese Six-Panel Screen, Chrysanthemums

Japanese Six-Panel Screen, Chrysanthemums

H 67.25 in W 145 in D 0.75 in

Japanese Six-Panel Screen, Chrysanthemums

Located in Hudson, NY

Japanese six-panel screen: Chrysanthemums, Edo period (circa 1800) painting of a variety of chrysanthemums in a garden landscape, with sparrows. Mineral p...

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Antique Early 1800s Japanese Edo Paintings and Screens

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Gold Leaf

Japanese Two Panel Screen: Simple Chrysanthemums on Gold

Japanese Two Panel Screen: Simple Chrysanthemums on Gold

Located in Hudson, NY

Mineral pigments on gold leaf. Not signed, by: Baikei Hitsu.

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Antique 1880s Japanese Paintings and Screens

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Japanese Six Panel Screen: Plain Silver Leaf on Paper

Japanese Six Panel Screen: Plain Silver Leaf on Paper

Located in Hudson, NY

(no image) With beautiful oxblood color lacquer frame with 19th century bronze mounts.

Category

Early 20th Century Japanese Paintings and Screens

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Bronze, Silver Leaf

Japanese Six-Panel Screen, Rimpa School Chrysanthemums on Gold

Japanese Six-Panel Screen, Rimpa School Chrysanthemums on Gold

Located in Hudson, NY

An abundant use of gold with beautifully draped chrysanthemums and gold flake clouds. Mineral pigments, go fun, gold leaf on mulberry paper with a silk brocade border.

Category

Antique Early 19th Century Japanese Meiji Paintings and Screens

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Japanese Meiji Six Panel Screen Brushwood Gate with Chrysanthemums

Japanese Meiji Six Panel Screen Brushwood Gate with Chrysanthemums

Located in Rio Vista, CA

Gorgeous Japanese early 20th century Meiji period six-panel byobu screen featuring a brushwood gate and fence with flowering chrysanthemums. The large screen is crafted with ink and ...

Category

20th Century Japanese Meiji Paintings and Screens

Materials

Brass, Gold Leaf, Silver Leaf

Japanese Two-Panel Screen, Mother and Kitten with Chrysanthemums

Japanese Two-Panel Screen, Mother and Kitten with Chrysanthemums

Located in Hudson, NY

Delicate painting of garden chrysanthemums with a fine gold mist. A cat grooms herself while a kitten plays with a chrysanthemum. Mineral pigments...

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Antique Mid-19th Century Japanese Paintings and Screens

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A two-panel folding screen with bamboo plants on gold leaf

A two-panel folding screen with bamboo plants on gold leaf

Located in Milano, IT

A Japanese two-panel folding screen painted with pigments on a gold leaf ground, depicting a group of bamboo plants. The composition features slender stalks alternating with thinner ...

Category

Early 20th Century Japanese Paintings and Screens

Materials

Gold Leaf

Japanese Two-Panel Screen, Rimpa Style Chrysanthemums on a Twig Fence

Japanese Two-Panel Screen, Rimpa Style Chrysanthemums on a Twig Fence

Located in Hudson, NY

Detailed painting of varieties of chrysanthemums behind a bound-twig garden fence rendered in silvered, raised gofun. Stylized low-hanging gold mist clouds. Rimpa-style painting in m...

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Antique Late 19th Century Japanese Paintings and Screens

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Japanese Six-Panel Folding Screen with Floral Landscape

Japanese Six-Panel Folding Screen with Floral Landscape

Located in Fukuoka, JP

Elegant Japanese six-panel byōbu depicting a tranquil landscape with blooming flowers set against softly rendered hills and stylized clouds. The composition is balanced and serene, w...

Category

20th Century Japanese Showa Paintings and Screens

Materials

Gold Leaf

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Large Japanese 6-panel byôbu 屏風 (folding screen) with chrysanthemum garden

Large Japanese 6-panel byôbu 屏風 (folding screen) with chrysanthemum garden

Located in Amsterdam, NL

A very colourful and captivating large six-panel byôbu (folding screen) with a refined continuous painting of a luscious flower garden filled with many different types of chrysanthemums (kiku), next to a winding river. This multi-coloured painting is set on a shiny gold-leaf background, and the chrysanthemum flowers are painted by using shell paste (gofun) in low relief. Several clutches with a great variety of chrysanthemum flowers are in full bloom and they each show their unique form and colour. Varying from white, red, yellow and pink. The flowers bloom all around and on different kinds of bamboo fences and trellises. In Japan chrysanthemums are believed to represent happiness, love, longevity and joy. The panels are surrounded by two silk borders, a thin black one, and a wide brown one. The screen is protected by a black and red negoro’nuri...

Category

Antique Late 19th Century Japanese Paintings and Screens

Materials

Gold Leaf

Large Japanese 6-panel byôbu 屏風 (folding screen) with Edo genre painting

Large Japanese 6-panel byôbu 屏風 (folding screen) with Edo genre painting

Located in Amsterdam, NL

An elaborate, large six-panel byôbu (folding screen) featuring a detailed genre painting on gold leaf, capturing the vibrancy of festive scenes from the Edo period. Central to the p...

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Antique Early 19th Century Japanese Paintings and Screens

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Pair of Japanese hinagata byôbu 雛形屏風 (small folding screens) with flower carts

Pair of Japanese hinagata byôbu 雛形屏風 (small folding screens) with flower carts

Located in Amsterdam, NL

An amazing pair of six-panel hinagata byôbu (doll festival folding screens) with a continuous painting on gold leaf showcasing flower carts (hana’guruma) at the edge of a winding river. Both laden with a large bamboo basket...

Category

Antique Early 19th Century Japanese Paintings and Screens

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Gold Leaf

Tall, Japanese lacquer byôbu 屏風 (folding screen) by Mitsuo Takana 高名光夫 (1956)

Tall, Japanese lacquer byôbu 屏風 (folding screen) by Mitsuo Takana 高名光夫 (1956)

By Mitsuo Takana

Located in Amsterdam, NL

Refined, tall two-panel byôbu (folding screen) completely adorned with ‘Wajima Ryûsaku’ lacquer by the Nitten award winning artist Mitsuo Takana (1956). Featuring five refined images inspired by woodblock prints from the famous series ‘Tôkaidô gojûsan tsugi’ (The fifty-three stations of the Tokaido road), like the 1st station Nihonbashi, the 10th station Hakone, and the 21st station Okabe. The design is executed in hiramaki-e (low-relief lacquer design) in shades of gold, silver, heightened by some multi-coloured details. Set on a shiny black lacquer substrate. Signed in red lacquer in the lower right corner. Including original signed & sealed wooden tomobako (storage box). The front with an inscription about the contents as described above. The inside: ‘Friend of the Nitten Exhibition Takana Mitsuo’ - Seal: ‘Hikari’. ‘Lacquer artist Wajima Ryûsaku’ - Seal: ‘Ryûsaku’. Mitsuo Takana was born 1956 in Wajima, Ishikawa prefecture. He won several awards during exhibitions like: Ishikawa Contemporary Art Exhibition, Japan Artisans' Association Exhibition and the well-known Nitten Exhibition. Dimensions: Height 57.48 in/146 cm, Total width 66.92 in/170 cm (2 x 33.46 in/85 cm), Depth 1.10 in/2.8 cm. Weight 56.21 lb/25.5 kg. Wajima lacquerware...

Category

Late 20th Century Japanese Paintings and Screens

Materials

Wood, Giltwood, Lacquer

Rare set of 2 Japanese suits-of-armour, complete with 2 matching folding screens

Rare set of 2 Japanese suits-of-armour, complete with 2 matching folding screens

Located in Amsterdam, NL

Important unique set of two suits-of-armour (yoroi), complete with two high six-panel screens, that belong together as is indicated by the used family crests (mon). Two crests are used, both belonging to the Nakagawa family of Oka Castle, Ôita prefecture on Kyûshû. They are: – the Nakagawa-kurusu, a circle depicting a Celtic-like cross through a ring. The cross was originally a Christian symbol but after the ban on Christianity in Japan the use of a hidden cross in family crests could continue. – the Nakagawa-kashiwa, two leaves of the Japanese Emperor Oak turned to each other (dakikashiwa mon). The remarkable aspect of this ensemble is the presence of matching crests on both the yoroi and the accompanying folding screens. The kurusu and kashiwa crests adorning the yoroi are elegantly replicated on the screens, providing compelling evidence that these pieces form a harmonious and unified set. This exceptional cohesion between the armour and screens further enhances their artistic and historical value. After the warlord Toyotomi Hideyoshi (1537-1598) had interfered in the battle between the Lord of Bungo Province Ôtomo Yoshi-mune (1558-1605) and the Shimazu of Hyûga Province, he split the Bungo Province in a number of small fiefs and transferred in 1594 Nakagawa Hideshige (1570-1612) from Miki Castle in the Harima Fief to Oka Castle in Kyûshû. The Nakagawa family stayed in possession of Oka Castle till the abolishment of the military use of castles in 1873. In 1884 the Nakagawa family received the title of Count (a title in use till the abolishment of aristocracy in 1947). After the Nakagawa’s left, the castle and the building soon dilapidated and is now known as Oka Castle Ruins. The castle is located in Taketa Village part of Taketa Town in Ôita Province on Kyûshû. > Set of two tall byôbu (folding screens), painted with large red jinmaku (camp enclosure curtain) on a gold leaf ground. The curtains show both crests of the Nakagawa family: one screen depicts two Nakagawa-kurusu crests next to a Nakagawa-kashi crest in the middle, and the other shows the symbols the other way round. Dimensions: Total width 148.66 in/377.6 cm (2 x 25.35 in/64.4 cm, 4 x 24.48 in/62.2 cm); Height 72.63 in/184.5 cm. Period: Japan – Late Edo period (First half 19th century), and maybe even older. > Yoroi with Nakagawa-kashiwa crest: A Japanese black lacquered suit-of-armour (yoroi) completely laced with orange cords (kuro’urushinuri hi’ito odoshi nimai’dô’maru). A thirty-two plate suji’bachi kabuto (helmet with raised ridges) with in front a maedate (fore crest) -with traces of gilding- in the shape of flames, resembling a mythical flaming bird flying down. The fukikaeshi (face guards) and the mabizashi (visor) have the Nakagawa-kashiwa crest in gold maki-e lacquer. Five curved ‘itazane’-plate neck guards (shikoro) laced with orange cords. Together with an ‘angry man...

Category

Antique 18th Century Japanese Antiquities

Materials

Gold Leaf, Iron, Metal