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Vintage kimono textile art "View from the Window ~Maple&Plum~" by ikasu, Japan
About the Item
This work is a glorious nod to buddhist temples circle windows, with beautiful Japanese garden scape seen outside. Golden leaf on the border of a frame is an expression of light going inside from the window. It could be an extra window in your home, going straight to a temple garden?
<< Period / Story >>
early Showa period (around 1930s)
<< Explanation and meaning of pattern and colors >>
Together, maple leaves and plum motifs symbolize the harmonious blend of resilience (plum) and grace (maple), reminding the owner of the beauty in enduring hardships and embracing change.
- Creator:Kimono ikasu (Artist)
- Dimensions:Height: 0.79 in (2 cm)Diameter: 13 in (33 cm)
- Style:Japonisme (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1930
- Condition:
- Seller Location:Setagaya City, JP
- Reference Number:1stDibs: LU10079243379112
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Antique kimono textile art " Plum Blossom Night ~Resilience~ " by ikasu Japan
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This artwork uses antique fabric from Taisho era (early 1920ies) kimono and paulownia wood taken from antique kiritansu - chest-of-drawers used initially to keep kimonos.
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Vintage kimono textile art " Growing ~ Longevity ~ " by ikasu Pink, Japan
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<< About this canvas >>
This set is a depiction of a tall chrysanthemum stem, entirely dyed in a traditional shibori technique.
<< Period / Story >>
The haori featured in this canvas was created and used during the late Showa period (1960-80ies).
<< Explanation and meaning of pattern and colors >>
A charming chrysanthemum flowers all around a stem seem to reach the heavens.
The chrysanthemum flower, which retains its vitality long after being cut, symbolizes longevity, purification from malevolent spirits, and good fortune. In ancient times, during the Kamakura period (1185-1333), emperors loved the chrysanthemum pattern, and it remains the most prestigious flower and the emblem of the Japanese imperial family...
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Vintage kimono textile art "Autumn branches ~ Kintsugi ~" by ikasu Brown, Japan
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The frame for this work is made of paulownia wood taken from antique Kiritansu - chest-of-drawers for kimono.
I use antique kiritansu that can’t be used as furniture anymore to crea...
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Vintage kimono textile art "Marble Story ~ Healing ~" by ikasu Grey, Japan
By Kimono ikasu
Located in Setagaya City, JP
This work uses a vintage kimono fabric with marble pattern, that makes it look like a real piece of marble.
The line in the middle symbolizes “kintsugi” - concept of wabi-sabi, which values imperfection, impermanence, and the beauty of aging.
It is elegantly framed with paulownia wood originally used for kimono chest-of-drawers, and is filled with storytelling and sense of luxury.
I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece.
<< Explanation and meaning of pattern and colors >>
Kintsugi (金継ぎ), which translates to "golden joinery" or "golden repair," is a traditional Japanese art form of repairing broken pottery with lacquer mixed with powdered gold, silver, or platinum. I used this tecnique here to "repair" antique kimono by transforming it into art work. Beyond its literal meaning of mending broken ceramics, kintsugi carries profound philosophical and cultural significance in Japanese tradition:
・Embracing Imperfection: Kintsugi celebrates imperfection and impermanence. Rather than disguising or concealing flaws, it highlights them, treating the breakage as part of the object's history. This philosophy encourages acceptance of imperfection as an essential aspect of life, beauty, and human experience.
・Wabi-Sabi Aesthetic: Kintsugi embodies the principles of wabi-sabi, an aesthetic worldview centered on the acceptance of transience and imperfection. Wabi-sabi values simplicity, authenticity, and the beauty of things that are imperfect, impermanent, and incomplete. Kintsugi exemplifies these principles by turning what might be considered flaws into features that enhance the object's beauty and character.
・Resilience and Transformation: The act of repairing broken things with precious metals symbolizes resilience and transformation. Instead of discarding or replacing the broken object, kintsugi honors its history and transforms it into something new and valuable. This reflects broader philosophical themes of overcoming adversity, finding beauty in imperfection, and embracing change.
・Honoring the Past: Kintsugi preserves and honors the history of the object. Rather than erasing or ignoring its past, it acknowledges and celebrates it. This aspect of kintsugi can be seen as a metaphor for honoring our own personal histories, including the challenges and setbacks we have faced, and recognizing how they have shaped us into who we are today.
・Spiritual and Philosophical Symbolism: Kintsugi has spiritual and philosophical implications, reflecting concepts such as the interconnectedness of all things, the cycle of life and death, and the pursuit of harmony and balance. The process of repairing broken objects with precious metals is seen as a metaphor for spiritual growth, enlightenment, and the journey towards wholeness.
Overall, kintsugi represents not only a practical technique for repairing ceramics but also a profound philosophical and cultural perspective on life, beauty, and the human experience. It embodies values such as resilience, acceptance, and the transformative power of embracing imperfection.
<< Characteristics of the fabric >>
This vintage textile is hand-painted with a traditional painting technique where the colors are added on wet surface, which creates an effect of marble.
<< About the frame >>
Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos.
Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments.
During the Edo period, it became customary to store cherished kimonos in paulownia chests...
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