Pottery Scholar's Objects

French 19th Century green glazed pot with handles. Circa 1890.

This is a very good 19th century Chinese Export, (Canton) deep plate or dish, which we date to the early 19th century, circa 1820 of the Qing dynasty. The plate has a light green,...

A lovely and luxurious Japanese silver incense burner of lobed melon form, akoda koro, marked jungin and signed Nomura, Meiji Period, circa 1900, Japan. The silver koro...

This is an old Japanese stone object. This stone object has a beautiful black and beige gradation. An art object that gives you a sense of wabi-s...

Old Blue Timbered Roof Tree Lantern, lucky bamboo design An early hard to find Japanese natural "Tree" form lantern, "Koboku-Toro" with fine handcrafted details including a timbered...

A tri-pod ceramic incense burner (koro) by Japanese Imperial potter Makuzu Kozan (1842-1916) circa late Meiji to the start of Taisho period (1890-1910s). A fine example of the artist's work belonging to the late part of his underglaze paint phase (started around 1887 until his death), the surface of the koro was painted in beautiful shades of blue to depict a continuous landscape not unlike a traditional ink and watercolor hand scroll. The rise and fall mountains recede and fade into the horizon and are dotted with groves of pines. The sky is painted with a beautiful subtle shade of pink, suggesting a time of sunrise or sunset. The koro is fitted with an ensuite reticulated sterling silver hoya (incense cover), pierced with swirling cloud and marked with "pure silver' in Kanji. The base is signed in underglaze blue "Makuzu Kozan Sei" within a double ring. The piece is beautifully potted in form and the decoration was done with expertise using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking landscape known as "Mountain and Water" with sense of dimensions and gradient, the poetic effects normally conveyed only by sumi ink staining on paper. The piece comes with an unsigned tomobako (wood storage box) of a recent age. Also known as Miyagawa Kozan (1842–1916), Makuzu Kozan was one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...

A very fine pair antique Chinese Kangxi porcelain famille verte Buddhist Lion joss stick holders dating between 1662 and 1722. The dogs sit raised on...

A small ceramic stemmed dish with high cylindrical foot in white glaze with a cobalt blue underglaze inscription in the center from Korea, circa 18-19th cent...

These are a well made very decorative small cloisonné salt and pepper pot, made in China and dating to the mid-19th century. Both pieces a...

A rare and attractive pair Chinese Qing Jun-ware Foo dogs decorated in liver red glazes and dating from around 1850. The porcelain dogs are heavily made and stand raised on rectangul...

This is an antique artist's box. An English, walnut and ebony paint palette case by Winsor & Newton of London, dating to the late Victorian period, circa 1890. Appealing Victorian artist's box from a renowned paint supplier Displaying a desirable time worn patina and remnants of enthusiastic use Walnut stocks present fine grain interest and rich caramel hues The lid edge accentuated with an ebonised corner finish Dressed to the fascia with a brass lined lock escutcheon — in working order, key present Interior offers a suite of compartments over pin-secured lower drawer Lift-out paint tray annotated with colour names and several vintage paint pots...

A terracotta earthenware pot from the Southwest of France with mottled green glaze. Minor chips and some rough unglazed patches. These ordinary earthenware vessels were once used dai...