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Antique Bronze Indian Betel Nut Cutters Radha and Krishna 19th Century
About the Item
19th century antique handmade brass Radha Krishna betel nut cutter from India.
Upper side is Krishna (vishnu) and lower side is Radha, you can also called this king queen walnut cracker.
This excellent piece of art from India, made in solid bronze, nut slicer or nut cracker which is two halves made with great detailed design, It is connected with a copper rivet this is usually used to slice betel nut or areca nuts.
It represent a highly detailed hugging couple the Hindu tale of the Goddess Krishna and her lover in a curved shape with pointed feet, highly detailed on both front and back.
Great for small nut cracker, nut slicer or use it as a paperweight, excellent addition to your handcrafted Hindu figurines collection.
The last pictures is our collection of Bronze Betel Nut Cutter, the item for sale is for the one pictured only, the last picture is for reference if you need more see other listings.
Measure: 4.1/2 inches length by 2.5/8 wide by 0.3/4 inches deep,
Antique circa 1900s with age patina.
This is a betel-nut cutter made of bronze using casting lost wax technique.
This Very Unique piece ready to be part of your collection.
This 19th-century Mughal era brass betel nut cutter, also known as a sarota, is a stunning testament to the artistry and craftsmanship that defined the Mughal era.
Designed for both function and beauty, this rare piece exemplifies the intricate metalwork and rich cultural heritage of one of India's most opulent periods.
While primarily used for cutting betel nuts, these cutters were much more than functional tools.
They were prized possessions in the Mughal courts and households, symbolizing wealth, refinement, and social status.
Sharing betel nut preparations was an integral part of cultural and social rituals, elevating these objects beyond utility to symbols of luxury and sophistication.
Despite the decline of the Mughal Empire by the 19th century, the legacy of its craftsmanship endured, influencing the design and artistry of the time. This exceptional betel nut cutter offers not only a glimpse into the lavish lifestyle of the Mughal elite but also serves as a captivating work of art that brings the opulence of a bygone era into the present.
Chewing of the betel nut dates back as far as The Vedic period in Hinduism around 1700 – 1100 BCE. Held in high esteem and very much a cultural tradition, royalty had servants carry trays and would offer guests betel nuts and betel nut leaves as one would offer a drink. The chewing of nuts was also associated with lovers. Chewing the nut preserved fresh breath and was also known to have relaxing properties. Hence there was a sexual symbolism, the areca nut the male and the leaf the female.
The betel nut is actually a berry (the fruit of the areca palm) that, especially in its dried form, was and is today widely chewed throughout Asia for its narcotic effect. A special type of scissors was developed to cut the dried berry.Portuguese traders began importing betel nuts into Europe in the 1500s, but they never caught on as did tea and coffee.
- Dimensions:Height: 4.5 in (11.43 cm)Width: 0.5 in (1.27 cm)Depth: 0.75 in (1.91 cm)
- Style:Anglo Raj (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1850
- Condition:Wear consistent with age and use. nice patina.
- Seller Location:North Hollywood, CA
- Reference Number:Seller: KR3211stDibs: LU906822838402
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From the Art collection of Marian and John Scott.
Acquisition date: 1986.
From the Art collection of Marian and John Scott who purchased this item from the amazing private collection of Mark Lissauer who spent his life collecting niche ethnographic pieces.
About Mark Lissauer:
Mark Lissauer spent forty years travelling abroad for months at a time collecting ethnographic artefacts primarily from New Guinea and the islands of the West Pacific, and from Asia and Himalayan countries. Fluent in five languages and having in the course of business travelled to more than forty countries, Mark is well-known to museums and art-collectors around the world for his long career and his interesting and diverse collection of rare ethnographic material.
Mark knows the origin and symbolism of each piece. Through extensive research and more than ninety trips around the globe, Mark familiarised himself with the traditions of the various cultures he visited in order to understand the meaning of each object to its region and tribe. His home has a specialist library and several rooms are filled with tribal carvings, textiles and ethnographica.
He acquired his first tribal piece in 1948 during a business trip to Milne Bay, New Guinea, and has since documented the acquisition of some 35,000 items. Several thousands of these have been sold to important private collections and museums worldwide, including the Rockefeller Museum, the British Museum and the Musée National des Arts d’Afrique et d’Océanie, now incorporated into the Louvre Museum.
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