Antique Burmese Shan Buddha from Burma

Material: lacquerware 53,3 cm high 28,5 cm wide and 20,4 cm deep Weight: 1.869 kgs Gilded with 24 krt. gold Shan (Tai Yai) style Bhumisparsha mudra Originating from Burma 18...

Material: lacquerware Measures: 70,6 cm high 43 cm wide and 33,5 cm deep Weight: 5.8 kgs Gilded with 24 krt. gold Shan (Tai Yai) style Bhumisparsha mudra Originating from Bur...

Antique Shan (Tai Yai) Jambupati Buddha Image, wood, lacquer and gold leaf, Konbaung Empire (1752-1885) A crowned style that displays Northern Thai iconography merged with the aesthetic of Burmese rule in the region. The figure is depicted in the popular Theravada seated position of padmasana, (interlocking legs position) and the hand mudra in bhumisparsa (earth touching) wherein the feet are souls  up, the fingers of the right hand extend beyond the right shin and the left hand palm up resting above the lap. Remnants of the leaf-like kirita crown remain.  The image is dressed in Burmese royal costume with thayo rolled lacquer relief decoration modeled into cuffs, epaulettes, knee pads and a detailed “U” shaped necklace covering the chest. There is also a lappet of clothing between the legs draping down toward the base. The figure is seated upon a tall and waisted throne pedestal having rows of lotus petal grooves on the diagonal portions . The  base and body are carved from one solid piece of hard wood. All covered in black lacquer with thayo lacquer details, red pigment for the lips and gold leaf overall. The Jambupati style Buddha illustrates the tale of the Buddha’s life when he came across the arrogant King Jambupati, a king who terrorized his subjects and who lacked humility and compassion for his people. The Buddha on meeting the King asked that he forsake his evil ways and instead practice kindness to his fellow man. Ignoring the Buddha’s request, the King continued to terrorize the people. The Buddha then in his efforts to change the King of his evil ways, one day magically appeared to him in resplendent royal attire. King Jambupati was in awe of the Buddha’s appearance prostrated himself in obeisance and from that day onward accepted the Buddhist precepts. In Southeast Asian countries like Burma, where rulers have very high if not semi-divine status, tales of this type, reinforced the need for the leader to worship the Buddha, the King of Kings. Condition: Heavy deterioration of the underside of the base as well as the interior portion of the crown, other losses include crown flanges, the crown spire, earrings, the tip of the left thumb, one base corner edge, rolled lacquer losses and general wear of the gold leaf surface, all commensurate with age and wear. Measuring: 22.25 in. high x 8.75 in. wide x 7.75 in. deep(56.5cm x 22.2cm x 29.7cm). Weight: 10.8 lbs. Age: Late 18th century. Provenance: Lark...

Material: Alabaster Origin: Asia Era: 19th Century Dimensions: 30 x 20 x 10 cm Features and Details: This magnificent Buddha carved in alabaster dates back to the 19th century and shows traces of polychrome, indicating its rich history and antiquity. It is a work of art of Asian origin, reflecting its style and carving technique. With dimensions of 30 x 20 x 10 cm, this sculpture is a serene and majestic representation of the Buddha, capturing the essence of spirituality and tranquility that characterize Buddhist art. The traces of polychrome add an additional depth to the piece, demonstrating the attention to detail and careful artistry of the time. Product Condition: The Buddha is in good condition considering its age, with normal signs of wear for its age and use. The traces of polychrome contribute to the charm and authenticity of the sculpture. Selling Price: Please contact us for pricing information. Sales Conditions: Payment Methods: Bank transfer, cash. Delivery: Delivery arrangements can be made based on the buyer's location. Warranty: No warranty is offered due to the ancient and unique nature of the sculpture. Return Policy: Returns may be accepted within a specified period, subject to certain conditions. This 19th-century Asian...