Chinese Antique Large Qing Hand Carved Stone Drum Stool Display Pedestal, 19thc.

Rare and Hard To Find 19th Century From China's Qing dynasty (1644-1912) a hard to find solid limestone finely carved square footed pedestal - perfect for displaying your indoor or ...

From Japan comes this seldom found , one of a kind large granite stone display base featuring four sets of altar steps- an impressive and spiritually significant object for displayin...

Rare and Hard To Find Temple Pedestal, 19th Century From Japan , a hard to find solid inscribed and well carved round top temple pedestal - perfect for displaying your indoor or out...

Here's one of the most beautiful Chinese antiques we have ever found in our travels in China over the past three decades. This is a one-of-a-kind antique sandstone lintel which when installed and displayed could be a handsome addition to your decor. It dates to the 18th century of the Qing dynasty. It still retains remnants of its original poly chrome surfaces. The carving and detail is deep and very fine. Depicted are a pair of writhing dragons competing for the fabled -wish granting jewel- and possibly water waves beneath- all auspicious signs. Dimensions: 13 inches high and 71 inches wide and 14 inches deep Photographs taken in natural light in our garden. Rare work of art. Provenance: originally found in Chengdu Province and has been part of family collection since its acquisition in 2004. Lifetime guarantee of authenticity. We are members of NAJGA- North American Japanese Garden...

This petite footed basin carved of solid limestone was likely once used in the courtyard of a wealthy Qing-dynasty home. Unusual decorative elements elevate...

We are delighted to offer for sale this lovely handmade in Ireland green pedestal stand with Victorian lady picture A good looking and decorative pi...

A fine antique Chinese hand carved jade brush wash, in ruyi head form, sides flanked by 2 climbing hydras, and bottom carved with three raised circles fee...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...