Chinese Famille Rose Enameled Porcelain Guanyin, Zeng Longsheng, 1980's, China

A sublime and rare pair of Chinese white glazed porcelain figures of Guanyin, attributed to Tang Ying (1682 - 1756), Qing Dynasty, Qianlong Period, China. This ethereal pair of white glazed porcelain figures depict the revered Buddhist Goddess of Mercy, Guanyin. Guanyin is portrayed standing, wearing heavy robes that drape beautifully around her figure. Bare feet peek out from under the hem of the robes. Her hair piled in a high chignon and covered by a cowl. The treatment of the hair, finely textured, unglazed, and with remnants of darker pigment, is typical of works by Tang Yin (1682 - 1756), who was the head of the imperial porcelain works at Jingdezhen. Guanyin's beatific face is set in a serene smile, with a small, flat nose, and downcast, heavily lidded, almond shaped eyes. A simple beaded necklace graces her chest. Her hands held out, and may have once held attributes. The hands were originally removable, but have since been permanently attached. The figures crafted of a fine porcelain and glazed all over in a supple white glaze. One figure bears a label from the Rafi Mottahedeh collection to the back. Provenance: Chinese Porcelain Company...

A sublime Chinese carved boxwood figure of the Bodhisattva of Compassion, Avalokiteshvara, called Guanyin in Chinese, mid-Qing dynasty. The an...

Introducing a Magnificent Japanese Porcelain Figure of a Guanyin - A Monumental Expression of Serenity and Grace. Behold this majestic depiction of Guanyin, rendered in porcelain with remarkable skill and artistry. Standing almost waist-height, this monumental statue exudes a sense of tranquility and spiritual presence that captivates the beholder. The figure of Guanyin is beautifully stylized, featuring a high bun adorned with a draped head covering that adds an air of elegance to the composition. Dressed in traditional clothes, the statue showcases an underglaze red hand-painted robe gracefully layered over exquisitely detailed garments. Delicate blossoms, meticulously painted by skilled hands, artfully scatter across the fabric in a pleasing pattern, adding an enchanting touch of artistry to the ensemble. The masterful craftsmanship is evident in the realistic draping of the clothing, creating a breathtaking illusion of soft fabric that seems to defy the porcelain medium, the only reminder being its alluring shine. The Guanyin figure exudes a sense of serenity with a pleasant and peaceful smile, complemented by gently lowered eyelids and gracefully elongated ear lobes. As you gaze upon the statue, you'll notice a delicate attention to detail, allowing the toes to peek out from under the floor-length blue trimmed gown, that further enhances the intrigue of the figure. A beautiful red drop...

This figure produced in Dauhan porcelain in China in the 1780s represents the Bodhisattva Avalokitesvara known in China as Quanyin. She is the figure most associated with compassion and mercy. Dauhun porcelain is a type of true white wares made in Dehua in Fujian Province. This first appeared in the late Song Dynasty in small amounts but reached its greatest achievements in the Ming Dynasty. The material's plastic consistency allowed for well-defined shapes that included boxes, vases, jars, cups, joss stick...