Large Terracotta Head of Luohan on Wood Stand from Vietnam

A impressive bronze Buddha head fragment displayed on wood stand circa late 19th century. The Buddha was cast in the early "U Thong" style that flourished between the 12-13rd century A.D in Central Thailand. The Buddha iconography of that period is exemplified by the influence from Mon and Khmer kingdom, featuring a more square face and a characteristic small band between the hairline and the forehead. This large Buddha head...

Carved out of a single block of grayish brown stone (likely granite type), this Buddha head represents Northern Qi style in China (550-577AD) and likely of the period. The Northern Q...

A fragment of Terracotta statue displayed on wood block stand from ancient Indian continent dated to the Gupta period (4th-6th century). The head of the...

A small chicken blood stone carving from China circa early 20th century, possibly early (late Qing to early Republic period). It depicts an aged Bo...

A wonderful hand carved head/bust of Buddha on display stand with a beautiful patina and faded polychrome pigmentation. The Buddha's face reflects a very serene, contented expressio...

This hand-shaped and incised terracotta Luohan or seated figure of a scholar was made in China at the end of the imperial dynastic period circa 1900. Luohan or a term for an Arhat who are the historical disciples of the Buddha. These figures have been seen throughout Buddhistic artist tradition for as long as the Buddhas religious teachings have existed. The figure seated on a rock rests...

A remarkable Chinese life sized painted stucco head of a luohan, Song, Liao or Jin Dynasty, circa 11th century, China. The amazingly life-like figure depicts a luohan (sometime spelled lohan), also known as an arhat, one of the original disciples of the Buddha. The elderly man has been molded in stucco with inset glass eyes and painted with idealized, if slightly exaggerated features. The unidentified luohan sports a bald, or perhaps shaved, domed head above a bulging forehead, symbolizing his vast wisdom. The wrinkles in his furrowed brow, and creases around his eyes add to his realism. The learned man stares out wisely from deep set, heavily lidded inlaid glass eyes that catch the light. The luohan has high cheekbones and a prominent jawline. His lips full and pursed as if about to speak. The corners of his mouth turned up ever so slightly in a faint smile, causing his gaunt cheeks to dimple charismatically. A series of dots above the upper lip indicate he may originally have sported a mustache of real hair. This life sized head with extremely realistic features fits into a very narrow time frame of Chinese Buddhist art. Perhaps the most recognized group of large, finely molded Chinese luohan...

A large polychrome Buddha bust on an acrylic base. Stunning piece, wonderfully executed. From a larger collection of Asian artifacts and religious wo...