Pair of Chinese Blue and White Lotus Shoes, c. 1900

This pair of decorative red lacquer signs dates to the late 19th century and is carved in relief with a poetic couplet. Carved to resemble ink calligraphy, the couplet reads: "Do good deeds without questioning your happiness, pursue knowledge without forgetting your principles." The long, vertical signs...

Given the beauty and thoughtful design of traditional Chinese furniture, it’s no wonder that Qing-dynasty carpenter’s tools were accorded the same attention to detail. This remarkabl...

Originally tucked in a pocket as a charm, this tiny shoe was kept close at hand as a talisman for marital happiness. Meticulously carved from wood, the shoe is decorated with a double happiness symbol, the traditional symbol for conjugal bliss. A lovely Valentine’s Day or anniversary gift, the charm has a compartment ready to be filled with a note or small gift...

Tea drinking has been an integral part of Chinese culture for centuries, resulting in a wide range of social customs and material traditions. In addition to tea leaves, water, and heat, the art of drinking tea (chayi) calls for a variety of teaware and utensils - both practical and decorative. This charming teapot dates to the late Qing dynasty and is hand-carved from a hollow length of bamboo to appear as though parceled by a cloth strung with tassels. The teapot has a squat, rounded form and a dark brown finish, reminiscent of Yixing red clay teapots...

The finely carved full length figure of 'The Goddess of Compassion, Kindness & Mercy' shown attired in flowing robes, her hair worn in high chignon with her face effecting a serene a...

A very pleasing and beautifully hand carved pair of Chinese Buddhist lions left and right handed and raised onto stepped rectangular plinths all carved from the same section of timbe...

A sublime and rare pair of Chinese white glazed porcelain figures of Guanyin, attributed to Tang Ying (1682 - 1756), Qing Dynasty, Qianlong Period, China. This ethereal pair of white glazed porcelain figures depict the revered Buddhist Goddess of Mercy, Guanyin. Guanyin is portrayed standing, wearing heavy robes that drape beautifully around her figure. Bare feet peek out from under the hem of the robes. Her hair piled in a high chignon and covered by a cowl. The treatment of the hair, finely textured, unglazed, and with remnants of darker pigment, is typical of works by Tang Yin (1682 - 1756), who was the head of the imperial porcelain works at Jingdezhen. Guanyin's beatific face is set in a serene smile, with a small, flat nose, and downcast, heavily lidded, almond shaped eyes. A simple beaded necklace graces her chest. Her hands held out, and may have once held attributes. The hands were originally removable, but have since been permanently attached. The figures crafted of a fine porcelain and glazed all over in a supple white glaze. One figure bears a label from the Rafi Mottahedeh collection to the back. Provenance: Chinese Porcelain Company...

Chinese pair of wood carved Fu Dogs, rendered from a single block of hardwood each, with exquisite detailing in a naive style, the dogs are opposing, crouched on their haunches, each...