Panama II, 2019 by Reda Amalou Design

Unique. No other term can better define the incredible power that emanates from thePanama screens. This lacquered screen by Reda Amalou is much more than a simple design piece; it is...

Confortable dining chair. In Walnut but can be ordered in Oak or Blackened Oak wood. Oil finish If fineness had to be incarnated by one object, without hesitation the Eileen Chair w...

Auguste Armchair, confortable, elegant, cosy. Auguste sets down, impose himself and uses his seduction at his full capacity. The Auguste seat is not an invitation to sit down, it is ...

The Gabriela armchair, a variation of the eponymous sofa, embodies an elegance defined by graceful curves, introducing a piece full of character to your space. This distinct seat, re...

The graceful ‘Heron II’ by internationally renowned sculptor Marion Smith. Lifesized and made of bronze resin with signature and initials of Marion Smith to the base. Marion’s works ...

This another superb example of an Edo Period early 18th century or earlier Lion Mask created for the Lion Dances of the Gion Matsuri Festival. The mask is i...

Armchair model "Leda" Structure in polished cast brass varnish. Salvador Dali Taken from “Femme à tête de roses" (1935)” 1935 (Woman with a head of roses). It was sufficient for this sculpture to be made as a three dimensional piece, remaining faithful to every detail in Dalí’s painting. Dalí affirmed: “A chair can be used even to sit on, but only on one condition: That we sit uncomfortably.” We can sit on the Leda, but due to the fact that it only has three legs and that the chair is heavy, it being made of solid brass, is more a work of art than a functional piece of furniture. © Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2022 Artworks by Salvador Dalí: © Salvador Dalí, Fundació Gala-Salvador Dalí, VEGAP, Barcelona, 2022 Salvador Dalí is the most versatile and prolific artists of the 20th century and the most famous Surrealist. Though chiefly remembered for his painterly output, in the course of his long career he successfully turned to sculpture, printmaking, fashion, advertising, writing, filmmaking and design. Born in Figueres, Catalonia, Dalí received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age, he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. In the Paris of the 1930s, Dalí surrounded himself with a circle of friends working in the application of art to a number of varied disciplines, beyond the study of purely pictorial art. One of these, Jean-Michel Frank, an acclaimed furniture designer and decorator in Paris at that time, got on extremely well with Dalí, and together they developed a number of ideas. One example of this is the Bracelli lamp, a classic design in Jean-Michel’s manner of designing and working that Dalí adopted for his home in Portlligat. Among Dalí’s projects, which add to his CV as a designer, are the garden furniture for his home in Portlligat, the complete architecture of the Night Club (in the shape of a hedgehog) for the Hotel Presidente in Acapulco (1957) and a project for a bar in California in the 1940s. His creations were not limited to traditional furniture elements, but included taps, handles, knobs, prints and objects of indeterminate use. In 1933, Dalí even registered the patent for the design of a bench as an outdoor seat. In the 1990s, a team of experts led by Oscar Tusquets set out to bring to life the furniture that Dalí had sketched for Jean-Michel Frank, including the Leda chair and low table taken from the 1935 painting “Femme...

Design inspired on an artwork by Salvador Dali´: Interpretation project for a stable-library, 1942 Stuffed lamb, elaborated with a technique by a taxidermist. Drawer and table top...