Tibetan Buddha of Protection Udanaya 13" Gilt Bronze

A beautiful, 4.15 lb, gilt bronze Tibetan sculpture of Buddha Vajrasattva. Seated dhyana asana on double lotus throne, in the left hand a ghanta bell, in the right hand a vajra thund...

A large, beautiful gilt bronze, 6.35 lb statue of Tibetan Bodhisattva Manjushree. This special piece features Manjushree with lowered head in the motion of observing and taking actio...

A stunning gilt bronze statue of Avalokiteshvara, the Great Compassion Green Tara. Seated in lalitasana with the right foot supported on a lotus stem that projects from the front of ...

A beautiful, brightly gilded bronze statue of Tibetan Bodhisattva Manjushree. Seated in vajrasana on double lotus base, his right hand holding the sword of wisdom and his left hand i...

A stunningly graceful life-sized arm and hand of the Buddha, Tibet, late 18th or early 19th century. The hand is beautifully cast, with long, elega...

13/14th century Tibetan Bronze Buddha/Bodhisattva . Superb example- finely cast, beautifully sculpted, with a beautiful untouched non-guilt patina Note ...

A fine early Thai Lopburi figure of a crowned and adorned Buddha, cast bronze, mid-13th century. The unusual figure of the Buddha sits in virasana upon a stylized lotus pedestal. He is dressed in the traditional monastic robes, but also adorned with a crown and jewelry, including earrings, a necklace, and jeweled belt. His hands in an atypical combination of mudras. His right hand in bhumisparsha mudra, reaching down to touch the earth, while his left hand held somewhat outwards, seemingly in varada mudra, the gesture of granting favours or wishes. The palm of his outstretched hand marked with the dharmachakra, the Wheel of the Law, representing Buddhist teaching. The bronze with a beautiful silvery patina. Lopburi was an independent Mon kingdom with strong ties to the Khmer Angkor...

An impressive larger than life-size cast and gilt bronze left hand and arm of a bodhisattva, late 19th century or earlier, Tibet. The over-sized arm and hand of graceful proportions. The arm tapering down to a slender wrist embellished with a simple bracelet hiding the join between the hand and arm. The hand and arm richly gilt. The join to the elbow visible and exposed. The hand heavily cast, with nice detail to the fingernails and cuticles. The palm with simple incised lines. The hand, with the pointer and pinky fingers raised, and the middle and ring finger folded down touching the thumb, performs the gesture known as karana mudra, the gesture of dispelling evil. (Here in Texas we refer to this gesture as "Hook'em Horns!") Karana mudra is often associated with Avalokiteshvara, the bodhisattva of compassion, known in Tibet as Chenrezig, and in China as Guanyin. The hand and arm would originally have been part of a much larger sculpture. Unfortunately many Tibetan Buddhist sculptures...