Late 20th Century Decorative Dishes and Vide-Poche
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Period: Late 20th Century
Grand Vide poche "Maxims de Paris" en céramique décor Art Nouveau Francais
Located in London, England
Très grand vide poche rectangulaire "Maxims de Paris" dans sa boite d'origine au décor inspiré des œuvres légendaires de Henri Toulouse Lautrec, peintr...
Category
French Art Nouveau Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Ceramic
Ashtray in Glass with a Purple light color Square Shape France, circa 1970
Located in Auribeau sur Siagne, FR
This vide poche or ashtray in in Glass. It has been done circa 1970, in France.
Transparent Purple Color.
Category
French Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Art Glass
A Hand-Carved Stone Catchall – France - 1970s
Located in SOTTEVILLE-LÈS-ROUEN, FR
A stunning hand-carved stone catchall, a unique artisan piece from the 1970s. Its natural and organic design highlights beautiful shades of beige, brown...
Category
French Mid-Century Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Stone
Mario and Marcello Mariotti for Asea Centrotavola "Something Else," Italy 1970s
By ASEA
Located in Naples, IT
Something Else tray designed by Mario and Marcello Mariotti for ASEA Studio, Florence, in 1969.
It can be used as a serving tray or as a decorative centerpiece.
Made in Italy from AB...
Category
Italian Mid-Century Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Plastic
Danish Ceramic Dish Bowl Palshus Denmark Per & Annelise Linnemann-Schmidt
Located in Vorst, BE
Ceramic vide-poche or low bowl in olive green tones with a subtle blue flame in the center. It comes with a thick glaze.
Scandinavian Mid-Century 1960s, produced by Palshus (Denmark...
Category
Danish Scandinavian Modern Late 20th Century Decorative Dishes and Vide-Poche
Materials
Ceramic, Stoneware
Mid-Century Burgundy Lacquer and Brass Vide-Poche or Ashtray, Italy, Dior 1970s
Located in Roma, IT
Delightful square pocket tray or ashtray made in burgundy lacquered wood, shell and brass. This incredibly elegant object is attributed to Tommaso Barbi and was made in Italy during ...
Category
French Mid-Century Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Brass
Wedgwood Bone China Tray – Hummingbird & Floral Design, England, 1991
By Wedgwood
Located in LA CIOTAT, FR
This exquisite rectangular porcelain tray is part of the renowned “Humming Birds” collection by Wedgwood, crafted in fine bone china in England and dated 1991. With a beautifully fla...
Category
English Late 20th Century Decorative Dishes and Vide-Poche
Materials
Porcelain, Paint
Toshiko Takaezu Glazed Stoneware Charger
Located in Astoria, NY
Toshiko Takaezu (American, 1922-2011) Polychrome Glazed Stoneware Charger, incised "TT" signature to underside. 2" H x 12" Diameter. Provenance: From 333 East 75th Street Estate.
Category
Mid-Century Modern Late 20th Century Decorative Dishes and Vide-Poche
Materials
Stoneware
John Glick Plum Street Pottery Ceramic Charger Monumental
By John Glick
Located in Bloomfield Hills, MI
The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery #129 on the verso.
John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze.
Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration.
John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world.
He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...
Category
American Expressionist Late 20th Century Decorative Dishes and Vide-Poche
Materials
Ceramic
Hermes Pair of Patchwork Alizés Plates or Trays
By Hermès
Located in Los Angeles, CA
Rare Hermes "Patchwork" Alizés porcelain plate, vide poche, change tray, or pocket emptier / Made in France circa 1990s
Original stamp at underside / come in original box
Diameter: 8...
Category
French Late 20th Century Decorative Dishes and Vide-Poche
Materials
Porcelain
Gordon Jane Martz Marshall Studios Art Pottery Green Oval Tray
Located in Chula Vista, CA
Gordon Jane Martz Marshall Studios Art Pottery Green Oval Plate
signed
.75 h x 6.5 w x 5 d
Preowned vintage
Refer to images
Category
Mid-Century Modern Late 20th Century Decorative Dishes and Vide-Poche
Materials
Pottery
Gucci Maple Wood Tidy Tray, Italy, 1970s
By Gucci
Located in Naples, IT
Gucci maple wood desk accessory or tidy tray, original, 1970s.
Category
Italian Mid-Century Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Wood
1970s Sculptural Mixed Metal Footed Dish Mexico
By Los Castillo
Located in Chula Vista, CA
1970s Mexican Mixed Metal Footed Dish
2.75 h x 8.38 x 6.5
Metales casados organic shape. Mounted on three balls.
No stamp. Made in Mexico. Style of Los Castillo.
Vintage patina. Not...
Category
Mexican Mid-Century Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Metal
Murano Style Art Glass Lily Flower Shaped Candle Holder Paperweight Catchall
Located in North Hollywood, CA
Vintage Murano Style Art Glass Pink Blue Green Flower Petal Shaped Candle Holder, Catchall, Ashtray.
Italian Murano Art Glass lily flower multicolor paperweight or candle holder, vot...
Category
Italian Post-Modern Late 20th Century Decorative Dishes and Vide-Poche
Materials
Art Glass
1980s Stoneware Pottery Brown Platter Artist Melching
Located in Chula Vista, CA
1980s Speckled round brown stoneware pottery plate artist melching
Signed by artist
Measures: 13.38 Diameter x 1.25 D.
Preowned original vintage condition.
See images provided.
Category
American Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Pottery
Bronze Cast Vide Poche, France, c. 1970
Located in New York City, NY
Unique textured and patinaed vide poche by Monique Gerber.
Category
French Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Bronze
Wabi Sabi Pottery in Emerald Green + Celadon
Located in Round Top, TX
This exquisite piece of handmade pottery embodies the spirit of wabi-sabi—a celebration of beauty in imperfection. Crafted by hand to achieve soft, emerald green glaze transitions in...
Category
American Bohemian Late 20th Century Decorative Dishes and Vide-Poche
Materials
Pottery
Big Size Solid Bronze Decorative Dish on Tripod Feet - France 1970's
Located in New York, NY
Large size solid bronze dish to be used as a center piece or a "vide-poches". Wavy organic "forme libre" shape. Height is for highest point of the dish.
High impact accent piece.
Thi...
Category
French Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Bronze
Whimsical Hand-Painted Ceramic Plate by Baratti Pesaro, 1970s
Located in Bagnolo Mella, Brescia
Elevate your tabletop decor with this delightful hand-painted ceramic plate by Baratti Pesaro, crafted in the 1970s. Bursting with vibrant colors and wh...
Category
Italian Mid-Century Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Ceramic
Piero Fornasetti Milano Plate Commedia Dell'arte Decorative Wall Hanging
Located in Torquay, GB
Rare Piero Fornasetti Milano porcelain dish.
From the Commedia Dell'arte collection.
Depicting Dottor Balanzone in white with a blue mask and red boots.
Comes with detachable wall...
Category
Italian Renaissance Revival Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Porcelain
A Decorative Ceramic Dish by Jacques Pouchain Atelier Dieulefit France 1970s
Located in HYÈRES, FR
A Decorative Dish by Jacques Pouchain France 1970s.
Atelier Dieulefit.
Perfect condition.
Category
French Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Ceramic
Jacques Buchholtz 20th Century Porcelain Ceramic Design Bowl or Cup 2/9
Located in Neuilly-en- sancerre, FR
Jacques Buchholtz
Large porcelain ceramic cup or bowl or vide poche
Unique handmade piece realised circa 1980
original perfect condition
Signed under the base
White ce...
Category
French Mid-Century Modern Late 20th Century Decorative Dishes and Vide-Poche
Materials
Porcelain
John Glick Plum Street Pottery Signed Monumental Ceramic Charger
By John Glick
Located in Bloomfield Hills, MI
The ceramic charger with scalloped edge is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed on verso.
John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze.
Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration.
John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world.
He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...
Category
American Expressionist Late 20th Century Decorative Dishes and Vide-Poche
Materials
Ceramic
Heavy Solid Thick Silver Plated And Copper Open Bowl by Georg Jensen
Located in Haddonfield, NJ
Made by two giants in Danish design history, designer Henning Koppel and Georg Jensen Company, this large dish in copper and silver-plate was manufactured around 1970. Henning Koppel...
Category
Danish Mid-Century Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Copper, Silver Plate
Solid Bronze & Black Enamel "Perspective" Vide Poches - France 1970s
Located in New York, NY
Unique sculptural square bronze container with tilted black enamel sides. In good vintage condition. Very heavy.
This vide-poches will ship from France and can be returned to either ...
Category
French Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Bronze
Vintage Swarovski Crystal Faceted Round Lidded Flower Ring Dish Bowl Keepsake 70
By Swarovski
Located in Miami, FL
Vintage Swarovski Crystal Faceted round Bowl with Flowers and Leaves Figurines Decoration, Art Deco Style made in Austria in the 1970.
Signed on the Base, Swarovski.
Charming Little ...
Category
Austrian Mid-Century Modern Late 20th Century Decorative Dishes and Vide-Poche
Materials
Crystal
Jimmy's Restaurant Beverly Hills Porcelain Ashtray Dish Catchall Collectible 80s
Located in North Hollywood, CA
Vintage collectible dish ashtray from the famous "Jimmy's Restaurant in Beverly Hills" restaurant once located 201 South Moreno Drive in Beverly Hills California. The restaurant clos...
Category
American Hollywood Regency Late 20th Century Decorative Dishes and Vide-Poche
Materials
Porcelain
1970s Table Accessories, Fruit Vase, Vide Poche Lorenzi Milano, Italy
Located in Arosio, IT
Giovanni Lorenzi, the most famous luxury accessories manufacturer in Italy opened his own shop in 1929 in Via Montenapoleone 9 in Milan, right in the ...
Category
Italian Mid-Century Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Cut Glass
Olive Wood Sculptural Plate or Dish circa 1950 French Design Bowl
Located in Neuilly-en- sancerre, FR
French design - 20th century - In the style of Alexandre Noll
Realised circa 1950
Olive wood sculptural plate or dish / vide poche
Original g...
Category
French Mid-Century Modern Late 20th Century Decorative Dishes and Vide-Poche
Materials
Wood
Table Ashtray Vide-Poche Travertine Marble Fratelli Mannelli, Italy, 1970s
Located in Rome, IT
Table ashtray / vide-poche in travertine marble and metal by Fratelli Mannelli, Italy, circa 1970.
Category
Italian Mid-Century Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Travertine, Marble, Metal
'Re Sole' Fornasetti Modernist Charger
Located in New York, NY
'Re Sole' Barnaba Fornasetti large plate. Made by Fornasetti, Milan Porcelain, white, glazed, black and white lithographed pattern. Marked: Maker's mark, FORNASETTI MILANO MADE IN IT...
Category
Italian Late 20th Century Decorative Dishes and Vide-Poche
Materials
Porcelain
Transparent Clear Murano Art Glass Large Bowl Dish by Zanetti Murano Signed
Located in Toronto, ON
Spectacular transparent clear art glass decorative piece by Zanetti Murano. This splendid decorative object was made in the 1970s, signed by Zanetti Murano. The shape is free formed ...
Category
Italian Mid-Century Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Art Glass, Blown Glass
Small danish Ceramic Dish Bowl Palshus Denmark Per & Annelise Linnemann-Schmidt
Located in Vorst, BE
Round ceramic vide-poche or low bowl in beige-brown earth tones.
Scandinavian Mid-Century 1960s, produced by Palshus (Denmark), founded by Per and his wife Annelise Linnemann-Schmi...
Category
Danish Scandinavian Modern Late 20th Century Decorative Dishes and Vide-Poche
Materials
Ceramic, Stoneware
A turned Travertine Catchall - Fratelli Manelli - Italy 1970s
Located in SOTTEVILLE-LÈS-ROUEN, FR
A beautiful turned travertine catchall from the 1970s. Made in Italy, it combines simplicity and elegance with its clean design and unique natural ...
Category
Italian Mid-Century Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Travertine
Six Crystal Christmas Wall Plates by Bjorn Wiinblad for Rosenthal
Located in Milan, Italy
Bjorn Wiinblad for Rosenthal Hand-decorated glass plates in bright colors. With Wiinblad's distinctive look, these plates are as much a decorative piece as they are a festive piece; the colors are exquisite and the classic Wiinblad look. Equipped with a hook on the back to display them on the wall or place them on a plate stand. Signed and dated 1979, 1977, 1980, 1976, 1981 and 1978.
Biography
Bjørn Wiinblad was a Danish painter and ceramicist known for his whimsical illustrations and carefully designed household objects. Wiinblad’s signature round-faced, smiling figures in fantastical or folkloric settings, made him a popular and admired creative talent in his native country. Born on September 20, 1918 in Copenhagen, Denmark, he trained as a typographer before becoming an artist. He worked extensively with the Nymolle and Rosenthal pottery companies, designing a commemorative annual Christmas plate for the latter in 1971. His illustrations for Hans Christian Anderson’s The Swineherd won an award from the American...
Category
German Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Crystal
Large danish Ceramic Dish Bowl Palshus Denmark Per & Annelise Linnemann-Schmidt
Located in Vorst, BE
Large round ceramic vide-poche or low bowl in earth tones beige-grey brown.
Scandinavian Mid-Century 1960s, produced by Palshus (Denmark), founded by Per and his wife Annelise Linn...
Category
Danish Scandinavian Modern Late 20th Century Decorative Dishes and Vide-Poche
Materials
Ceramic, Stoneware
Business Card Holder Hollywood Regency, 1970s
Located in Den Haag, NL
Glamoureus business card holder. Gold plated Perspex. Hollywood Regency style 1970s
Good condition.
Category
Italian Hollywood Regency Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Acrylic
Large Handmade Mid-Century Carved Blue Agate Stone Organic Dish or Vide-Poche
Located in Landau an der Isar, Bayern
A beautiful carved, shaped and polished blue Agate stone dish, bowl or vide-poche by unknown maker. Wonderful organic slightly oval form with warm lines or rings of caramel, cream an...
Category
Brazilian Organic Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Stone, Agate
Murano Cristal Oak Leaf Vide-Poche, Italian Work, Circa 1970
Located in Marcq-en-Barœul, Hauts-de-France
This nice and unusual oak leave vide-poche is made of Murano cristal. This is an Italian work, from Murano. Circa 1970.
Category
French Mid-Century Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Crystal
Italian Riedel Mesa Marble Catchall with Silver Footed Base
Located in North Miami, FL
This is a wonderfully whimsical Riedel Mesa silver-plate base with 3 spheres as feet. Topped by a black marble vide-poche/ bowl. These are two seperate p...
Category
Italian Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Marble, Silver Plate
Studio Pottery Glazed Dish
Located in Los Angeles, CA
Ceramic plate with turned up corners and squared off corners. The hexagonal dish features eight shallow brown glazed divots on the plates surface with incised lines connecting the do...
Category
American Primitive Late 20th Century Decorative Dishes and Vide-Poche
Materials
Ceramic
Claudia Shuride Postmodern Glass Plate, 1980s
Located in Miami, FL
Postmodern decorative painted glass plate by Claudia Shuride.
Category
Japanese Post-Modern Late 20th Century Decorative Dishes and Vide-Poche
Materials
Glass
Marble Dish Up & Up Intl. by Egidio Di Rosa & Pier Alessandro Giusti, Italy
Located in Chicago, IL
Marble Dish Up & Up International by Egidio Di Rosa & Pier Alessandro Giusti ItalyDesigned by Egidio Di Rosa and Pier Alessandro Giusti for Up & Up International. Black Marquina marb...
Category
Italian Mid-Century Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Marble
Vide poche Vallauris en céramique émaillée Francaise French Riviera 1970 Vintage
By Vallauris
Located in London, England
Vide poche zoomorphe Vallauris en céramique rose émaillée. Représentatif des productions du sud de la France réalisées dans les années 60/70.
Roger Capron, Pablo Picasso, Robert Pi...
Category
European French Provincial Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Ceramic
Italian Onyx Vide Poche or Box with a Lid Beige Color Italy 1970
Located in Auribeau sur Siagne, FR
Italian Onyx Vide Poche or Box with a Lid Beige Color Italy 1970
Category
Italian Mid-Century Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Onyx
Morbelli 24k Gold and White Porcelain Wall Plate "Planisfero Celeste", Italy
Located in Bresso, Lombardy
Made in Italy by Morbelli, 1970s.
It is made in white porcelain, which is decorated with 24k gold inlaid lamina.
This is a vintage piece, therefore it might show slight traces of u...
Category
Italian Post-Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Gold
Glossy Red Wicker Bread Basket
Located in Oklahoma City, OK
A woven wicker basket painted in glossy red paint. This piece would be fabulous to serve bread or fruits, or as a decorative dish on a night table or dresse...
Category
North American American Classical Late 20th Century Decorative Dishes and Vide-Poche
Materials
Wicker, Paint
John Glick Plum Street Pottery Ceramic Charger Monumental
By John Glick
Located in Bloomfield Hills, MI
The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery on the verso.
John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze.
Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration.
John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world.
He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...
Category
American Expressionist Late 20th Century Decorative Dishes and Vide-Poche
Materials
Ceramic
Decorative Italian Solid Bronze Dish, Italy 1970’s
Located in Valby, 84
Elevate your decor with this stunning vintage Italian solid bronze dish, crafted in the artistic tradition of 1970s Italy. This exquisite piece exudes timeless elegance and sophistic...
Category
Italian Mid-Century Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Bronze
Scandinavian Modern Faience platter by Hans Hedberg, Biot, France
By Hans Hedberg
Located in Stockholm, SE
Beautiful small platter by Hans Hedberg, made in faience. Almond shaped with striking blue glaze covered with litchen-like flecks.
Category
French Scandinavian Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Faience
Pair of Italian Murano Glass Dishes Signed Cenedese, circa 1970s
By Cenedese
Located in Villaverla, IT
Beautiful pair of Italian Venetian Murano glass dishes in blue with a very particular sophisticate working veins, in very excellent original condition and yet with the original label...
Category
Italian Mid-Century Modern Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Murano Glass, Blown Glass, Art Glass
Aluminum pocket empty flip flop
Located in Linkebeek, BE
Aluminum pocket empty flip flop
Beach House Decor - Vintage
Measures : 29x11cm H:6,5cm
Material : Solid Aluminium
Wear consistent with age and use.
Category
Mid-Century Modern Late 20th Century Decorative Dishes and Vide-Poche
Materials
Aluminum
Large danish Ceramic Bowl Palshus Denmark Per & Annelise Linnemann-Schmidt
Located in Vorst, BE
Large ceramic vide-poche or bowl, 13" diameter. Very rare in this dimension.
It comes in olive green tones with an impressive blue flame in the center. The blue effect is replicated onto the upper edge. On the outside shows an impressed geometrical pattern. It comes with a thick glaze.
Scandinavian Mid-Century bowl, produced by Palshus (Denmark) in the 1960s, founded by Per and his wife Annelise Linnemann-Schmidt.
The couple created and produced chamotte (danish clay) objects, often with impressed decorations (tableware, vases, and lamps). Colors were characteristic Scandinavian earthy tones: blues, browns, greens and beige.
Many other talented ceramic artists also worked for Palshus including Jens H. Quistgaard and Esben Klint.
The plate is signed under the base : Palshus and APLS for Annelise Per Linnemann-Schmidt, model 114...
Category
Danish Scandinavian Modern Late 20th Century Decorative Dishes and Vide-Poche
Materials
Ceramic, Stoneware
Tapio Wirkkala Large Patinated Bronze Dish Model TW 479, Finland, 1970s
Located in La Teste De Buch, FR
Large bronze dish or tray by Tapio Wirkkala.
Model TW479
Made by Kultakeskus Oy in Finland in the 1970s
Oustanding heavy patina on the bronze
Signed
Could be polished.
Category
Finnish Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Bronze
Minimalist Lucite and Stainless Steel Vide Poches, France, 1970s
By Kappa, Michel Boyer
Located in New York, NY
In the style of Kappa
Catch all
good vintage condition
the stainless steel bowl sits on thick Lucite bed.
Category
French Vintage Late 20th Century Decorative Dishes and Vide-Poche
Materials
Stainless Steel
Margaretta Hennix Studio Bowl Gustavsberg 1982, Scandinavian Modern
Located in New York, NY
A large studio bowl designed by Margareta Hennix with dark brown-black and cream white glazes. Four notches detail the rim of the bowl and a low foot elevates the bowl. Signed on the...
Category
Scandinavian Scandinavian Modern Late 20th Century Decorative Dishes and Vide-Poche
Materials
Clay
Limoges France Porcelain Dish Catchall Butterfly
By Limoges
Located in North Hollywood, CA
Large Limoges porcelain dist in a rectangular shape featuring a beautiful Butterfly design.
Made in France.
Amazing midcentury Limoges hand-painted...
Category
French Organic Modern Late 20th Century Decorative Dishes and Vide-Poche
Materials
Porcelain
Mouthblown Murano Art Glass Dish with asymmetrical shape and mutil
Located in London, GB
This is a truly unique and individual piece of Murano Art Glass with an asymmetrical shape and pattern in Autumnal hues of Golds, Greens, Rusts, Orange all accentuated with Gold Leaf...
Category
Italian Mid-Century Modern Late 20th Century Decorative Dishes and Vide-Poche
Materials
Gold Leaf
