Renaissance Revival Enamel and Gilt Bronze Mantel Clock

Renaissance style gilt bronze and enamel mantel clock French, late 19th century Measures: Height 53cm, width 28cm, depth 23cm This exquisite mantel clock is crafted in the idios...

This beautiful clock set, which comprises of a mantel clock and a pair of vases, was designed in France in circa 1870 in a wonderful Renaissance Revival style. The set has been craft...

French Japonisme style gilt bronze and enamel mantel clock French, 19th Century Height 30cm, width 18cm, depth 14.5cm This fine mantel clock is of rectangular form, with a gilt bron...

This Grecian style mantel clock was crafted at the end of the 19th century and retailed by the acclaimed Maison Marnyhac, which was based on the Rue de la Paix in Paris. Founded ...

French Renaissance style gilt bronze and enamel mounted onyx longcase clock French, late 19th century Measures: Height 126cm, width 37cm, depth 30cm This colourful longcase clock was created in France in the late 19th Century. It has been crafted from red marble and green onyx and decorated with gilt bronze and champlevé enamel. The clock consists of a circular enamel dial, mounted onto a cube-shaped case, placed on a tall body which is set on a short marble plinth. The circular clock dial features Arabic numerals and is ornamented with gilt bronze and colourful champlevé enamel designs. This is set within a circular gilt bronze and enamel frame and mounted onto the green onyx block. The corners of the block are lined with gilt bronze bands, and the sides are set with circular, gilt-bronze-framed champlevé enamel forms. The clock case is surmounted by a slim projecting green onyx and red marble top. This is edged with curvaceous champlevé enamel forms with gilt bronze drop-finials, which imitate fabric. This clock case is mounted onto a slim, red marble slab...

This truly stunning French mantel clock was crafted during the Empire period, and reflects the Neoclassical interests of the Emperor Napoleon I, whose influence over the decorative arts contributed toward a profound revival of beauties of the ancient empires. The mantel clock is crafted entirely in gilt bronze, and features a stepped base on four block feet. The base depicts a Classical relief panel to the front, showing female dancing figures and putti, as well as musical instruments. Surmounting the base is an arch featuring a central mask fountain and basin...

A magnificent 19th century French Renaissance Revival patinated bronze mounted carved walnut "Day and Night" mantel clock.  The dial with Roman numerals flanked by allegorical figures of night and day after Michelangelo. France, circa 1870 Maker: Victor Paillard The movement stamped: Vr. Paillard, Paris. Rodier Paris Stamp & Medaille Dor', 1837 Dimensions: Height 22" (56 cm) Width 37" (94 cm) Depth 9" (22 cm) Victor Paillard (1805-1886) designed and made various bronze decorative and functional objects including chenets, lighting and clocks. He also cast bronzes for some of the most important sculptors of the day including Barye, Carrier-Belleuse and Pradier He opened his first workshop in the 1830s at 105, boulevard Beaumarchais and 6, rue Saint-Claude and by the 1850s was employing around 100 people. His success at numerous international exhibitions including the 1851 Great Exhibition (where he displayed a bronze of the Standing Sappho after Pradier) further enhanced his reputation Day and night by Michelangelo: Though never finished, the tomb of Giuliano de' Medici in the Medici Chapel is the only one of Michelangelo great architectural-sculptural projects to be realized in a form approaching completion. Built between 1520 and 1534, it is widely held to be one of Michelangelo's most stunning achievements. The pose of the central figure on the tomb of Giuliano de' Medici, arms resting at his sides and legs comfortably apart, and its open composition suggest a cheerful Duke, generous in both mind and spirit. In fact, the figure holds in his hand several coins, as if an intended gift. Light plays freely on his beautiful face, yet the figure is lacking in energy and seems to wilt under the burden of the Roman armor...

English Gothic Revival style (19th Cent) gilt mantle clock with silver plate decoration and supported by 2 gnome figures with a pediment having a fi...

French neoclassical Revival ormolu gilt bronze figurative mantel clock with engine-turned dial with bronze Roman numerals. The top is depicting two elegantly dressed women. Makers mark on back of engine 'Charles Pickard...

Cathedral design, sculptural gilt bronze and zinc clock. This sizable, handcrafted, impressive and meaningful clock comes with a variety of Gothic church elements. As a matter of fa...

Fine and meaningful, 19th century, goddess of war theme clock. Throughout the 19th century, French artisans have made some of the most amazing quality and meaningful antiques using the most expensive materials and techniques available. This finest quality made and relatively small mantle clock has all of that and that is why it resonates a timeless style that you don't find anymore in this day and age. On top of this clock you have the beautiful Athena bust...

Egyptian Revival Bronze and Marble Mantel Clock Egyptian revival mantel clock housed in a polishes black slate and marble stepped case, decorated with winged uraeus and hieroglyphs, surmounted by a patinated bronze sphinx wearing nemes and resting on lions paw feet. Enamel dial with Arabic numerals and original ‘blued’ steel hands. Eight day French movement with anchor escapement striking the hours and halves on a silvered bell. The backplate signed Societe Clusienne S.C.A.P.H. Cluses and numbered 4144. C.1870 Societe Clusienne were based in Cluses near to the Swiss border in France. The case attributed to G.Servant Georges Emile Henri Servant ( 1828-1890) succeeded his father at their foundry at Rue Vieille-du-Temple, Paris in 1855. He specialised in the production of Neo-Egyptian style clocks. He was noted for the high quality of his bronzes at both the Paris Universal Exhibition 1855 and the London Exhibition in 1862. Many of his clocks were exported to the United States where his Sphinx clocks...