1970s Abstract Sculptures

"Couple" sculpture in fiber glass, signed by MILOSEVIC, 1972. Dragoljub D.A, Milosevic (1939-2019), is an artist born in 1939. He showed early gifts for the drawing and plastic mo...

Iron sculpture inspired by Harry Bertoia, circa 1960.   

Stunning hammered and patinated iron and agate geode standing sculpture signed Y.S and dated 1974. A similar sculpture was presented at the Marc du Plantier exhibition at the Galerie...

Stell sculture by Nicolas Vlavianos.

Ricardo Santamaria (1920-2013), sculpture composed of an accumulation of foundry molds. The front part is articulated (hinge). France, 1970.

Abstract geometric sculpture by Edison Parra (1945-), Venezuela 1970s. Parra had his academical training between 1960 and 1966, first at the Neptalí Rincón Art School in Maracaibo and later at the Cristóbal Rojas Art...

Giovanni Massagrande “Totem” sculpture for Giovanni Massagrande Studio, Italy, 1977. The "Totem" sculpture by Giovanni Massagrande, created in 1977, is a striking example of the int...

c. 1970s in great vintage condition. W. Glen Davis is an American sculptor who was born in the 20th Century

1970-1980 bronze sculpture by Philippe Berry, titled "L'Homme éléphant" ("The Elephant Man"). Details.  

This abstract white marble bust, crafted circa 1970, is a striking example of mid-20th-century sculpture. The piece features a minimalist, stylized human form with a smooth, rounded ...

Anthropomorphic bronze by Sébastiano Fini (1949-2003) measuring height 19 cm. He lived in Milan until 1978, then went and worked in France and Spain. In the middle of his career (198...

Yongjin Han was born in Seoul, South Korea in 1934. After the Korean War—in which he fought, lying about his age in order to enlist—he was one of six students admitted to the sculpture program at the Seoul National University. At the time of his enrollment little of his native city remained intact; nonetheless, he had never felt more responsible to his work, firm in the conviction that artistic expression is every bit as essential to life and human nature as eating, drinking, or breathing. One of Han’s teachers was Kim Chong Yung, a pioneer of Korean abstract sculpture, and by the time of his graduation he had adopted the abstraction that had seized both Europe and the United States several years before. . In 1967 he relocated to the USA, where he studied at Dartmouth and Columbia. Over the course of his long career the artist returned to Korea with frequency and made extended stays in Japan and Europe. Trips to Korea signified something more than mere homesickness: Han’s work, though made largely in America, remained grounded in his rich cultural heritage. Korea rests on a bedrock of granite, and freestanding sculpture produced of the stone has for centuries demarcated sites of historical and religious significance. Han’s sculpture bridges this past with modernity. Richard A. Born, former Curator at the Smart Museum at the University of Chicago, has said that Han “brought Korea’s tradition of direct stone carving out of figuration into a refined, non-objective abstraction.” For his part, Han put very little stock in designations; his focus, instead, was on the stone itself. His pieces explore a certain harmonization with nature. Han, when describing his work, said, "As stone has been around since the beginning of time, it has much to teach us if we care to slow down and listen." He believed that each stone has its own history, character, and energy and that his task was to draw out these inherently spiritual qualities. He described his process as a “dialogue” with his material: "The stone tells me it has an itch in a certain spot, so I scratch it—and we both feel better!" Han worked alone and with manual tools, and the process is arduous. Carving stone this way takes time, and, what’s more, required great force—yet Han’s sculptures, even the monumental ones, are, as friend and fellow artist David Parker...

Wall sculpture in gilded bronze with geode. Signature:JD Brasseur Length:57cm Height:13cm Depth:10cm.

Anthropomorphic bronze by Sébastiano Fini (1949-2003) measuring height 16 cm. He lived in Milan until 1978, then went and worked in France and Spain. In the middle of his career (198...

Beautiful vintage abstract monumental size Lucite sculpture statue. Lovely colors such as pink, purple and teal, frosted Lucite and clear, multiple textures give this Hollywood Regen...

A free-form undulating sculpture in clear and moss green glass, by Carlo Nason for Mazzega, Murano.  

Incredible NICOLAS VLAVIANOS brazilian steel 1970 abstract sculpture with wood base.

XL abstract wooden sculpture, France 1970s. Powerful presence with rough organic shapes and strong cubistic cut outs. The sculpture shows an interesting play of balance and a nice co...

Sculptural beehive shape studio pottery vases group is created on the turning wheel by highly technical skilled Dutch ceramist Piet Knepper for Mobach in the 1960's. The glaze in ton...

Set of three small abstract white rock sculpture are hand sculpted in ceramic. The sculptures resemble white cliffs on the British coast line. They are c...

Incredible RENO BERNUCCI group of sculptures in plaster, wood polychrome with 9 pieces.

La Murrina sculpture with wrought iron filiform support, 1960s. Packaging with bubble wrap and cardboard boxes is included. If the wooden packaging is needed (fumigated crates or bo...

Object by Rune Hagberg, Sweden, 1970s. Mixed Media Measurements: H: 32.5 cm/ 1' D: 11 cm/ 4 1/3" Signed R.H Born in Uppsala, Sweden, Hagberg became heavily influenced by Eastern ...

Vintage Condition Consistent with Age as Pictured.Box H15 Dimensions 6” W ; 1.75” D ; 14.50” H

Belgium; 1970's; Glass sculpture; Postmodern art; Michel Martens, a large glass sculpture with several punctuation marks, colored, frosted, and sandblasted glass. Signed by the artist on the bottom right corner. Belgium artist Michel Martens is famous for his impressive glass art. He created this postmodern piece of art in the 1970s. Martens (1921-2006) was a respected designer of stained glass windows and had an impressive career creating stained glass windows for churches. His credo was 'light is my material, glass my medium'. Martens was an autodidact and first taught himself the technique of stained windows. He designed an impressive 7000 meters stained glass between 1947 and 1989 for churches and monasteries. From 1968 onwards, Martens started to lose the church as a main client and therefore started to develop a practice in which he worked with mirrors that were also suitable for the private sector and private homes. With his radical and modern approach to glass art, Martens became part of the Post-war Abstract Modernist movement. Using mirrored glass opened up new perspectives for Martens. He even started using industrial glass as well, for his so-called 'Crazy Mirrors...

Art sculpture by Marc D’haenens, the 1970s. The piece shows a variety of organic shapes in metal and copper, and a large piece of Amethyst as centerpiece.  

Yves Bosquet large ceramic sculpture, Belgium.

A metal sculpture consisting of a thin rigid wire with folded, fortune-cookie-shape pieces of naturally patinated brass slipped onto the rod and stacked vertically. The rod is set in...

Hollywood Regency large and decorative wall-sculpture by Belgium designer Marc D’haenens, the 1970s. The piece shows a variety of organic shapes in metal and copper, and a large p...

Marcel Ramond (1935-) Metal geometric sculpture, circa 1970 Welded iron Signed under the base A certificate will be provided to the buyer Length 44 x Height 38 x Depth 18 cm

Stunning sized symmetrical sculpture in stainless steel, designed and made by Rudolf Wolf in his own atelier in Amstelveen in 1975. The sculpture is made of 2 stainless steel tubes, cut, and welded perfectly into this abstract modern shape; it has a black painted wooden base which connects the 2 parts with each other. These sculptures were only made in very small numbers and are very hard to find. This sculpture is one of several we acquired from the former bookkeeper from Rudolf Wolf who bought these artworks in the 1980s. The sculpture has a nice size which you can easily put somewhere on a table/sideboard and look highly decorative. This work is unsigned, but we have several old pictures...

Anthropomorphic bronze by Sebastiano Fini (1949-2003) 25 cm high. He lived in Milan until 1978, then went and worked in France and Spain. In the middle of his career (1981-1985), he ...

Incredible steel sculpture with wood base signed VL 74 to Nicolas Vlavianos 1974

Péter Pierre Székely (1923-2001) Sculpture, 1975 Marble Measures: 11 H x 8.5 W x 9 D inches 27.9 H x 21.6 W x 22.9 D cm Signed and plated, un...

Edition number 1 of 8. Marino di Teana originally trained as an architect and sustained an eclectic array of passions throughout his long career as ...

A carved wood container with carved wood oblong object within, by Jon Brooks (b.1944).

Larry Mohr, American, abstract aluminum sculpture, initialed and dated 1977. Work is titled "R. Stretch I." From the estate of Larry Mohr.