Early 19th Century Abstract Sculptures

A hand-crafted sculpture specimen of natural red coral branches mounted on a 18th century giltwood urn fragment base with sea shell trim.

A charming near pair of Chinese green glazed foo lion joss stick holders, late 19th century, China. The delightful foo lions, also referred to as foo dogs, crafted as joss (incens...

Magnificent carved stone head fragment with a very beautiful and strong expression. France, circa 1750. Beautiful weathered and small losses. Measurement is with the wooden base. H:3...

Evocative handmade metal torso, patinated to a rich green-black with mottled copper and verdigris undertones. Mounted on a hand-carved wooden plinth, its asymmetry and texture make i...

French painted wood 19th Century mannequin. Lovely hand painted details and eyes. Very rare display item.

Sculpture representing a fragment of the bust of Apollo. Sculpture in resin and plaster, metal base, representing a fragment of a bust of Apollo, Greco/Roman style. H: 63cm, W: 32cm...

A wonderful Chinese bamboo figural carving featuring the Taoist immortal twins of eternal youth, known as the HeHe ErXian, Qing dynasty, 19th century. F...

Created in the mid-19th century, this charming limestone post likely once stood outside a building in China's Shanxi province as a spot to hitch livestock. Carved in reference to the Ming dynasty novel "Journey to the West," the monkey atop the post depicts Sun Wukong, the Monkey King...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

19th Century sculpture of Guan Yu (??), a guardian deity. Guan Yu (d. A.D. 219), a warrior of the late Han dynasty (206 B.C.–A.D. 220) renowned for his valo...

18th century Italian gilded and hand-carved tabernacle adorned with an 18th century Italian gilt chalice and Sabina Faye Braxton gaufrage fabric. This tabernacle once belonged in a h...

18th/19th century Buddha Statue carved of Alabaster. Burmese Shan Buddha Statue 1800ca, collected in Myanmar Shan State 1998. Legs crossed, the left hand in the lap, and the right ha...