Mid-20th Century Animal Sculptures

Elegant Art Deco style bronze black panther sculpture (circa 1940s, France). Natural, dark patina. Impressive, high-design objet d'art with int...

Cette sculpture des années 50 est en excellent état! Les yeux sont en verre.

Murano with gold We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Attributed to Seguso - Barovier We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. The history of "Seguso Vetri D' Arte" is directly linked to the "Vetreria Artistica­ Barovier" company. When the Barovier workshop was forced to reduce production in 1929, due to a financial crisis in America, the original group of ten partners had to separate and Antonio Seguso in 1931, assisted by his sons Ernesto and Archimede opened a small workshop of his own. They were joined by Luigi Olimpio Ferro and Napoleone Barovier the following year. Together the craftsmen establish the "Artistica Soffieria e Vetreria Barovier Seguso & Ferro" company as equal partners. In 1934 Flavio Poli joins the firm as artistic director and within only a brief period of time a distinct style of designs emerged. The close collaboration between Flavio Poli, Archimede Seguso and Alfredo Barbini played an important part in the success of the company. New glass techniques are developed which include never before seen color applications. The companies innovative designs constantly received awards and during the 1935 World Fair in Brussels and the 1936 Milan Triennale they did attract the interest of a new group of clientele. One of them is the French wholesale company "Veronese" from Paris which would play a defining role in the history of the company. The demand for an increase in production requires additional investments and the partners felt that there is a need to multiply their investment tenfold. Luigi Olimpio Ferro subsequently decided to withdraw from the company and his shares are acquired by Flavio Poli, which makes him a full partner. As a result, the company name is changed to Seguso Vetri D’ Arte and it is officially recognized in 1937. A period of great success and prosperity ensues, lasting until the outbreak of World War II. The post ­war period is a time of great change in Europe and the rebuilding of the economical structure in Italy requires major investments which result in the introduction of new import duties and taxes. To safeguard the copyright of the Seguso Vetri D'Arte designs an application for a second entry into the commercial registers of Venice is made by the partners in 1945. Strict export regulations curb international business relations for many years after the war and the company decides to focus on the domestic market instead. In 1946 a large retail location is opened at the Piazza Diaz in Milan where in addition to the art glass, German porcelain and Italian pottery is offered. In 1950 Flavio Poli develops a new sommerso glass technique, which consists of an overlaying of transparent layers of glass. The overlapping creates new shades of color which prior to the introduction of this technique had not been seen. Flavio Poli's most iconic design is the "Valve", which resembles an upright, slightly opened clam shell. The design was introduced in 1951. Mario Pinzoni joins the company in 1953 as a personal assistant to Flavio Poli and his responsibilities as a draftsman included the compilation of archival and the existing production drawing s...

Circa 1960, We offer this MidCentury Mexican Ashtray made in Ceramic by Ceracto, Tlaquepaque Jalisco, Mexico.

Beautiful vintage Murano hand blown Millefiori Murrina daisy flowers and clovers Italian art glass duck bird figurine / sculpture. Documented to the Fratelli Toso company. The 2 diff...

Art Deco Lion Hunter sculpture Signed by Limousin statue Circa 1930. Limousin ‘Hunter and Lion’ or Chasseur au lion. A Powerful Art Deco Study, in patina...

A delightful and mischievous pair of Japanese carved and lacquered wood Inari foxes, kitsune, dated Showa year twenty six, corresponding to 1951, Japan. T...

Art Deco style bronze or brass swimming fish sculpture on a wooden base. Bronze trim on the bottom of the wooden base. This is a heavy well cast bronze sculpture from the 1980s. Larg...

Goldscheider Scottish terrier ceramic card player, Vienna Austria, 1930s, good original condition.

Vintage Bergasse Mid-Century Modern brass metal school of fish wall sculpture. Item features a signed "Bergasse," great brutalist design,...

Seguso.

Gorgeous Chinese tessellated bone T’ang horse sculpture circa 1950s. Modeled after an actual horse discovered during the "Tang Dynasty" period, 618-906 A.D., the sculpture is in very...

A fine Art Deco Swiss Langenthal porcelain model of a lying rabbit designed by Edouard Marcel Sandoz and made in 1948. The porcelain rabbit is ha...

We are offering a wonderful pair of matching Modernist abstract Italian hand carved alabaster Owl figural bookends sculptures. These date from the 1960's...

This small ceramic block is actually a form of Chinese headrest or neck pillow. Popular during the Qing dynasty, rigid headrests such as this were used by upper-class women to protect their elaborate hairstyles by elevating the head during slumber. This example dates to the mid-20th century and is glazed in the blue-and-white style with dark, cobalt-blue color. Each side of the headrest has a quadrilobe cartouche framing two mythical fu lions playing with a brocade ball, a motif that evokes the idiom "may you and your descendant achieve high rank." A powerful and benevolent guardian, the fu lion (shizi) is the perfect force to protect against nightmares and bad energy. The playful scene is surrounded by a cracked ice pattern dotted with plum blossoms, symbols of winter and longevity. A geometric meander trims the corners and small bats frame coin...

Phyllis Morris original poodle table lamp, signed, Blue, 1952 Hollywood Regency. Iconic American Pop Design. Signed. Rare custom blue poodle. With original harp and lace shade. From the 1950s to her passing in 1988, Phyllis created hundreds of designs blending the Hollywood Regency and California eclectic styles with her interpretation of Baroque-meets-Fantasy. Phyllis Morris’ first and most iconic design was the Poodle Lamp...

A fantastic pair of enamel, gilt and copper horses. Take a look at all our pictures to see the intricate detail and life like expressions - amazing colours too. Made in China in th...

A charming Austrian Mid-Century desk thermometer, consisting of a nice wiener dog / sausage dog figurine made of brass and a lantern-shaped thermometer. A v...

Beautiful vintage Murano hand blown sky blue and gold flecks Italian art glass pheasant bird sculpture. Documented to designer Alfredo Barbini. The bird has a layer of "Bullicante" b...

Beautiful vintage Murano hand blown Sommerso yellow orange over red Italian art glass horned owl baby bird figurine, paperweight. Documented to designer Archimede Seguso. Similar one...

Made in Czechoslovakia Made of Porcelain Re-polished Good Original condition.

Art Deco Bulldog Sculpture. A 1930s porcelain bulldog sculpture by Sitzendorf Germany. With green stamp crown Sitzendorf, Dresden, Germany and numbered 29910. Crème with brown c...

Große über 2 Meter große Massivholz Kranich Skulptur. Die Skulptur wurde als Einzellstück in Handarbeit gefertigt. Die Figur sehr schwer da aus massiven Holz. Leider scheint die Skul...

A French bronze horse statue from the mid 20th century, with great details and patina. Created in France during the Midcentury period, this bronze ...

For your consideration, fleurdetroit presents this fanciful sculpture depicting a playful cockatoo. These mid-century, Italian sculptures are perfectly suited for any interior aesthe...

William Billy Haines Cast Metal with Pompeian Bronze table lamp pair, 1950s. Shades are NOT included. Haines included this design in a few of ...

1155 Italian Brass sculpture of two Scottish terriers on wood base.

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Salviati & C Measures: Violet : 33 long x 10 high x 5.5 depth Green: 30 long x 9 high x 5.5 depth The lawyer Antonio Salviati and his dream In 1859 in his premises at Number 731 of Dorsoduro, Venice the “Salviati Dott. Antonio fu Bartolomeo” company was established. This is when, Vicenza-born lawyer Antonio Salviati started the entrepreneurial career, moved by a passion for the precious mosaics of the Basilica of San Marco and fascinated by Murano glass art, he decided to start-up his own production of mosaics and objects in Murano glass. An ambitious and far-sighted goal pushed him along this path: to revive the fate of Murano glass production that has been fallen for decades. A challenge which finds the maximum support from two fundamental figures in the history of Murano glass: the mayor of the island, Antonio Colleoni, and the Abbot Vincenzo Zanetti, founder of the glass museum and of the first art school for glass masters. The first successes and international investments The launchpad was the “First Glassmakers’ Exhibition” in 1864 in which Salviati participated with a monumental mosaic that earns him a prize superior to the Gold Medal. The success achieved affirmed the credibility of the Company which thus started its glass production in Palazzo da Mula. The new corporate and productive reality needed investors and the lawyer started to internationalise the company by addressing the economic and financial market across the Channel. The UK immediately showed huge interest in Salviati’s mosaics – as testified by the mosaic that can be seen on the façade of the current Apple Store in Regent Street, London. It was also in London, on 21st December 1866, that the “Società Anonima per Azioni Salviati & C.” was established with the support of diplomat Sir Austen Henry Layard and historian William Drake. The new corporate set-up was further established with the purchase of a new headquarter, this time on the Riva dei Vetrai in Murano. The universal show of Paris in 1867 celebrated the relaunch project of Antonio Salviati “Venice owes a debt of gratitude to the knight Salviati in the resurgence for one of the most legitimately famous of its industries”. From Esposizione Illustrata di Parigi, 1867 pg. 275. “Venice and Italy have gain huge success in the Universal Exhibition. The resurgence of one of the city’s most famous industries is consecrated in this very occasion by the gold medal awarded by the jury to Mr Salviati […] the crowd […] is gathering around the display cases that hold those pieces of glass that are so transparent and so light as to appear like woven air, impregnated, when in their elegant forms that become rainbows of those iridescent reflections that cover them at the artist’s whim – the author of a real ray of sunshine from the beautiful and splendid Venice”. From Esposizione Illustrata di Parigi, 1867 pg. 311 The fundamental role of training in murano glass Training plays a fundamental role for the Company; attendance at the Art School was made compulsory for “[…] all the young workers of the Factory who don’t only tire themselves in manual work. This was established with the idea not only to lift their dignity and their initially limited aspirations, […] but also to improve their artistic education and thereby facilitate an improvement also in their economic situation”. Together with the art school, a free school was also set up to teach all employees to read and write. Diversification in production and made-to-measure projects In a short time, Salviati & C. diversified its production to include glasses, cups, amphoras, and vials which guaranteed the first prize in the universal exhibition for three consecutive years. Its mosaic production also flourished, being used in world-class projects: from the Houses of Parliament in London, to the Viceroy’s palace in Alessandria in Egypt, to the Opera House of Paris, including the private homes of wealthy New York personality. The entire 19th century for Salviati & C. was represented by development, success and fame in the national and international markets, and the Company became a symbol and reference point of Murano glass art throughout the world. The Salviati legacy at the turn of the century On the death of Antonio Salviati in 1890, first his three children followed one another at the helm of the company and then Maurizio Camerino, previously general manager. It was thanks to him that the decorative mosaic project of the Stanford Memorial Church in Palo Alto (California, USA) took place after 12 years of work. As well as the opening of a sales point in Via Montenapoleone in Milan and the institution of a museum collection of Murano glass from the 19th and 20th centuries. The post-war years, biennials and lighting After Maurizio Camerino’s death in 1931, his three children took over the helm of the company: its solid foundations allowed them to strive for new important goals in the art world, participating in the Biennials of 1932 and 1934. Not even the Second World War could tarnish the strength of the Salviati brand: in the post-war years Renzo Camerino renewed the ruined production headquarter and enthusiastically restored all his commercial contacts. Thanks to his grandson Renzo Tedeschi (newly graduated in Engineering at the Polytechnic of Turin and upon his return from an apprenticeship in the United States), Salviati launched its production in lighting appliances. The following years saw intense growth in the number of collaborations with renowned artists and designers. In 1959, the production site was moved to Fondamenta Radi 16, where it still stands today. The great lighting projects The larger production area allowed the company to further expand the international market in the field of architectural lighting. A number of projects were undertaken, such as the 9-tonne, 22-metres high chandelier in the Chamber of Commerce in Parma, the ceiling illumination in the premises of the World Intellectual Property Organisation in Geneva and the Kowloon Hotel in Hong Kong; not to mention the sound-absorbing windows of the Aula Nervi in the Vatican and the lighting system of the great honour hall of the Philippine Plaza Hotel in Manila in collaboration with architect John Marsteller. The reputation of Salviati & C. was further affirmed by the commission – after an international call for bids – for twelve 11-metre high chandeliers for the Tonhalle concert hall in Dusseldorf, made using an innovative system of modular glass elements – “LS- System” – one of the today company’s cornerstones. Salviati from the modern age to the present The story of Salviati continues in the modern era, keeping the focus on creating an innovative style that had distinguished it since its inception. Participation in international exhibitions increased, such as the Venice Biennials from 1958 to 1972 (the final year in which Murano glass was allowed) thanks to projects by designers of the calibre of Betha and Teff Sarasin, Claire Falkestein, and Luciano Gaspari. In 1962 Salviati was awarded with the highest recognition in the Design world, the “Compasso d’Oro” prize assigned by A.D.I. for the Marco vase designed by architect Sergio Asti. In 1965 the company changed its name to Salviati & C. s.p.a.; then it was purchased by the Gruppo Ferruzzi in 1987 which later on it was transferred to a French company. Since 2015 the company returned to be Venetian with the acquisition by the Umana group. Salviati and its designers Salviati’s designers: Luciano Gaspari, Sergio Asti (Compasso d’Oro 1962), Claire Falkenstein, Ward Bennet, Teff and Betha Sarasin, Ingo Maurer, Ross Lovegrove, Amanda Levete, Tom Dixon, Nigel Coates, Thomas Heatherwick, Luca Nichetto, Ben Gorham...

A charming pair of linden wood bookends with carved figurines of Owls with beautiful orange eyes, Germany, circa the 1930s. These adorable bookends will make a wonderful accent on a...

Beautiful and very cute, vintage Murano hand blown Sommerso red orange, yellow Italian art glass squirrel sculpture / figurine. Documented to designer A...

Pair of Large Asian Bronze Foo Dogs or Kylin Dragon, probably Chinese, circa 1950s or earlier. They retain their warm original patina. These were purch...

Small Majolica Goose Tureen Pate Tureen circa 1950.

Small Majolica sealife platter Vallauris, circa 1950. High relief of fish, seaweeds,starfish. Nautical style. Diameter / 7.5 by 6"  

A blue-red vintage Mid-Century Modern Italian parrot sculpture made of hand blown Murano Glass, designed and produced by Archimede Seguso in good condition. The décor piece is particularized by multicolored details. Wear consistent with age and use. circa 1960 - 1970, Murano, Venice, Italy. Base: 3" diameter The Seguso Familly is an Italian Murano glasswork, manufactor founded by Antonio Filius Seguxi in 1397 Venice, Italy. Until today, the Seguso Family...

Pair of 1940s carved wood tusks with an original lacquered painted finish. Measurements: Height: 67.5? With: 30? Depth: 12.5?.

Dog lovers will appreciate this realistic vintage pug. Crafted in France, circa 1950, the antique dog sculpture features a resting puppy pug; the canine wi...

Large Carved Wooden Horse Head This Superb character is carved from a single piece of wood and is set on a wooden stand, it has a good dark patina ...

Gunnar Nylund (1904-1997) for Rörstrand. Fish in glazed ceramics. Beautiful glaze in brown shades. Mid-20th century. Measuring: L 17 cm. x H 14,5 cm. In excellent condition. Sig...

Boleslaw Danikowski ( 1928-1979) high enameled ceramic sculpture, France 1950. Boleslaw Danikowski was the first ceramist to work regularly with Robert Guillerme and Jacques Chambron...

An amazing modernist sculpture of a Penguin designed and manufactured in Venice by Seguso. the red and black murano glass it's in perfect conditions, its acid signed on the bottom and labeled on a side. This Murano Glass Penguin...

Patinated brass Toucan sculpture with dark maroon colored resin body suspended from brass metal stand, Brazil 1960s.

Robert Kwechete bronze stylized elephant. Original patina. Signed and numbered 1 of 250. Great condition. Dimensions: 7" H x 5.5" W.

Figurative decorated boar objet d’art. Made of verdigris copper. Attributed to being Chinese based on style and subject.

Art Deco Style carved Wooden Eagle sculpture with glass eyes from the 1960s. This stunning, naturalistically hand carved and brown tinted beech...

French Art Deco carved wood walrus sculpture, Signed Martini. This realistic and unusual French Art Deco carved fruitwood sculpture of a walrus was e...

A rare example of the Danish toy-design-master Kay Bojesen work. This lion in braided natural rope was designed I collaboration between Jorgen Bloch and K...

A vintage carved wood crocodile head boat prow from Papua New Guinea. This mid-20th century Papua New Guinean boat prow has been carved out of wood and features the head of a crocodi...

- production Slevárna Přerovské strojírny Přerov Czechoslovakia - good original condition

1383 Hand carved wood sculpture of a bird with outstretched winds flying of the world

Mid century Brass Marlin or Sailfish sculpture from the 1950's-1960s. Good overall condition, hand polished. Measures 17" x 12 1/2" x 4". Base is 10...

Original undamaged condition.

Large size and all hand-crafted metal salmon sign. This vintage salmon sign is another one of our recent great finds. The former owner told us how he, about three decades ago, had purchased this unique antique in France. Over the years we have seen and sold all kinds of antiques, but this was only the second time that we had the opportunity to purchase a vintage (or near-antique) fish sign and we were immediately thrilled. Not only because of the extraordinary size, but also because of the rarity, the details and the marvelous colors. This kind of workmanship you simply don't find anymore in this day and age. We have searched the worldwide web and you simply cannot find these sculptural signs anywhere. The aging has made this salmon even more beautiful and realistic, because the crazing of the paint makes it look like you can see its scales. This handcrafted, folk-art-like antique looks like it is made of zinc, but we think it is thick tin. This large salmon will look great in a fish monger's, but it can also be the perfect decoration in the office of a salmon farm, in a fisherman's lodge, in a mancave or in a fishing (gear) shop. It was originally made to hang, either in an open space or up against the wall (as shown in our photos) but with one or two brackets this work of art could also be displayed on a very large desk...

A murano glass tropical fish designed and manufactured in Venice in the Eighties by Seguso. The transparent murano glass has inclusions black, gold and white. The tropical fish it's ...

Rare plaster figure of two doves. Hand-painted. Made in Spain, circa 1950. In original condition, with minor wear consistent with age and use, preserving a beautiful patina. ...

Pair of recumbent ceramic spaniels from the Staffordshire region of England. They have lovely faces which are hand painted and gold painted collars and...

Mid-century Modern hand blown Murano glass fish figure with a clear glass body and strippes in red and white colors and accent in blue and green. Italy 1950s. Each side of the bod...

A circa 1960's Italian hammered and gilt iron sculpture of three birds in flight. Measurements: Height: 28" Width: 23" Depth: 27"

A vintage lost wax cast bronze playful puppy with dark patina. Created with the traditional technique of the lost-wax (à la cire Perdue) which allows for great precision and finesse ...