Metal Busts

A very good quality late 19th century bronze bust of a classical lady wearing a hat. Label to reverse; Eug. Bagues.

A pair of patinated bronze busts. French, circa 1870.

This bust is very interested for the dimension. BRONZE SCULPTUR DEPICTING A BUST OF A BOY (1964). WORK OF CARLO CANESTRARI (SASSOFERRATO 1922 - ROME 1988). It is published on: "PUBLI...

A charming French mid 19th century patinated bronze and ormolu bust of a young lady, signed by Elie-Joseph Laurent. The bust is raised by a square ...

Scultura bronzo - raffigurazione fanciulla - basamento marmo nero - art. ignoto. Descrizione : Bellissima scultura rappresentante una fanciulla ...

Bronze with black patina. Limited edition of 8, signed stamped and numbered 1/8, seal of the founder.

Handsome 19th Century Bronze and Marble Neoclassical Bust, Great Color & Patina. Pristine Condition.

Sculpture metal "Soud’art" Mask Wear consistent with age and use Art - Graphic sculpture - Brutalist Measures : 15cmx18cm H:78cm

Bronze Amazonian Indian head signed Bicata (marked 1/8) on Alfa Arte foundry marble base. Dimensions height 15 cm. Additional information: Material: Bronze Artist: Bicata.

A charming bust of a child’s head by Edwin Whitney-Smith, dated 1910, the girl has her head slightly tilted forwards as she looks out from under a lock of hair, set on a square block signed on the reverse ‘E Whitney-Smith 1910’. This bronze is a reduction of Whitney-Smith’s original marble piece, a photograph of which survives in the V&A (object number AAD/1990/12/63). Another version can be seen in a 1920s photograph of the artist in his studio owned by the National Portrait Gallery (NPG x194201). Neither the identity of the sitter nor title of the work is known. Edwin Whitney-Smith (1880-1952) was one of the pre-eminent sculptors of his day. Born in Bristol in 1880, he became a student of William Harbutt, the headmaster of Bath School of Art, best remembered today for inventing plasticine. Whitney-Smith showed great promise from an early age, opening a studio in St John’s Wood, London, in 1910. He exhibited over 40 pieces at the Royal Academy and despite not achieving Academician status, even with list of illustrious proposers, he became a dear friend of Sir Alfred Munnings, the famous horse painter, and sculpted his portrait. He was, however, elected to the Royal Society of British Sculptors and his works were generally well-received by critics and the general public alike. Aside from the RA, he exhibited in Bristol, at the Paris Salon and the Scottish Academy and his work attracted the attention of such important patrons as the Courtauld family. One of his most famous works, The Waking Child, is in the Ferens Art Gallery in Hull and another, The Irishman, is in the Tate. One version of his bust of Ernest Bevin, the trade unionist, stands in Tooley Street in Bermondsey to this day. An article in The Sphere, published on the 3rd of May 1924, referred to the sculptor as “a well-known sculptor of smiling children” and mentioned his “famous babies’ heads”.

A charming and very high quality true pair of French 19th century Louis XVI st. patinated bronze and ormolu statues, signed Carl Kauba. Each patinated bronze winged cherub is dated 1...

A marble and Ormolu bust by Marionnet, showing the white marble head and shoulders of a girl with her hair in a bun and ringlets framing her face, wi...

Homage to Camille Claudel Romeo & Juliet Very Impressive Bronze Sculpture 500lbs Extraordinary and significant bronze sculpture, France, 20th century The artist has created a work t...