European Figurative Sculptures

Rare and artistic pair of gilt bronze picture frames. If you are an antiques enthousiast and you also enjoy looking at the most majestic beast in the animal kingdom then you will lo...

Maitland-Smith bronze sculpture depicting the Goddess of Peace, Aurora, after Jules Felix Coutan. The winged figure is adorned with a helmet and holding a sword, mounted on a marble ...

An Industrial robot made in the 1970s. This unique object was traditionally an exercise given to a novice machinist to test their knowledge and skill at operating their machine. It r...

Sculpture of a male torso in the Hellenistic style, 21st century. Sculpture on base of a male torso in the Hellenistic style, plaster and patinated resin, 21st century. H: 74cm, W:...

Lladro, Spain. Porcelain figurine of a standing young woman holding a lamb in her arms. Approximately from the 1980s. Marked. Perfect condition. Dimensions: Height 26.6 cm x Diameter...

This is a Hummel porcelain group figurines of six boys and one little girl. It’s named “Adventure Bound”. Its mark is TMK5 (1970’s). The inscription M.I. Hummel is in one of the side...

Sculpture Concorde model black in fiberglass in black matt finish. Scale 1/36em on polished brushed aluminium base. Exceptional and unique piece.

This beautiful sculpture entitled "Lolita" by Francoise Abraham reflects an original and unique perspective on the human form in movement. Born in 19...

This artwork was created by the Italian artist Rodica Tanasescu. The title " Musa" Muse. Rodica Tanasescu was born in Rumania and now lives in and works in Mestre, (Venezia, Italy)....

Fine Italian Carrara marble of a Nymph. The figure stood upon a rocky plinth partially nude with a draped robe seen pouring water from a large urn as she looks on. The beautiful carv...

Set of six water/drink/wine glasses color Arlecchino - Murano glass - Made in Italy. These individual Murano glasses are inspired by the classic "Goto" Murano glass. Other colors a...

Bronze male sculpture signed. Fonderia Giorgio Sommer Calabritto Napoli Thomas, sculptor, lived and worked in the Naples area, and especially on Capri, from 1889 to 1906. Given this ...

Alabaster. Signed Lapini Firenez on base. 36 7/8" h x 18" w x 13 3/4" d. Cesare Lapini (1848 – after 1890) was an Italian sculptor, mainly active in Florence. Lapini sculpted both ...

The Murano Glass Goto collection brings a piece of authentic Italian art to your dining table. Hand-blown with artistic expertise, these glasses are inspired by the traditional Venet...

This is a truly magnificent antique Italian Grand Tour figural golden patinated bronze sculpture depicting a wounded gladiator known as "The Dying Gaul", and signed B Boschetti...

A spectacular mid-17th century Venetian Sculpture - "Enfant Au Coussin" - Enfant With Pillow. Expertly carved from Verona Marble. An architectural element originally serving as a b...

VIRGIN AND CHILD IN MAJESTY, ALSO KNOWN AS "SEDES SAPIENTIAE"   ORIGIN : SPAIN, CATALOGNE PERIOD: EARLY 13th CENTURY   Height :  95 cm Width : 32 cm Depth : 28 cm   Softwood No polychromy     In the middle of the 12th century, the Virgin took her place in churches, seated in Majesty, serving as a throne for her son Jesus. She is then called Sedes Sapientiae, meaning the Throne of Wisdom. At that time, she is not represented for herself and only exists because she has been designated as Theotokos, the mother of God, at the Council of Ephesus in 431, where the divine nature of Christ was proclaimed from his birth.   The upright and perfectly hieratic bust of this Virgin and Child in Majesty is seated on a throne-bench. She is dressed in a tunic with a rounded neckline and covered with a fine mantle placed on her narrow shoulders. The supple and natural drapery follows the lines of the body.   Large curls frame her face with delicate and regular features, a long straight nose, almond-shaped eyes, and small lips.   She supports the Infant Jesus with her left hand. Like his mother, he is dressed in a long tunic, and his little feet are visible in the folds. He holds a small sphere in his left hand, while with his right hand, he gestures in blessing. The face of Christ bears a strong resemblance to his mother’s one, and he gives a slight smile.   The position of the Child is no longer as hieratic, nor frontal or central as in the early 12th century, but his face still turns towards the faithful.   The 13th century indeed emerges as a period of transition in the artistic domain. The statuary, while retaining certain characteristics still belonging to the habits of the previous century, also develops new formal solutions.   As a result, Mary maintains a hieratic and frontal position, while her son shifts to place himself well to the left on her knee. Similarly, while the Virgin seems perfectly still, Jesus, on the other hand, appears much more animated, especially in the positioning of his hands. His left hand holds the orb, and judging by the raised right arm directed towards the faithful, one can easily imagine that he was making a gesture of blessing.   The influence of the Sedes Sapientiae from previous centuries still seems particularly prevalent in this work.   These few characteristics allow dating this Spanish Virgin...

- Made in Czechoslovakia - Made of ceramic - Maker: Jitona - Good, original condition.

A set of six (6) German white porcelain male nude putti sculptures in the Renaissance or Neoclassical styles, circa 20th century, Germany. A fun set of six male nude tumbling putti s...

A private, calming and quiet piece by an unknown artist Beautifully crafted and subtly finished with dark green matt glaze Circa 1980s Unsigned Height 9.5 inch, Width 5 inch, Depth 4...

Elegant sculpture in Art Deco style, ball dancer signed by Denis. With foundry mark. Cast at the Max Le Verrier foundry. Designed ca. 1930. Posthumous contemporary cast. Patinat...

Eliseo Tuderte Fattorini (Italian, 1830-1887). A very fine and life-size Italian, 19th century marble Life-size Orientalist Marble Sculpture...

France,1834-1917 Depicts a neoclassical woman in a diaphanous dress seated upon a swing decorated with leaves and tendrils.

A beautiful patinated Art Nouveau bronze study of a young Art Nouveau beauty sat upon a wall wearing chains with excellent variegated rich brown patina and excellent hand chased surf...

Gufram icons have become smaller and have turned into Guframinis! Designed in a 1:8 scale the new miniatures perfectly reproduce the famous original sculptures. Each "mini" creation ...

A Monumental Museum Quality Pair of French 19th Century Figural Gilt and Patinated Bronze Rosso Granite Marble Flambeaux Urns, each depicting a pair of standing allegorical and whims...

Excellent and rare Art Nouveau ceramic piece from a series of the four seasons: Naked putto in a wide stance, head tilted to the left and holding a cascade of flowers falling to the ...

Large ceramic Geisha Elcod 1940 Cacciapuoti, unique elegance, very beautiful colors, small chips.

Beautiful carved giltwood baroque ornament. Italy, 17/18th century. Weathered and small losses. Measurement includes the wooden base.

'Bohemienne' An Art Nouveau bronze sculpture by Emmanuel Villanis (1858-1914), depicting an elegant young woman holding a lyre with her other arm raised behind her head with robes fl...

A spectacular sculpture made in black porcelain, inspired by the legendary gladiators of the Roman empire. This creation represents with amazing faithfulness and detail the figure...

A dark chamotte clay wall sculpture, representing a stylized girl. Unique hand-formed sculpture by Rogier Vandeweghe for Amphora.

Sculpture Spinning Top In Wood, circa 1990 By unknown artist, manufactured in Spain In original condition, with minor wear consistent of age and use, preserving a beautiful patina

This is a Girl with Wheat bronze sculpture by Hippolyte F. Moreau. He is famous for his bronze statues of young women. He is also the son of another renown French sculptor named Jean Baptiste Moreau. It depicts a young lady with long curly hair who is dressed with a see-through robe. She is holding a basket of wheat with one arm and some branches of them with the other one. She appears to be in the countryside and is observing a pair of doves that are on the ground. The bronze sculpture is standing over two...

Pair of ceramic figurines by Ugo Zaccagnini. Italy, 1960s.

This is a bisque porcelain piano baby girl figurine. She is seated crossing her legs with her arms up and wearing a delicate white chemise with ...

This artwork was created by the Italian artist Rodica Tanasescu. The title "Insieme" Together Rodica Tanasescu was born in Rumania and now lives in and works in Mestre, (Venezia, It...

Art Deco bronze sculpture male bust by Ugo Cipriani. Patinated bronze. Belgian black marble base. France 1930. Literatuur: “Art Deco sculpture” Alastair Duncan.

Nude woman in Bisquit Art Deco 1930 German Manufacture Carl Werner Artist white color.

Au But, Antique bronze sculpture of 3 nude runners by Alfred Boucher with the Siot founders' signature. Patinated bronze on red marble base. France ca. 18...

A Lalique limited edition amber glass model of a seated 'Happy Buddha', numbered 809/888.

This is a lovely late 19th century French patinated terracotta figure of nude faun woman sitting on a rock with two putti, apres Clodion.

The choirboys. Three choirboys singing, directed by a priest, this Capodimonte porcelain made on a kidney shaped base. Very nice Romantic scene, included a music box. Not working a...

Charles Korschann Czechoslovakian Art Nouveau Gilt-Bronze Figural Bud Vase. Cast from a model by Charles (Karl) Korschann, circa 1899, of urn form, with a handle in the form of a...

This antique sculpture was done by the well known Hans Arnoldt of Germany and dates to the early 20th Century and done in an Art Deco style. The sculpture is composed of cast and pat...

Nauru sculpture The copper details of this sculpture are able to show different colors thanks to the concentric lines present on the surface that expand and contract the space whe...

French Art Deco waiter porcelain bottle by Georges BASTARD (Paris), France, ca.1924. Designed by Margerie. White porcelain made in Limoges. Height : 11.1"(28.3cm), Width : 3.75"(9.5...

Set of Two Sunbeds. Design by Salvador Dalí­­, 1903 Manufactured by BD Barcelona Solid Iroko wooden structure with polyamide wheels. Optional upholstered cushion with water repelle...

Goldscheider ceramic figurine depicting a tennis player, made by Stefan Dakon in 1932. Ø cm 9 h cm 27.5 Stefan Dakon (1904-1992) was a talented Austrian sculptor and designer who ...

Art Deco Diana with bow bronze sculpture by Pierre Le Faguays. Founders signature Susse Frères Editeurs Paris and foundry seal. Green patina, France 19...

This antique hand-carved alabaster sculpture of lamp is unsigned, but being attributed to Umberto Stiaccini of Italy and dates to approximately 1890 and done in a Neoclassical Reviva...

Il Tuffatore is an important hand blown Murano glass sculpture by Loredano Rosin (1936-1992). Il Tuffatore, literally translated as, 'The Diver' is a Murano glass sculpture in deep g...

Beautiful handcarved giltwood bird ornament. Italy circa 1780-1820 . Weathered and small losses and old repairs Measurements include the wooden base. H:23cm W:41cm D:6,5cm

A set of 3 strong and spectacular metal cactus, contemporary brutalist sculptures, unique pieces by artist ESOJ, France 2020. Dimensions : The higher : H 101.5 x D 23 cm / H 40 x D 9 inch The medium : H 50 x D 17 cm / H 20 x 6.7 inch The smaller : H 21 x D 16,5 cm / H 8.2 x 6.5 inch These pieces allow to be presented independently, as well as together (recommended) allowing various esthetic compositions. They are made to be set up indoor as radical sculptures, as well as outdoor on a terrasse or in any garden or even wild nature to create a trouble illusion between wildness and modernity. We represent ESOJ and organized his exhibition "Metal Spirit", November 2022, in our gallery in Paris, and this unique piece was presented during this event. Esoj's work is rooted in a direct link to daily life, to the visual value of consumer objects. Whether they are elements of nature or products of pop culture, he fixes them in the metal to give them a definitive appearance, a form of immortality: a box of opened chocolates will be there forever, nothing will not erase Mickey's sluggish smile, nor his middle finger; a succulent plant frozen in iron will no longer need water... A parallel world under construction, a world of avatars springing from a metallic quintessence which confronts man with himself, with matter, with progress, to the flow of time. Beyond their symbolic force, Esoj's sculptures express as much the visceral gesture of the artist in a world losing meaning, as they catalog his universe in a subjective archive. For his first collaboration with us, Esoj looks away from his Barbie dolls, Playmobils and bags of M&Ms, to sketch a sort of return to Nature and vibrate an ancestral wisdom evident in his new series of cacti, succulents, vases and masks murals with shamanic connotations. A wisdom that he draws from his Portuguese origins, this saudade: “tension between opposites, on the one hand the feeling of a lack, on the other hand the hope and the desire to find what we lack”, embodied here by a particularly inhabited desert; where cacti are next to agaves, aloes, prickly pears, plants which are certainly ornamental but also hallucinogenic and healing, sometimes fatal; where the series of containers suggests an almost medicinal link between these inert objects, even more obvious in the wall piece inspired by Korean...

Charming hand-carved wooden figurines in folk art from northern Sweden. The set of 6 figurines are made by hand in solid Swedish pine and painted by My...

This is a spectacular Daum Nancy France crystal Athena art glass paperweight or sculpture designed by the Mexican architect and statesman Pedro Ramirez Vazquez (1919 - 2013). The stu...

This set of eight porcelain figurines was made by the Capodimonte factor of Italy in circa 1980 in the Renaissance style. Seven of the figurines depict famous military figures and ar...

A large and impressive late 19th Century bronze study of the famous Venus de Milo sculpture of antiquity with excellent rich brown patina and good hand finished surface detail, inscribed F.Barbedienne foundry ADDITIONAL INFORMATION Height: 95 cm Width: 28 cm Depth: 28 cm Condition: Excellent Original Condition Circa: 1890 Materials: Bronze Foundry: F.Barbedienne SKU: 7741 ABOUT The Barbedienne Foundry is a famous 19th century bronze foundry, whose statues and art objects became rapidly very renowned. This bronze studio co-worked with other trades, and put his name to a great variety of works, such as furnishing in particular. Attending every World's Fair of its time, the Barbedienne Foundry was regularly awarded, notably at the World's Fair of 1855 where it was awarded the Great Medal of Honor. A Parisian bronze maker and caster, Ferdinand Barbedienne (1810-1892) creates a firm in 1839 in collaboration with Achille Collas, the inventor of the mechanical method to obtain copies of sculptures at a smaller scale. With this groundbreaking proceed, they facilitated an unprecedented production. Under the “Collas et Barbedienne” name, they specialized in Antiquity copies and perfected new chemical methods for the color and patina finish of their bronzes. As a true Romantic, Ferdinand Barbedienne is committed to democratization of arts, he thus realizes numerous Antiquity copies and stimulates his contemporaries’ works broadcasting. A great deal of famous sculptures are hence cast by the Barbedienne Foundry. All his life, Barbedienne co-worked with the greatest artists, sculptors or designers of his time, such as Edouard Lievre, Ferdinand Levillain, Attarge, Aizelin, Barye or Fremiet. Statues aside, he products a great deal of decorative artifacts, such as clocks, vases, mirrors, etc. Since 1855, Ferdinand Barbedienne collaborates with the famous decoration designer Louis-Constant Sévin (1821-1888). Joining the firm as a sculptor-designer, he stays loyal to it his life long, always finding more new designs for daily objects, which hence become true art works. Sevin’s creations, specialized in the “Neo-Greek” style, were particularly appreciated for antiquity reference in decorative arts, just like the great mirror preserved by the Orsay Museum. He also teams up with enamelers including Alfred Serre, and develops a set of “cloisonnés” enamels that made the headlines at the World's Fair of 1862 in London, which was the very beginning of the art of enamel’s return. In collaboration with Serre, Barbedienne realized between 1878 and 1889 the Monumental Clock in Renaissance style, decorated with enamels, which is preserved in the Paris City Hall. Venus de Milo Facts about Venus de Milo sculpture. For much of the world, the mystery of the Venus de Milo lies in her missing arms. But there’s much more to this iconic statue than a couple of absent appendages. 1. Venus de Milo‘s title is a bit misleading. It’s popularly believed that this Grecian statue depicts the Greek Goddess of love and beauty, who was often rendered half-naked. However, the Greeks would have called this deity Aphrodite. Nonetheless, the Roman-inspired Venus de Milo caught on. 2. She’s named in part for where she was discovered. On April 8, 1820, a farmer named Yorgos Kentrotas came across the statue in pieces within the ruins of an ancient city on the island of Milos (formerly known as Melos). 3. Alexandros of Antioch is credited with her creation. A sculptor of the Hellenistic period, Alexandros is believed to have carved this masterpiece between 130 and 100 BCE. The inscription on the plinth—the slab on which the statue rested—that identified him as Venus de Milo‘s creator was lost nearly 200 years ago. 4. She might not be Venus. Some have suggested the sculpture is not Aphrodite/Venus, but Amphitrite, the sea goddess who was particularly adored on Milos. Still others have proposed she’s Victory, or perhaps a prostitute. With her arms long missing, would-be context clues have been lost for centuries. A spear could have meant one thing, a spool of thread another. If she held an apple—as some reports claim—it could mean she was Aphrodite, holding the award given to her by Paris before the Trojan War began. To this day, it’s a matter of passionate debate. 5. She became a gift to the King of France. When Kentrotas called upon a French naval officer to help him unearth the spectacular sculpture, he began a chain of events that would eventually lead to the Marquis de Rivière presenting Venus de Milo to Louis XVIII. In turn, the ruler gave the statue to the Louvre, where it is on display to this very day. 6. The loss of her limbs is the fault of the French. Kentrotas did find fragments of an arm and a hand when he uncovered the statue in the ruins, but as Venus de Milo was being reassembled, those arms were discarded for having a “rougher” appearance. Modern art historians believe that the variation of finish does not mean those arms did not belong to Venus, but both the arms and the original plinth have been lost since the piece moved to Paris in 1820. 7. The original plinth was ditched on purpose. Sight unseen, early 19th century art historians decided the newly discovered Venus must have been the work of Greek artist Praxiteles, and publicized the work as such. This attribution would have placed the piece in the Classical period (5th through 4th centuries BCE), which was more respected artistically than the Hellenistic period. To save face and better promote Venus de Milo—even at the cost of misinforming the public—the plinth was removed before it was presented to the King. 8. Venus de Milo was meant to make up for a national embarrassment. During his conquests, Napoleon Bonaparte had plundered one of the finest examples of Greek sculpture, Venus de’ Medici, from Italy. In 1815, the French government returned that beloved sculpture, but in 1820, France embraced the chance to fill the hole its absence left in the French culture and national pride. As such, Venus de Milo was promoted as being even greater than Venus de’ Medici upon her Louvre debut. The ploy worked, and the piece was met with almost universal praise from artists and critics. 9. Renoir was not impressed. Perhaps the most famous of Venus de Milo‘s detractors, the celebrated Impressionist painter dismissed this delicate depiction of grace and female beauty as “a big gendarme.” 10. She went into hiding during World War II. By the autumn of 1939, war threatened to descend on Paris, so Venus de Milo along with some other priceless pieces, such as Winged Victory of Samothrace and Michelangelo’s Slaves, were whisked away for safekeeping at various châteaux in the French countryside. 11. She’s been robbed! Venus is missing more than just her arms. She was originally draped in jewellery including a bracelet, earrings and a headband. These flourishes are long lost, but the holes for fixing them to the piece remain in the marble, giving clues to the missing accessories. 12. She lost her colour. While it’s easy for today’s art admirers to think of Greek statues as white, the marble was often painted in the style of polychromy. However, no trace of the original paint scheme remains on Venus de Milo today. 13. She’s taller than most people. Even with her slight slouch, Venus de Milo stands at 6 feet 8 inches tall. 14. She could be a copy. Art historians have noted that Venus de Milo bears a striking resemblance to Aphrodite of Capua, which is a Roman era copy of a possibly late 4th century BCE bronze Greek original. That would be at least 170 years before Alexandros carved his goddess, leading some to speculate that both statues are actually replicas of an older statue...

Original 19th century French bronze, " Jeune Femme a la Mandoline", sculpture of a young girl seated with a mandolin resting on her lap by Auguste Moreau (1834-1917) France and retai...

One of the female characters of the most famous fantasy saga in history is faithfully reproduced in this porcelain piece which is sure to delight the countless fans of Star Wars all over the globe. Finished in white matte porcelain with touches of glaze, enamels and golden luster, the piece is decorated with the character’s signature colors. It depicts Queen Amidala in ceremonial robes, celebrating the 20th anniversary of The Phantom Menace...