European Figurative Sculptures

Art Deco style lamp with kneeling nudes holding a glass shade Offrande signed Fayral, pseudonym of Pierre Le Faguays cast at the Max Le Verrier foundry. Design Ca. 1925. Patinated A...

A lovely green bronze sculpture in shape of a jumping frog. The frog is 26 cm (10.4") tall and in excellent condition. Marked A.P.G below.

Hand-carved Napoleon Bonaparte in walnut on a colorful marble base. You often see sculptures of Napoleon Bonaparte in bronze, rarely in wood.

A truly beautiful hand-blown Murano glass transparent bowl blown in an uneven 'wobbly' shape with beautiful folds and curves. This bowl is in good condition.

A pair of magnificent shell sculptures representing two ladies or princesses from the grand siècle, with subtle details, a hippie creation from the 1970s, anonymous artist, France 1970.

A patinated bronze sculpture after German sculptor Otto Schmidt Hofer (1873-1925). Titled, "The Enemy Below." A figural work featuring a handsome nude male Greek...

Great piece of .5" walls with beveled edges, in Italian Carrara marble perfect for display sculptures, etc.

Bronze sculpture with wooden base, Homage to Marino Marini 1950s/60s

A stunning antique French art nouveau bronze sculpture of the personification of night (La Nuit) (woman sitting on a moon with a star crown) by Henri Louis Levasseur (1853-1934), sig...

A large and impressive late 19th Century bronze study of the famous Venus de Milo sculpture of antiquity with excellent rich brown patina and good hand finished surface detail, inscribed F.Barbedienne foundry ADDITIONAL INFORMATION Height: 95 cm Width: 28 cm Depth: 28 cm Condition: Excellent Original Condition Circa: 1890 Materials: Bronze Foundry: F.Barbedienne SKU: 7741 ABOUT The Barbedienne Foundry is a famous 19th century bronze foundry, whose statues and art objects became rapidly very renowned. This bronze studio co-worked with other trades, and put his name to a great variety of works, such as furnishing in particular. Attending every World's Fair of its time, the Barbedienne Foundry was regularly awarded, notably at the World's Fair of 1855 where it was awarded the Great Medal of Honor. A Parisian bronze maker and caster, Ferdinand Barbedienne (1810-1892) creates a firm in 1839 in collaboration with Achille Collas, the inventor of the mechanical method to obtain copies of sculptures at a smaller scale. With this groundbreaking proceed, they facilitated an unprecedented production. Under the “Collas et Barbedienne” name, they specialized in Antiquity copies and perfected new chemical methods for the color and patina finish of their bronzes. As a true Romantic, Ferdinand Barbedienne is committed to democratization of arts, he thus realizes numerous Antiquity copies and stimulates his contemporaries’ works broadcasting. A great deal of famous sculptures are hence cast by the Barbedienne Foundry. All his life, Barbedienne co-worked with the greatest artists, sculptors or designers of his time, such as Edouard Lievre, Ferdinand Levillain, Attarge, Aizelin, Barye or Fremiet. Statues aside, he products a great deal of decorative artifacts, such as clocks, vases, mirrors, etc. Since 1855, Ferdinand Barbedienne collaborates with the famous decoration designer Louis-Constant Sévin (1821-1888). Joining the firm as a sculptor-designer, he stays loyal to it his life long, always finding more new designs for daily objects, which hence become true art works. Sevin’s creations, specialized in the “Neo-Greek” style, were particularly appreciated for antiquity reference in decorative arts, just like the great mirror preserved by the Orsay Museum. He also teams up with enamelers including Alfred Serre, and develops a set of “cloisonnés” enamels that made the headlines at the World's Fair of 1862 in London, which was the very beginning of the art of enamel’s return. In collaboration with Serre, Barbedienne realized between 1878 and 1889 the Monumental Clock in Renaissance style, decorated with enamels, which is preserved in the Paris City Hall. Venus de Milo Facts about Venus de Milo sculpture. For much of the world, the mystery of the Venus de Milo lies in her missing arms. But there’s much more to this iconic statue than a couple of absent appendages. 1. Venus de Milo‘s title is a bit misleading. It’s popularly believed that this Grecian statue depicts the Greek Goddess of love and beauty, who was often rendered half-naked. However, the Greeks would have called this deity Aphrodite. Nonetheless, the Roman-inspired Venus de Milo caught on. 2. She’s named in part for where she was discovered. On April 8, 1820, a farmer named Yorgos Kentrotas came across the statue in pieces within the ruins of an ancient city on the island of Milos (formerly known as Melos). 3. Alexandros of Antioch is credited with her creation. A sculptor of the Hellenistic period, Alexandros is believed to have carved this masterpiece between 130 and 100 BCE. The inscription on the plinth—the slab on which the statue rested—that identified him as Venus de Milo‘s creator was lost nearly 200 years ago. 4. She might not be Venus. Some have suggested the sculpture is not Aphrodite/Venus, but Amphitrite, the sea goddess who was particularly adored on Milos. Still others have proposed she’s Victory, or perhaps a prostitute. With her arms long missing, would-be context clues have been lost for centuries. A spear could have meant one thing, a spool of thread another. If she held an apple—as some reports claim—it could mean she was Aphrodite, holding the award given to her by Paris before the Trojan War began. To this day, it’s a matter of passionate debate. 5. She became a gift to the King of France. When Kentrotas called upon a French naval officer to help him unearth the spectacular sculpture, he began a chain of events that would eventually lead to the Marquis de Rivière presenting Venus de Milo to Louis XVIII. In turn, the ruler gave the statue to the Louvre, where it is on display to this very day. 6. The loss of her limbs is the fault of the French. Kentrotas did find fragments of an arm and a hand when he uncovered the statue in the ruins, but as Venus de Milo was being reassembled, those arms were discarded for having a “rougher” appearance. Modern art historians believe that the variation of finish does not mean those arms did not belong to Venus, but both the arms and the original plinth have been lost since the piece moved to Paris in 1820. 7. The original plinth was ditched on purpose. Sight unseen, early 19th century art historians decided the newly discovered Venus must have been the work of Greek artist Praxiteles, and publicized the work as such. This attribution would have placed the piece in the Classical period (5th through 4th centuries BCE), which was more respected artistically than the Hellenistic period. To save face and better promote Venus de Milo—even at the cost of misinforming the public—the plinth was removed before it was presented to the King. 8. Venus de Milo was meant to make up for a national embarrassment. During his conquests, Napoleon Bonaparte had plundered one of the finest examples of Greek sculpture, Venus de’ Medici, from Italy. In 1815, the French government returned that beloved sculpture, but in 1820, France embraced the chance to fill the hole its absence left in the French culture and national pride. As such, Venus de Milo was promoted as being even greater than Venus de’ Medici upon her Louvre debut. The ploy worked, and the piece was met with almost universal praise from artists and critics. 9. Renoir was not impressed. Perhaps the most famous of Venus de Milo‘s detractors, the celebrated Impressionist painter dismissed this delicate depiction of grace and female beauty as “a big gendarme.” 10. She went into hiding during World War II. By the autumn of 1939, war threatened to descend on Paris, so Venus de Milo along with some other priceless pieces, such as Winged Victory of Samothrace and Michelangelo’s Slaves, were whisked away for safekeeping at various châteaux in the French countryside. 11. She’s been robbed! Venus is missing more than just her arms. She was originally draped in jewellery including a bracelet, earrings and a headband. These flourishes are long lost, but the holes for fixing them to the piece remain in the marble, giving clues to the missing accessories. 12. She lost her colour. While it’s easy for today’s art admirers to think of Greek statues as white, the marble was often painted in the style of polychromy. However, no trace of the original paint scheme remains on Venus de Milo today. 13. She’s taller than most people. Even with her slight slouch, Venus de Milo stands at 6 feet 8 inches tall. 14. She could be a copy. Art historians have noted that Venus de Milo bears a striking resemblance to Aphrodite of Capua, which is a Roman era copy of a possibly late 4th century BCE bronze Greek original. That would be at least 170 years before Alexandros carved his goddess, leading some to speculate that both statues are actually replicas of an older statue...

Model supersonic concorde aircraft with structure and base in polished aluminum.

These pieces have so much charm. A great addition to your collection.

Wonderful hand carved standing Baroque angel figure. Unique period piece with its original paint . Spain, circa 1650-1750 Weathered. . Measurement here below includes the wooden ba...

Beautiful faded wooden gent milliners hea from the early 1900's. The faded lines and the non-treated wood give this head his beautiful character. Absolutely top of the line decorati...

This rare and damaged copper repoussé relief 18 people in erotic play involving French soldiers of various rank and state of undress. The artwork has a horizontal crack across the center of the scene. The relief is backed by a sold bronze...

Add a touch of timeless charm to your home with this set of sixteen carved stone fruits, perfect for styling an entryway console, dining room table, or kitchen counter. Crafted in It...

Rare Large Edition of "Clarté" by Max Le Verrier – A True Art Deco Masterpiece Discover an extraordinary and exceptionally rare large edition of "Clarté" by the legendary Max Le Ver...

Condition: Original Vintage Condition Materials: Patinated Cast Brass Style: French Antique

A fine vintage Meissen porcelain figurine. By Peter Strang. Strang was born in Dresden in 1935 and received a degree in Sculpture from the Academy of F...

This German nude strongman archer is one of the finest examples of a nude male figure that I have seen in my 50 years of selling antique bronzes. His musculature is perfect and rema...

"Maternity" Angelo Biancini Morelli Ceramics 1930s Ivory Ceramic Figure Rare Sculpture of Angelo Biancini by Morelli Manufacture 1920-1930 "Morelli" Sign under the base

A Mid Century Italian life size artist's articulated mannequin, or model, made of solid wood with stained patina. Figure clamps to a metal rod affixed to a heavy black base. May be p...

A bronze statue of a farrier. A male figure in bronze on a black marble base. The tools are separate parts. The bronze is signed, not decipherable by whom. The height of ...

Henry Moore (British, 1898-1986) "Reclining Figure: Stiff Leg" Patinated Bronze Sculpture, 1977, signed "Moore" and numbered edition "3/9". 5.5" H x 10.5" W x 7.25" D. Provenance: P...

This is a highly collectible Bibendum Michelin Man bronze car mascot, Hood Ornament, Mascotte voiture. It´s approximate 4 inch tall depiction of ...

Rose blossom sculpted entirely by hand starting from a solid block of white statuary marble. Dimensions: D 12 x H 12 cm. Available in different marbles, ...

Modern nude male sculpture made of solid Lucite and finished in the manner of Yves Klein's blue pieces of art. This particular shade of blue, called IKB (International Klein Blue...

Grotesque theatrical mask of Maccus Late Hellenistic or Early Imperial period, circa 1st century B.C. – 1st century A.D., likely from Southern Italy. Terracotta with remains of pin...

Midcentury amazing sculpture table lamp in wood and metal attributed to Aldo Tura for Macabo. Made in Italy in the 1950s. It depicts a bearded monk holding a stick (removable) in ...

A beautiful 9.25" tall Swarovski Crystal Macaw, chrome green, #685824 comes with original box and paperwork. This Paradise bird is made of green crystal and is beak is made of chrome...

Sculpture of a male torso in the Hellenistic style, 21st century. Sculpture of a male torso in the Hellenistic style, 3rd century BC, Contemporary work, 21st century. H: 92cm, W: 8...

Seated figure of a young Mercury after the antique.

Pontifical Guard Uniform - Swiss Guard in Sterling silver with enamel and gold finish. The base of the miniature is in plexiglass, while the body that s...

A sensational 19th century skeleton in bronze originating from the Louvain University Of Medicine - Belgium. An excellent addition to any doctor...

Rare Vintage Monumental Porcelain Horse Drawn Victorian Carriage centerpiece group Capodimonte Porcelain, after a model by Giorgio Galletti Naples, Italy; second half of the 20th century Porcelain Approximate size: 37 (w) x 15 (h) x 10 (d) in. This beautiful and elaborately detailed porcelain group features an ornately modeled carriage drawn by four horses. The coach features a driver seated on his perch wearing a tricorn hat and a lovely lady is seated in the coach box wearing a light blue dress with intricate gesticulating openwork porcelain lace...

Unique and highly decorative wall coat rack with at least ten hooks. One of the main reasons for people wanting to own antiques is for their decorative appeal and this hand-crafted work-of-art wall rack certainly fits that bill. This good condition wall coat-rack with the finest quality cast iron wall hooks...

Austrian Cold Painted Bronze Bedouin Maiden & Attendant at Well, Fully Signed Franz Xavier Bergman (Austrian, 1861 ~ 1936) This exquisite Austrian cold-painted bronze sculpture by F...

A charming early 20th Century Art Deco cold painted bronze figure of a young girl in period attire standing holding a hoop behind her back , raised on a shaped marble plinth and sign...

The choirboys. Three choirboys singing, directed by a priest, this Capodimonte porcelain made on a kidney shaped base. Very nice Romantic scene, included a music box. Not working a...

Sculpture representing the bust of a Roman soldier, 21st century. Sculpture on base of a bust of a Roman soldier, Gladiator, in plaster and patinated resin, 21st century, modelled o...

This is a Girl with Wheat bronze sculpture by Hippolyte F. Moreau. He is famous for his bronze statues of young women. He is also the son of another renown French sculptor named Jean Baptiste Moreau. It depicts a young lady with long curly hair who is dressed with a see-through robe. She is holding a basket of wheat with one arm and some branches of them with the other one. She appears to be in the countryside and is observing a pair of doves that are on the ground. The bronze sculpture is standing over two...

ETIENNE-HENRI DUMAIGE French, 1830-1888 "Camille Desmoulins at the Palais Royal" (1882) Sand-cast patinated bronze signed in base "H. DUMAIGE" conceived in 1882, executed circa 1890 stock ref. C104802 38 1/8" H x 11 7/16" D x 11 5/16" W Essay Exhibited in plaster at the Salon of 1882 (no. 4331), Dumaige's statue of Camille Desmoulins has become well-regarded as one of his most powerful compositions. The original was given by Dumaige to the Musée de Rouen. It captures Desmoulins delivering his powerful and poignant call to arms before the Bastille storming, the drama of the scene almost operatic as he knocks the chair over behind him, grasping the loose pages of his speech in his closed fist while he loses himself in the rhetoric. Camille Desmoulins was a French journalist, lawyer, and revolutionary, recognized for his pivotal role in the French Revolution. Born in Guise, France, he studied law at the Collège Louis-le-Grand in Paris, where he befriended future revolutionary leaders, including Maximilien Robespierre. Desmoulins gained prominence on July 12, 1789, when his impassioned speech at the Palais-Royal incited the storming of the Bastille two days later, marking a critical moment in the Revolution. As a journalist, Desmoulins founded and edited Les Révolutions de France et de Brabant, a radical publication that criticized the monarchy and aristocracy. His writing was instrumental in shaping revolutionary sentiment, blending incisive political critique with populist rhetoric. Despite his early radicalism, Desmoulins later advocated for moderation during the Reign of Terror, aligning himself with the Dantonist faction. This shift ultimately led to his downfall. Arrested alongside Georges Danton...

18th century Italian crucifix with gold-plated kyanite, calcite crystals in matrix, and baroque pearls. The crucifix is originally from a church in Liguria. It is hand-carved and pai...

This very detailed Vienna bronze was made by the premier foundry of this genre, Franz Bergmann, and does bear his seal on the underside of the rug. The man praying is delicately pai...

A lovely large 20" Mid-Century Italian majolica basket of lemons topiary centerpiece. No maker's mark. Freshen up your kitchen or breakfast room with this charming hand painted arran...

Leather Elephant Sculpture in the Manner of Dimitri Omersa from the 1940s. It is a gorgeous hand-made stuffed leather figurine of an elephant. Original condition. Faux ivory tusks. ...

Beautiful tall bronze & marble base by listed artist Charles Renee Masse, signed title Jeune Arabe, this piece its part of a series that have many auction results. Signed dated " Ch....

Sculpture life-size Muckle Batman The Dark Knight Rises from studio OXMOX (6.2 feet tall). In mint condition and factory sealed. Casted sculpture f...

French 19th century bronze gilt putti A set of bronze putti figures on a square marble base. A torch and a flute carrying putti, which are graceful objec...

Wonderful period piece. Beautiful weathered Neoclassical hand carved oak caryatid angel figure. Weathered. france circa 1780 H:34,5cm W:10cm D:5,5cm

Surrealistic Pomme Bouche brooch by Claude Lalanne, created in 1975. Bronze with a dark brown patina and a verdigris leaf and stem, signed with editions mark and monogrammed Arthus-B...

19th century, Italian. A fine quality Grand Tour Brooch. Featuring a high relief carved lava stone with large central putti figure adorned with grape vines and roses. An intriguing ...

An original Art Deco Sculpture / Girl with flowing dress / hair running with two streamlined greyhounds on portoro Marble Base. Signed to the base by well known French Art Deco artis...

'Bohemienne' An Art Nouveau bronze sculpture by Emmanuel Villanis (1858-1914), depicting an elegant young woman holding a lyre with her other arm raised behind her head with robes fl...

This captivating Art Deco ceramic group, dating from around 1925, features two cabaret dancers captured in mid-performance, mimicking a military march. The figures are beautifully ex...

Sculpture red coral handcrafted sculpture with more than 800 red cabochons hand-placed. With structure and base in solid brass gold-plated 24-karat. Except...

Pair of Antique Giltwood Angels Hand carved and gilded with silvered clouds to base. Made in France at the end of the 19th century, Very decorative architectural wall elements. ...

Mid-20th century hand-painted traditional figure made of wood. Made in Barcelona, Spain. In original condition, with minor wear consistent with age and use, preserving a beautiful p...