Stunning Pair of Blue Overlay Cut Crystal Newel Post Finials

This spectacular tall vase, measuring over 20.8 inches (53 cm), is a masterwork of blue overlay cut crystal. The vivid cobalt layer is expertly cut to reveal dazzling floral motifs, ...

A lovely matching pair of 19th century cut crystal vases in red overlay, cut to clear, attributed to Saint Louis. Each vase has an intricately cut starburst design hand-cut into the ...

An attractive cobalt-blue crystal overlay footed urn vase, hand-blown and cut, and painted with enamel flower motifs and intricate gold trimming. This Bohemian-style vase would be a marvellous addition to a vintage bedroom décor, or on an ornate dresser.

A delightful pair of patinated bronze statuettes, originally candelabra, after Clodion (Claude Michel Clodion 1738 – 1814), depicting a young satyr and satyress. Mounted on truncated columns of fluted white marble, and marked with the Clodion signature (of questionable authenticity) these figurines now show no trace of the original candelabra screw fixtures. The original models for these figurines are attributed to Clodion (for the young satyr) and to Louis Felix de la Rue...

French Neoclassical Silverplated Bronze Mounted Crystal Newel Post A stunning French Neoclassical Silverplated Bronze Mounted Crystal Newel Post, ...

Napoleon III Blue Opaline & Lucite Newel Post France, Circa 1850 Enhance your interior with this exquisite Napoleon III Blue Opaline & Lucite Newel Post, an unique piece of 19th-cen...

A stunning later 19th century architectural sculpture of flame finial exquisitely cast in bronze. The sculpture is now presented on its custom made iron base.

A highly expressive and deeply carved Black Forest figural newel post finial, dating to the late 19th century, rendered in dense, dark-stained oak. The sculpture takes the form of a seated dog or wolf with alert upright ears, finely incised facial detailing, and an open mouth showing stylized teeth. The animal sits upright on its haunches, holding in its forepaws a heraldic-style shield with a central boss and four bosses at the quadrants, as well as ring-turned accents simulating bolts or fittings. Its claws are sharply delineated and muscular tension is suggested through the modeling of the forelimbs and chest. The sculpture rests on a squared plinth base, likely modified for later display, though originally designed as a finial for a stair newel post...