Belle Époque Sculptures

These lovely large-scale figures are dressed in richly patterned blue cloisonne vests and hold a peach in yellow cloisonne enamels, circa 1920-1930. The bodies of the monkeys are repousse copper with many fine details worked from the inside and outside of the form making them charming and very expressive. Condition Disclosure: While we do our best to carefully inspect and give a full report on the condition of any item we sell, pointing out any repairs or alterations that may have been done to the best of our knowledge, as is the case with any antique and vintage item, there is a possibility that at some point in the life of the piece that there may have been damaged which has been professionally repaired and as such a repair undetectable, it is therefore impossible for us to disclose... we recommend that you also read and agree to the 1st dibs user agreement...

Part sculpture, part lamp, this wonderful artwork pays tribute to the beauty of nature using a material of emotional significance for the artist. The Lecce stone is a prized fossilif...

This antique patinated bronze cast spelter table lamp was designed by A. Renieri and made in France in circa 1890 in the Victorian style. The casting is quite detailed and is entitle...

Art Deco sculptural Luminaire by Pierre Le Faguays titled "Les Porteuses d'Eau" ( The water carriers) depicting to females figures carrying an Alaba...

An Italian pair of silver-plate pheasant bird sculptures decorative objects, circa early to mid-20th century, Italy. The birds, male and female, are beautifully cast with fine detai...

Antique Chinese Silver Gilt and Enamel Peacock from the 1940's on hand carved wood stand. Delicately constructed of vermeil sterling with colorf...

CUEILLETTE LUMINEUX illuminated pair of figures by Max Le Verrier Original Max Le Verrier Contemporary sculpture in Art Deco style Color patinated white bronze and marble Han...

Large 19th century French sculpture by L. & F. Moreau depicting a young girl holding a bowl of berries seated on cresting waves and a bird in flight. Made of spelter, or pot metal, with a beautiful warm, rich chocolate brown patina. Signature on base: L.&.F. Moreau L.&.F. Moreau two brothers who were perhaps best known for creating highly ornate clocks...

This is a Girl with Wheat bronze sculpture by Hippolyte F. Moreau. He is famous for his bronze statues of young women. He is also the son of another renown French sculptor named Jean Baptiste Moreau. It depicts a young lady with long curly hair who is dressed with a see-through robe. She is holding a basket of wheat with one arm and some branches of them with the other one. She appears to be in the countryside and is observing a pair of doves that are on the ground. The bronze sculpture is standing over two...

Vintage pair of Chinese cloisonné horses with a Tang dynasty form decorated with colorful symbolic references on an alluring blue back...

A highly collectable and delightful silver gilt novelty egg containing a hummingbird by renowned silversmith and artist Stuart Devlin (Australian, 1931-2018) and dated 1977. Stuart D...

A very fine pair of French 19th-20th century neoclassical style patinated cast iron figural torchères by A. Durenne, Paris, each representing a figure of a standing young maiden, her arms raised forward while holding a a flaming urn gas light (Now electrified) with a frosted glass flame, each raised on a veined grey marble column stand, both cast-signed 'A. Durenne, Paris'. Antoine Durenne was an internationally renowned French art founder. He attended École Nationale Supérieure des Beaux-Arts in 1842. Durenne purchased a small foundry in Sommevoire, near the Val d'Osne, Haute-Marne, France and established The Durenne firm, circa Paris, 1900. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic Expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for outdoor statuary...