Tang Dynasty Pottery Fat Lady

This giant architectural element once graced the pediment of a Northern Thai temple. It is from Chiang, Mai, Thailand and entirely made from Teakwood, which is naturally resistant ...

These marvelously fluid and artistic figures were cast from bronze in the style of Northern Thailand and Burma. According to Buddhist tradition, the Buddha had two first Chief Disciples, Sāriputta and Moggallāna. They were wealthy young men seeking after higher knowledge and enlightenment and always depicted in elegant robes and often with unshaven heads. Depictions of these greatly -revered apostles are often found along side Buddha statues and holy angels...

Bamana tribe art is known for masks, textiles and architectural elements. This Y-shaped post supported a heavy roof timber and acted as a welcoming symbol...

This Neolithic jar originates from China 3500 BC and these funerary jars were placed in tombs and intended for use in the afterlife.

A wonderful period Tang Dynasty Pottery Figure of a Fat Lady. Tomb Pottery China Height: 15 Inches No TL Test A COA by Avantiques will accompany the sale of this item. Condition: Ve...

Painted pottery figure of an opulent Chinese court woman with up-swept hair and standing in a simply draped robe from the Tang Dynasty (618-907 AD). Her beauty is illuminated by the ...

Tang Dynasty polychromed fat lady with child in arm. TL Tested Terracotta, pottery with traces of orange and green paint Sui to Tang Dynasty (581-618) Measures: Height: 20.2 inches (51cm) Width: 9.45 inches (24cm) Guaranteed Authentic with corresponding TL Thermoluminescence Test conducted by Artemis Testing Lab Included in the sale of this item. Condition: Excellent with loss to pinky and wear commensurate of age. This rare and outstanding ceramic court attendant was made during what many consider to be China’s Golden Age, the T’ang Dynasty. It was at this point that China’s outstanding technological and aesthetic achievements opened to external influences, resulting in the introduction of numerous new forms of self-expression, coupled with internal innovation and considerable social freedom. The T’ang dynasty also saw the birth of the printed novel, significant musical and theatrical heritage and many of China’s best-known painters and artists. The T’ang Dynasty took control in 618 AD, when the Li family seized power from the last crumbling remnants of the preceding Sui Dynasty. This political and regal regime was long-lived, and lasted for almost 300 years. The imperial aspirations of the preceding periods and early T’ang leaders led to unprecedented wealth, resulting in considerable socioeconomic stability, the development of trade networks and vast urbanisation for China’s exploding population (estimated at around 50 million people in the 8th century AD). The T’ang rulers took cues from earlier periods, maintaining many of their administrative structures and systems intact. Even when dynastic and governmental institutions withdrew from management of the empire towards the end of the period – their authority undermined by localised rebellions and regional governors known as jiedushi –the systems were so well-established that they continued to operate regardless. The artworks created during this era are among China’s greatest cultural achievements. It was the greatest age for Chinese poetry...

Tang Dynasty painted terracotta fat lady tomb figure China. Tang Dynasty Circa 618-907 Modelled in the form of a classically dressed fat lady, this terraco...