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Brush McCoy Art Deco Brown Drip Glaze Ceramic Urn Vase 1930s
$185
£139.84
€160.70
CA$257.61
A$286.58
CHF 150.23
MX$3,501.96
NOK 1,912.99
SEK 1,800.82
DKK 1,199.55
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About the Item
Vintage Art Deco style urn shaped vase is decorated with graphic drip glaze in earthy brown palette; the inner surfaces are done in solid monochromatic brown glaze. Rounded handles do not detract from clean lines of minimally shaped piece.
This particular vase shape can be identified in catalogues or other printed sources, such as "Sanfords Guide to Brush-McCoy Pottery" Book 1, p.45.
The vase is in good vintage condition with minimal age-appropriate signs of wear on the glaze that are noticeable only per close examination; please see pictures.
We are offering an accent table lamp in similar shape and glaze in separate listing.
- Creator:Brush Mccoy (Workshop/Studio)
- Dimensions:Height: 6 in (15.24 cm)Width: 8.75 in (22.23 cm)Depth: 7.5 in (19.05 cm)
- Style:Art Deco (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1930S
- Condition:Wear consistent with age and use.
- Seller Location:Clifton Springs, NY
- Reference Number:1stDibs: LU4421140563182
Roman Erlikh
Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy.
About the Seller
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Inspired by the Arts & Crafts Movement, Walter B. Stephen and his mother began their first pottery, Nonconnah, near Memphis, Tennessee about 1904. Without prior experience, they produced slip-decorated pottery of exceptional merit. Stephen moved to Skyland, North Carolina, in 1913, where he established a second Nonconnah Pottery, the first full-time art pottery in the state. In 1926, Stephen began the operation of his third pottery, Pisgah Forest. Here he explored Oriental glazes and forms, pioneered the first crystalline glazes in the South, and developed his cameo wares which resemble English Wedgewood jasperwares.
Pisgah Forest and Nonconnah pottery have gained national recognition from numerous museums and private collectors. Major exhibitions of Stephen’s work have been held at the Mint Museum in Charlotte, NC, the Asheville Art Museum, the Memphis Brooks Museum of Art in Tennessee, American Museum of Ceramic Art, Pomona, California, the McKissick Museum in Columbia, SC, North Carolina Museum of History, Raleigh, NC, and Southern Highland Craft Guild, Asheville, NC.
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