Pottery Vases

Vintage American studio pottery vase or vessel features hand thrown, rounded jug shaped body with delicate decorative indentations on the sides, narrowing to a short neck and lightly...

This is a Tokoname ware jar made in the Heian period, around the end of the 12th century. It comes with a wooden storage box. Tokoname ware is pottery that has been made on the Chit...

Stunning Iberian style handled jar or vessel in green unglazed terracotta. Spain, 1940s Catalan unglazed vase in green terracotta. Elegant piece, beautiful from all sides and in grea...

A beautiful Southwest Acoma Pueblo of New Mexico sgraffito vase featuring a wonderful hand painted geometric pattern by American ceramic artist Leslie Kent Thompson. The vase is s...

A large vintage Nemadji Pottery wedding vase with a dramatic organic pattern of orange and brown swirls on a light off-white background. Beautiful matte finish. Marked on the base. M...

This is a white porcelain jar from the Joseon (Korean) dynasty, made on the Korean Peninsula. Judging from the construction of its mouth and its overall form, it is believed to date ...

'Rimini blu' glazed ceramic vase designed by Aldo Londi for by Bitossi. Italy, 1960s. This eye-catching vase is made of blue glazed ceramic with engraved patterns surrounding the cen...

Art Deco Period Gres Stoneware Vase by Belgian ceramist Roger Guérin from the 1930s. The creation is of a bulbous form terminating in a short neck finishing with a flaring rim. Beau...

Large and dramatic Sergio Asti designed postmodern pottery vase produced by Superego Editions, circa 2000's. Limited edition of 50 pieces. Signed and numbered on base. 16 1/2" high, ...

Antique yellow rice wine storage jar, traditionally used for Shaoxing wine or other yellow rice wines, Imported from Taiwan to Japan around early 20th Century around 1930s estimated ...

Striking Italian ceramic vase by Bitossi, featuring a bold geometric striped decoration in white, black, yellow, and red. The elegant elongated form is articulated by rhythmic horizo...

A striking early 20th-century Fulper Pottery buttress bowl, featuring a low rounded body supported by three bold architectural buttress-form feet. #5710 The exterior is finished in...

This lovely Hungarian pottery vase with a glossy lava glaze in bright orange and vivid yellow over a dark brown matte body dating from the late 60s. It seems to have an incised logo ...

A French Art Deco geometric ceramic vase by Robert Lallemant, signed “R Lallemant France,” France, circa 1928–1935. A turquoise‑blue sculptural ceramic vase by Robert Lallemant, defi...

Shino Glazed Moon Jar by Jason Fox. A Southern Californian for over half his life, Contemporary Ceramic Artist Jason Fox draws upon his classical education in Architecture and Art H...

Set of four Awaji Pottery vases in organic, Art Nouveau forms with dusty blue glazes, circa 1910's and 1920's. Largest vase is 11" high, 6" diameter. Export marks impressed on bases....

Ceramic midcentury hand-turned vase with horisontal lines. Griege glaze with a minty tint over the terracotta colored clay. Artist unknown. Great vintage condition consistent with a...

An antique Chinese vase offers art pottery construction with double scroll form handles, incised decoration and celadon glaze, c1930 Measures - 13.5" x 4.75"diam

Organic modern ceramic vase with asymmetrical soft waves around the circular body. Spotted warm gray glaze with a blue tint. Beautiful condition.

Vintage Weller Evergreen vase, circa 1930. Design attributed to Stoin M. Stoin. Simple urn form with delicious mottled, satin matt, light green glaze. Incised "Weller Pottery" on the...

Japanese Antique Tsubo, Pottery Jar is attributed to Shigaraki ware, estimated to date from mid Edo period, early 18th century. This old Shigaraki jar conveys a rich sense of expres...

Signed Santa Clara Pueblo Carved Blackware Pottery Vase, Juanita Pueblo, Mid-20th Century This sculptural blackware pottery vase is a refined example of the Santa Clara Pueblo schoo...

A beautifully aged Japanese storage jar. It embodies the quiet strength of traditional, practical pottery. Its form is distorted. Distorted jars are not usually found on the market,...

For your consideration a contemporary modernist pottery vase in dark gray with horizontal texture. No markings from the maker present. Dimensions: 13" H x 4" diameter at widest poi...

A colorful and charming Majolica pottery vase from the German modernist Bauhaus era, designed in the late 1920s by Eva Zeisel for the Schramberg Majolika Fabrik (SMF) in Germany. Han...

This is a Royal Copenhagen Baca vase designed by Nils Thorsson. The vase is characterized by its square form and intricate geometric and abstract motifs, typical of Thorsson's style....

This is a very old Japanese jar of Sue ware (Sueki), fired using a technique believed to have originally come from the Silla kingdom of the Korean peninsula. Similar vessel forms can...

Vintage ceramic or pottery vase features traditional rounded body with elongated bulbous neck with flared rim; the shoulder is accented with textured band of abstract graphic element...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Sculptural Mid Century Studio Pottery Vase, 1960s This is a lovely and very beautiful mid century studio pottery vase with a colorful glaze and a very distinct shape. Most probably ...

Aldo Londi for Bitossi Italian Art pottery vase. Marked to underside.

Beautiful round white ceramic vase crafted from stoneware clay. Inspired by the vibrant marine life of the reef and the soft motion of ocean waves, this white matte vase showcases a ...

A beautiful small Japanese Satsuma ginger jar vase, circa early-20th century, Japan. Colors include cream, copper, green, blue, white, black, orange...

Vintage majolica vase features graphic craquelure glaze in dark grey on off-white background. Transparent glaze was used for inner surfaces of the vase, allowing a glimpse at the cl...

On offer is an authentic historic Native American Pueblo water jar, or “olla,” with dual-loop handles and bold polychrome floral decoration dating roughly from the 1880s to the 1920s...

Antique emerald green art nouveau vase by Upsala Ekeby. Soft shaped shiny green and black organically glazed ceramic vase with two handles. Stamped and numbered under base. Beautif...

Vintage Baneda line vase features twin loop handles, wide band of decor in the upper part of the vase, and beautiful green glaze with dripping blue glaze accents. This is the model 5...

Large wheel thrown textured vase by Jason Fox. This textured vase was thrown on the wheel in two parts, scored/slipped, joined and then shaped. After le...

This is an excavated earthenware vessel that is thought to have been made in Korea during the Silla period, around the 9th century. It is a very beautiful jar of the form called a "footed jar," and it comes with a dedicated wooden storage box and a paper recording its prewar provenance. Silla was an ancient kingdom that arose in the southeastern part of the Korean Peninsula around the 1st century BC and lasted until the early 10th century. From around the middle of the 4th century, the firing temperature of Silla kilns rose above 1,000 degrees Celsius, which made the pottery harder and less prone to cracking than before. It ranges from light gray to dark gray, is unglazed, and rings with a metallic sound when tapped. It was used as everyday tools and as vessels for rituals, and was also placed in the tombs of powerful people as burial goods. It is very close to Japanese Sue ware, and the technique is said to have been transmitted from the Korean Peninsula to Japan. Large vessels were made by coiling clay, while finely made small vessels were made on the potter's wheel, and their outsides were decorated with incised patterns and, on the foot, with cut-out openings. This jar, too, was placed in an ancient tomb as such a burial good. For that reason it was made with great care. The smooth curves made on the potter's wheel are beautiful, and the lines of the raised bands that run around the body are also graceful. On the foot, you can see the wavy pattern and the cut-out openings that are characteristic of Silla pottery...

A beautiful wheel thrown studio pottery vase by ceramicist, Barbara Sebastian of Marin, CA. Finished in purple and blue glazes. Signed on the base. Measures 2.5"Dia x 2"H In excellen...

A very rare and stunning Arts & Crafts studio pottery vase of twisted floral shape made in London by Horace Elliott (British, 1851-1938) dating from the...

Pieter Groeneveldt Studio Pottery Vase, The Netherlands, 1940s. This is a wonderful turquoise studio pottery vase by renowned pottery artist Pieter Groeneveldt (1889-1982). It sho...

Striking studio pottery ceramic bud vase is decorated with crystalline glaze in bright, but harmonious tones. The inner surfaces of the vase are glazed in monochromatic off-white co...

Large Art Deco / Art Nouveau ceramic vase with hand-carved stylized, symmetrical lines and patterns by Otto Grell in 1929. Shiny dark blue and warm yellow g...

This is a very old ceramic vase made in Japan. It was made in the Edo period (1860s-1860s). It is called Shigaraki ware in Japan. This large vase was used to hold and carry tea leav...

Brutalist barrel shaped hand-thrown chamotte grayish dark brown urn vase with smooth and shiny olive sage green glaze on the inside. Hand-carved geometric decor on the top part and v...

Speckled White Moon Jar by Jason Fox. A Southern Californian for over half his life, Contemporary Ceramic Artist Jason Fox draws upon his classical education in Architecture and Art...

Beautiful black flower vase with spikes, perfect for showcasing your cherished blooms. Providing a unique perspective from every angle, this handmade ...

Japanese Antique Straw Rope-Wrapped Pottery Jar with Woven Straw Lid, circa 1750s–1820s A Japanese antique pottery jar from Gifu Prefecture, located in the Chubu region of Japan. Th...

Great Mid Century Modern ceramic vessel from the Linea Series by Aldo Londi for Bitossi. This 50s vessel has the typical design of thin vertical stripes of black and light olive gre...

Royal Haeger mauve pink vase has graceful elongated shape and monochromatic semi-glossy glaze. This medium size, minimalist vase will look great on its own or paired with other piec...

Rare, elegant and highly decorative studio pottery ceramic vase. No 02. Designed and made by famous German studio ceramic artist Ilse Ludwig-Korbel, Tittmoning, Germany. Artist's si...

Tall Art Deco pottery vase Charles Greber, circa 1930 Primitive style with handles.

Antique traditional Southeast Asian ceramic Labu Sayong water cooler carafe bottle vase with hand-carved graphic and organic decorations. Dark blackish brown gourd shaped shiny piece...

Paul Dachsel Amphora Teplitz Iridescent Green Art Nouveau Vase Austrian Amphora Turn-Teplitz Art Nouveau six-handled ceramic vase attributed to Paul Dachsel, circa 1900–1905. The su...

A gorgeous Arts & Crafts or Art Nouveau large hand thrown blossom pottery vase In the manner of Rookwood Pottery USA, circa 1940s Hand thrown ceramic pottery in a beautiful cream ...

The monumental studio pottery ceramic vase is decorated with crystalline glaze in striking, dark red and beige palette. The vase was hand thrown on a wheel; beige color crystals on ombre colored base, shifting from purplish tones on top to deep, dark red on the bottom, were grown in a kiln during a very long, controlled firing. Each crystalline piece is unique due to the nature of the glaze. The vase was allowed to develop an abundance of distinct, graphic crystals, creating a free-flowing abstract pattern and adding rich texture to the minimally shaped piece. The vase was made by Wizards of Clay...

Striking urn shaped vase features hand painted black and white majolica decor on red background. Sculptural twin handles with scroll details guide the eye to the textured scalloped ...

Skyphos Ancient Greece, 4th century BC Pottery 10.6 cm high; 17 cm across the handles; 10 cm diameter Condition: In good condition. One handle repaired. Provenance: Private coll...

Beautiful white ceramic vase, perfect for showcasing your favorite floral arrangements. Providing a unique perspective from every angle, this handmade pottery vase gracefully blurs t...