Carstens Tönnieshof German Floor Vase 60s 70s huge (50cms) cloud green glaze

HUGE FLOOR VASE cloudy brown / blue glaze Manufacturer DÜMLER & BREIDEN Production Period 1968 to 1978 Country of Manufacture Germany H / height: 40cm ~ Gew. / weight: 4250g...

BESPOKE HUGE & HEAVY STUDIO KERAMIK FLOOR VASE - ARCHAIC AMPHORA amazing blue/brown luster overglaze Manufacturer unknown Design Period 1968 to 1978 Production Period 1968 to 19...

beautiful FLOOR VASE attributed to / most probably by RUSCHA KERAMIK RUSCHA KERAMIK was launched in 1948 when Rudolf Schardt assumed the management of Klein & Schardt, his father Georg's ceramics factory in the town of Rheinbach, located near Bonn in the German state of North Rhine-Westphalia. (RUSCHA is a syllabic abbreviation of his name.) The timing of the re-founding ensured that the company was in a good position to benefit from Germany's post-war growth boom. RUSCHA KERAMIK became a leading manufacturer during the "golden age" of Western German ceramics and is credited with some of the era's key developments. It produced some very successful and innovative forms and glazes, including the 'Vulcano' décor (Otto Gerharz, 1951)—which heralded the move towards thick, dripping fat-lava glazes—and the iconic no. 313 (Kurt Tschörner, 1954), probably the period's most famous shape. Hans Welling, Adele Bolz, Heinz Siery, and Cilli Wörsdörfer were among other notable designers to work for RUSCHA. RUSCHA KERAMIK was celebrated for exquisite wall plates, plaques, and tiles—manufactured for both indoor and outdoor applications—as well as its high-quality vases. Specimens from the 1970s will frequently exhibit remarkable lava and volcanic glazes. When RUSCHA closed its factory in 1996, Scheurich acquired many of its designs and molds; distinctive silver RUSCHA labels were sometimes applied to the subsequent production. Notes on identification: White clay was used practically exclusively. The rare examples made with red-brown clay are thought to date from periods when normal supply sources ran out. Embossed and incised base-numbering was used for vessels. If a vase was made in more than one size, a single digit indicating relative size followed the form number. Low form numbers (< 100) were sometimes preceded by a letter. Like a few other manufacturers, RUSCHA KERAMIK occasionally recycled form numbers, a cause of distress for some collectors. Pieces were never molded with "Germany" or "West Germany." Manufacturer most probably RUSCHA Design Period 1965 to 1975 Production Period 1965 to 1975 Country of Manufacture Germany H / height: 40cm ~ Gew. / weight: 2950grs DM max / diameter max : 16,5 cm ~ DM oben / diameter inner rim: 8.8cm MARKED: marked G...

West German bulbous silhouette floor vase with handle by Gerda Heuckeroth for Carstens Tönnieshof mid/late 1960s. Although much is known about the various West German pottery manufa...

Beautiful vase designed by Dieter Peter for Carstens Tonnieshof in the late 1960s-early 1970s. This hand-crafted vase is identified as the "Mooncra...

One Carstens Tönnieshof 'Ankara" vase with black and white glaze, this colour combination is scarce.  

German Ceramic Vase from Carstens Tönnieshof, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution mark. Additional information: Materials: Ceramic St...

Four Carstens 'Ankara" vases, two with blue and gun-metal glazes. The other two have red and grey glazes. The red and grey glazes are very rare. The little red and grey vase is 1...