Contemporary Japanese Blue Pink Purple Cream Porcelain Vase by Master Artist

Exquisite contemporary Japanese gilded porcelain vase, intricately hand painted in shades of blue and pink on a beautifully shaped body, a striking signed work by highly acclaimed master artist from Arita-Imari region of Japan. In 2016, the British Museum added a work by this award-winning artist to its collection of contemporary Japanese porcelain in the Imari-Arita polychrome enamel tradition. Yu-riko or underglaze-red that is used in creating this piece is a technique that uses a copper-based colorant for underglaze painting that develops a red color under a transparent glaze. This technique is traced back to 14th century China...

Magnificent tall Japanese contemporary decorative porcelain vase, hand painted in blue, red, green and pink on a beautifully shaped body in pure white, a signed masterpiece by widely...

Exceptional Japanese Contemporary museum=quality extremely intricately hand painted decorative porcelain vase in blue elegantly featuring the four auspicious creatures of Chinese myt...

Extraordinary Japanese contemporary decorative porcelain vase, extremely intricately hand-painted in stunning pink, blue and green on a beautifully shaped porcelain body, a signed ma...

Blue & White Blossom Plum porcelain vase The special antique process makes it looks like a piece of art from a museum. High fire porcelain, 100% hand shaped, hand painted. Distr...

Antique Chinese (late 19th century) pink porcelain urn decorated with a light blue floral design grounding multiple light blue cartouches, each bearing a bogu pattern that signifies ...

Antique Chinese (early 20th Century) blue vase with purple and pink glazing that creates an ethereal effect across its pear-shaped form. Condition: Good; Wear consistent with age an...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With a relative large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional misty winter landscape. The pine trees with upright trunks and down-sweeping branches appear receding into the depth of the mist, forming an visually unending forest. Known as one of the most creative ceramists, around 1880s, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...