Austrian Vases

This antique crystal and gilt bronze basket has no maker's marks, but is presumed to have originated from Austria and dates to approximately 1880 and done in the period Victorian sty...

Hand painted Royal Vienna lidded vase/urn with beehive mark signed "kaufmann".

Stölzle-Oberglas, Austria. Three Beatrice and Nora vases in black art glass. White interior. 1980s. Measures: 25.2 x 11.5 cm. In excellent condition.

Art Nouveau green and silver irredescent art glass trumpet vase from Austria, circa 1900. Mottled striated and swirled oil spot design with irredescent blue and purple favrille desig...

A beautiful Art Nouveau glazed earthenware spill vase modelled with a figure of a young beauty standing drinking from a shell with a toga loosely draped over her body with excellent ...

A hand-blown glass vase with stitched, black leather collar designed by Carl Auböck II during the 1950s. The model #4748 vase was produced by the prestigious Austrian workshop duri...

In this listing you will find a very rare and absolutely extraordinary sculptural asymmetrical Brutalist vase done in bronze, for a single flower. It was designed by Austrian designer Heinz Goll...

This cracked glass vase is an original glass vase realized in Austria, circa 1950s of the 20th century. Domed with two transparent glass handles...

This is a Fumé glass vase with ribbon, a small jar with an ovoid body and trumpet upper part, beautifully decorated on the neck by a sort of knotted ribbon, applied in high relief. T...

This large antique glazed Amphora pottery centerpiece bears no maker's signature, but is presumed to have originated from Austria and dating to approxim...

Beautiful teal color bijoux size bulb vase.

A very fine pair of Vienna cobalt blue porcelain covered urns with male mask handles. Each covered urns and covers; cobalt blue ground; loop handles terminating at classical male mas...

Each with baluster form decorated with a classical profile. Silvered enamel, Austria. Origin: Austrian Date: 19th century Size: 9 3/4 in. x 3 1/4 in.

- Antique vase in the form of a carriage with a swan from Eichwald - With a brand mark and product number - Art Nouveau style - The end of the 19th century.

Art Nouveau ceramic fruit bowl stamped with a crown by, AUSTRIA AMPHORA 390042. Austria, CIRCA 1900.

Loetz silver overlay "Titania" glass vase, circa 1900.

This Martelé iridescent blown glass vase by Wilhelm Kralik Sohne, Bohemia, represents a pinnacle of craftsmanship and artistic expression from the early 20th century. Known for their...

Carl Aubo¨ck Model #3795 'Aorta Crescent' brass vase. Designed in the 1950s, this incredibly refined and sculptural Viennese vase is executed in polished and darkly patinated brass b...

A beautiful large green porcelain amphora. Preserved in very good condition, undamaged. Signed from below with the signature of Viennese porcelain, b...

Terracotta vase finished in color depicting the head of a man with mustache. Austria, around 1890.

Amphora Vase by Philipp Aduatz Limited Edition of 18 Dimensions: D 57 x W 24 x H 100 cm Materials: Glass fiber reinforced polymer, metal coating. In the design of the Amphora Vase P...

A pair of Austrian Art Nouveau vases with an iridescent glaze and fine 24 carat gold gilding.

Enamel Ceramic vase signed Amphora. Austria, circa 1920.

Loetz Art Deco Gold Iridescent Tapered Series III Vase, c1930 Additional information: Date : c1930 Origin : Austria Bowl Features : Tapered bowl with...

Although unsigned, this magnificent Austrian expressionist art ceramic sculptural vase with three receptacles is attributed to Vally Wieselthier for Wiener Werkstatte, ca. 1920. Valerie "Vally" Wieselthier (Austrian-American, 1895 – 1945) was an outstanding ceramic artist. She was born to a Jewish family in Vienna, Austria. Her father, Wilhelm Wieselthier was a lawyer. Valluy attended theWiener Frauenacademie in Vienna from 1912 to 1914 and studied at the Vienna School of Applied Arts with Rosalinda Rothhansl, Kolo Moser, Jodef Hoffmann and Michael Powolny from 1914 to 1920. In addition, she worked as an auxiliary nurse during the First World War. From 1917 to 1922, she worked for the Wiener Werkstatte. From 1922 to 1927, she ran her own ceramic workshop in cooperation with the Augarten porcelain factory, which was newly founded in 1923, but also with other companies such as Friedrich Goldschider, Gmundner Keramik and Lobmeyr. Her expressive and humorous porcelain figures attracted attention at the Exposition Internationale des Arts Décoratifs et industriels modern in Paris in 1925 and are considered typical examples of the Art Deco style style. From 1928, the artist increasingly moved her center of life to the United States. She went to the International Exhibition of Ceramic Art in New York City in October 1928. In 1933, she moved to Chicago with Paul Lester Wiener...

Alfonso Canciani (Italian-Austrian, 1863-1955) was a famous Italian-Austrian sculptor of the period of accession to the Viennese Secession. Son of a stonemason, after a realist period he managed to establish himself as a leading sculptor of the Viennese Secession. In fact, he worked in Vienna, where he had enrolled in 1886 at the Academy of Fine Arts, then at the Higher School of Sculpture and finally at the Special School, where he obtained the Rome prize for the sketch for Dante's Monument. He developed a notable business obtaining important prizes and numerous commissions. First among the sculptors of the Viennese capital, he was invited to join the Association of the Viennese Secession, of which Klimt was magna pars, after the exhibition of Dante's group in 1900 at the Secession exhibition, and obtained the most important Austrian artistic prize, the Kunstlerlpreis. This same work, presented in 1910 in Berlin, at the Great Art Exhibition, also received an important recognition here. He obtained the Rome prize in 1896, exhibited successfully in Munich and in 1899 at the III International Art Exhibition in Venice. In that period he made some statues of saints for the cathedral of Santo Stefano in Vienna, the monument to Wagner, the bust of Nietzsche for the University, the scepter and the gold chain of the University Rector, figures of Italian poets ( Petrarch, Boccaccio, Tasso, Ariosto). He submitted a sketch for the official monument to Empress Elizabeth, which was then built in Austrisn Gföhl and Pula. At the time of his accession to the Secession, he dedicated himself to decorating the facade of the Artaria house in Vienna in collaboration with the architect Max Fabiani. He later abandoned the symbolist decorativism of the Jugendstil for a more concentrated and vigorous style, approaching the Belgian sculptor Constantin Meunier for the theme of work, and preferring to exhibit at the Künstlerhaus. In Vienna, he was generous with advice and help with the Italians and in particular with his fellow citizens (such as the Brazzanese Luigi Visintin, then a university student). After the First World War, he returned to Italy and lived in Friuli, penalized by the fact that the Habsburg Empire had by now disappeared. Instead of large-scale public monuments, he then devoted himself to engraving medals (e.g. for Benedict XV and for the Italian mission in Vienna in 1919) and to designing funeral monuments (examples in Mali Lošinj and Trieste) and portrait busts (of Generals Carlo Caneva and Antonio Baldissera in Udine, sculptures of the War Memorial of Corno di Rosazzo). After all, he had already executed the Bab grave monument in the Döblinger cemetery in Vienna in 1909. He taught in Trieste from 1920 until 1935, at the local school of industrial art, where he had Marcello Mascherini...

This is a dramatic and impressive monumental handblown vase made in Austria. It is internally decorated with gold coils on the tall pink mottled trumpet shaped body. Overall subtle i...

Carl Auböck #3791 "Body" vase, Austria, 2022.

Carl Auböck #3787 "See through" vase, Austria, 2022.

Loetz glass phaenomen vase, circa 1900.

The Following Item we are Offering is a Very Fine Magnificent Royal Vienna Austrian Kaufmann Porcelain Vase. Vase has a Portrait of Maidens Sitting Outdoors with a Child. Finely Deta...

Blue Large Concrete Gradient Vase by Philipp Aduatz Limited Edition of 50 Dimensions: 60 x 60 x 152 cm Materials: 3D printed concrete dyed, reinforced with steel The 3D printed gra...

Small loetz silver overlay lustrous amber vase, circa 1900.

19th century, Bloch workshop Pair of vases (2) Porcelain, cm H. 36 The two porcelain vases, in the shape of an amphora, with handles, are to be associated with the Bloch wor...

Beige Large Concrete Gradient Vase by Philipp Aduatz Limited Edition of 50 Dimensions: 60 x 60 x 152 cm Materials: 3D printed concrete dyed, reinforced with steel The 3D printed gra...

Stölzle-Oberglas, Austria. Four Beatrice and Nora vases in black art glass. White interior, 1980s. Measures: 25.2 x 11.5 cm. In excellent condition.

Stölzle-Oberglas, Austria. Three Beatrice and Nora vases in black art glass. White interior, 1980s. Measures: 25.2 x 11.5 cm. In excellent condition.

Stölzle-Oberglas, Austria. Three Beatrice and Nora vases in black art glass. White interior. 1980s. Measures: 25.2 x 11.5 cm. In excellent condition.

Gorgeous Art Nouveau Vase of very rare shape Made by Loetz (Lötz) Widow Klostermuehle Bohemia, circa 1900 Decor: amber-orange colored type of Papillon Form: round as well as bellied body with scalloped mouth and silver plated mounting Gorgeous glass item with vertical ribbings on surface, running from edge of mouth to area below. This vase's mouth is of irregular form, having extremely scalloped edge causing this vase's very special appearance. The decor is quite rare type of Papillon - amber-orange shaded and blue-golden shining due to its stunning iridescence ! Finally, this vase's round hollow body is attached to high holder which seems to have been manufactured especially for this glass item: It is a silver plated mounting made of pewter: This one has three arms at top area, holding the vase / the Stand is three-sided, excellently decorated with floral ornaments of reticulated type - most probably these are lady slipper orchids...

Colorless glass beaker with sweeping wall, with opaque painting 'en terrasse': surrounding depiction above a gilded base, here two rose bushes with ears of corn opposite each other, ...

Gilt bronze and silver plate jardinière for dry flowers. Art Nouveau period. Austria, early 20th century.   

Austrian Art Deco beige & cream colored porcelain vase with glazed classical Egyptian figures around neck & body of vase. (att: JULES DRESSER).    

Contemporary hand-glazed clay vessel by Onka Allmayer-Beck Austrian, 2023 Height 20cm, width 27.5cm, depth 27.5cm Titled ‘Mini No. 264 (Confetti), this clay vessel was made by the w...

Pair Cream ground KPM porcelain lidded vases, each with gilded decoration, romantic scenes depicting courting lovers, floral scenes to the reverse. Signed to the base. Batch 74 N/H

Vase with glazed ceramic column and pure gold decoration. The base and vase are designed together and feature a classic, elegant and sinuous design. The decoration starts from bottom...

Cylindrical vase modeled by hand with top. Austria early 20th century. Every item LA Studio offers is checked by our team of 10 craftsmen in our in-house workshop. Special restorati...

Periodo del design 1960 - 1969 Periodo di produzione Ignoto Paese di produzione Austria Stile Vintage Stato Molto buono — Questo articolo vintage/antico non ha difetti Mater...

Cylindrical vase modeled by hand with top. Austria early 20th century. Every item LA Studio offers is checked by our team of 10 craftsmen in our in-house workshop. Special restorati...

Julius Dressler's factory opened in Biela, Bohemia in 1883 and closed in 1944. His work was influenced by the Art Nouveau and Vienna Secessionist movements. Style-looks, simply s...

An Art Nouveau porcelain vase marked "Amphora" and "Austria" on the bottom, hallmarks of the Riessner, Stellmacher, and Kessel factory. Design shows evidence of the work Eduard Stell...