Austrian Vases

Carl Auböck #3788 "Glove" vase, Austria, 2022.

Carl Auböck #3795 "Aorta Crescent" vase, Austria, 2022.

Carl Auböck #3786 "Alert" Vase or Bookend, Austria 2022.

Carl Auböck #7231 "Hourglass" Vase, Austria 2022.

This beautiful decorative beveled glass vase is worked with elaborate details and engravings bohemia in the early 20th century. The top of the vase has a shaped rim with gold ornam...

This large antique glazed Amphora pottery centerpiece bears no maker's signature, but is presumed to have originated from Austria and dating to approxim...

Vase attributed to Austrian manufacturer Riedel of the 1970s. This glass object delivers an distinctive insight into the so called „brutalism“ pattern language of the late 1970s. Nev...

Completely handmade pottery vase in earthenware and decorated with handformed oak leaf details. Outside glazed in green color. Inside white glazed. Formed by hand in a strong straigh...

A Bohemian vase, Silberiris decor, Cobalt Iridescent Vase, circa 1900 Cobalt iridescent vase, with wavy opening, circa 1900. Silberiris decor, Candia, cobalt ground. Thickly applie...

Small loetz silver overlay lustrous amber vase, circa 1900.

Stölzle-Oberglas, Austria. 11 Vienna vases in clear art glass. 1980s. Largest measures: 25 x 7 cm. In excellent condition.

Watering can #4118 by Carl Auböck in polished brass.  

Art Nouveau glass manufacture turn Vienna, Austria Origin Austria porcelain hand painted perfect condition 1910. Art nouveau, modernist art or modernism wa...

Stölzle-Oberglas, Austria. Twelve Vienna vases in art glass. 1980s. Largest measures: 25 x 7 cm. In excellent condition.

This pair of late 19th-century Vienna porcelain lidded urns showcases exquisite craftsmanship and elegance. Each urn features a striking form with a domed lid and ornate handles, ref...

Large Vienna vase in porcelain. Richly decorated with flowers. Hand-painted. Early 20th century. Stamped. Measures: 40 cm. In good condition.

Finest Bohemian Art Nouveau Glass Item: Mould blown, wide bowl on a stand ring, eightfold ribbed, outwardly curved wall with humped protuberances, tamed by a smooth, slightly outward...

A very good quality late 19th Century Vienna porcelain pierced, lidded Potpourri urn. Having this wonderful classical hand painted scene depicting Roman Centurion's and courtiers. A ...

Pair Cream ground KPM porcelain lidded vases, each with gilded decoration, romantic scenes depicting courting lovers, floral scenes to the reverse. Signed to the base. Batch 74 N/H

A beautiful antique Royal Vienna hand painted "Jeweled" porcelain portrait vase. The vase is painted with a portrait of a young lady wearing flowers in her hair. The iridescent red ...

This crystal vase is a tall beautiful vase with a bulbous body and a long neck terminated with a lily-shaped mouth. The crystal is straw-yellow in color and has an irregular spider w...

Signed Loetz.   

Antique Bohemian Green Cut Crystal Vase with White & Gold Overlay, Circa 1900.

This elegant object of the Loetz glassworks was produced immediately after the First World War, in the years 1918- 1919. Although stylistic as well as technical recourse to past tech...

This Martelé iridescent blown glass vase by Wilhelm Kralik Sohne, Bohemia, represents a pinnacle of craftsmanship and artistic expression from the early 20th century. Known for their...

Conch Shell Glass Vase Handmade by Johann Loetz Witwe Austria/Bohemia Jugendstil circa 1902 "Diaspora" Decoration The naturalistically depicted shell and snail vases...

Large Loetz glass vase, circa 1900.

This antique art glass vase is unsigned, but presumed to have originated from Austria and date to approximately 1900 and done in the period Art ...

A Fine Royal Vienna gilt-decorated jeweled iridescent portrait porcelain covered urn Signed Wagner Origin: Austria Date: circa 1900 Dimension: 20 1/2 in. x 8 in.

This is a Fumé glass vase with ribbon, a small jar with an ovoid body and trumpet upper part, beautifully decorated on the neck by a sort of knotted ribbon, applied in high relief. T...

This cracked glass vase is an original glass vase realized in Austria, circa 1950s of the 20th century. Domed with two transparent glass handles...

Each with baluster form decorated with a classical profile. Silvered enamel, Austria. Origin: Austrian Date: 19th century Size: 9 3/4 in. x 3 1/4 in.

An antique Royal Vienna style miniature porcelain vase depicting Marie Antoinette. This shape is quite rare. I have sold many porcelain vases a...

The Following Item we are Offering is a Very Fine Magnificent Royal Vienna Austrian Kaufmann Porcelain Vase. Vase has a Portrait of Maidens Sitting Outdoors with a Child. Finely Deta...

Cylindrical vase modeled by hand with top. Austria early 20th century. Every item LA Studio offers is checked by our team of 10 craftsmen in our in-house workshop. Special restorati...

Terracotta vase finished in color depicting the head of a man with mustache. Austria, around 1890.

Antique Bohemian Red Cut Crystal Vase with White & Gold Overlay, Circa 1900.

Finest Bohemian Art Nouveau glass vase: Mould-blown vase with torus-shaped stand and funnel-shaped attached wall with trefoil-shaped, lobed mouth rim, wall and inside satin-finished...

A fine pair of royal Vienna porcelain vases and covers with mythological scenes. With blue ground, gilded and decorated with mythological scenes, Austria, late 19th century. Origin:...

- Antique vase in the form of a carriage with a swan from Eichwald - With a brand mark and product number - Art Nouveau style - The end of the 19th century.

FINE signed Royal Vienna paint and gilt decorated portrait vase of a Beauty. Origin: Austria Date: 19th century Makers stamp included on the bottom.

19th century, Bloch workshop Pair of vases (2) Porcelain, cm H. 36 The two porcelain vases, in the shape of an amphora, with handles, are to be associated with the Bloch wor...

Gilt bronze and silver plate jardinière for dry flowers. Art Nouveau period. Austria, early 20th century.   

A hue of shimmering amber that is not easily captured in photography is our first impression by looking at this treasure of nearly two centuries of Austrian glass manufacturing tradi...

Art Nouveau ceramic fruit bowl stamped with a crown by, AUSTRIA AMPHORA 390042. Austria, CIRCA 1900.

With applied pull design. Signed Loetz.

A fine quality pair of late 19th century Vienna porcelain Ewers, each with a burgundy colour back ground, gilded highlights and classical Greek scenes, raised on point bases. Batch...

Carl Auböck #3791 "Body" vase, Austria, 2022.

Carl Auböck #3853 vase "Double Noose", Austria, 2022.

Carl Auböck #3975 "Collar" vase, Austria, 2022.

Carl Auböck #7228 Vase with Ring, Austria, 2022.

A very fine pair of Vienna cobalt blue porcelain covered urns with male mask handles. Each covered urns and covers; cobalt blue ground; loop handles terminating at classical male mas...

This is a dramatic and impressive monumental handblown vase made in Austria. It is internally decorated with gold coils on the tall pink mottled trumpet shaped body. Overall subtle i...

Alfonso Canciani (Italian-Austrian, 1863-1955) was a famous Italian-Austrian sculptor of the period of accession to the Viennese Secession. Son of a stonemason, after a realist period he managed to establish himself as a leading sculptor of the Viennese Secession. In fact, he worked in Vienna, where he had enrolled in 1886 at the Academy of Fine Arts, then at the Higher School of Sculpture and finally at the Special School, where he obtained the Rome prize for the sketch for Dante's Monument. He developed a notable business obtaining important prizes and numerous commissions. First among the sculptors of the Viennese capital, he was invited to join the Association of the Viennese Secession, of which Klimt was magna pars, after the exhibition of Dante's group in 1900 at the Secession exhibition, and obtained the most important Austrian artistic prize, the Kunstlerlpreis. This same work, presented in 1910 in Berlin, at the Great Art Exhibition, also received an important recognition here. He obtained the Rome prize in 1896, exhibited successfully in Munich and in 1899 at the III International Art Exhibition in Venice. In that period he made some statues of saints for the cathedral of Santo Stefano in Vienna, the monument to Wagner, the bust of Nietzsche for the University, the scepter and the gold chain of the University Rector, figures of Italian poets ( Petrarch, Boccaccio, Tasso, Ariosto). He submitted a sketch for the official monument to Empress Elizabeth, which was then built in Austrisn Gföhl and Pula. At the time of his accession to the Secession, he dedicated himself to decorating the facade of the Artaria house in Vienna in collaboration with the architect Max Fabiani. He later abandoned the symbolist decorativism of the Jugendstil for a more concentrated and vigorous style, approaching the Belgian sculptor Constantin Meunier for the theme of work, and preferring to exhibit at the Künstlerhaus. In Vienna, he was generous with advice and help with the Italians and in particular with his fellow citizens (such as the Brazzanese Luigi Visintin, then a university student). After the First World War, he returned to Italy and lived in Friuli, penalized by the fact that the Habsburg Empire had by now disappeared. Instead of large-scale public monuments, he then devoted himself to engraving medals (e.g. for Benedict XV and for the Italian mission in Vienna in 1919) and to designing funeral monuments (examples in Mali Lošinj and Trieste) and portrait busts (of Generals Carlo Caneva and Antonio Baldissera in Udine, sculptures of the War Memorial of Corno di Rosazzo). After all, he had already executed the Bab grave monument in the Döblinger cemetery in Vienna in 1909. He taught in Trieste from 1920 until 1935, at the local school of industrial art, where he had Marcello Mascherini...

Although unsigned, this magnificent Austrian expressionist art ceramic sculptural vase with three receptacles is attributed to Vally Wieselthier for Wiener Werkstatte, ca. 1920. Valerie "Vally" Wieselthier (Austrian-American, 1895 – 1945) was an outstanding ceramic artist. She was born to a Jewish family in Vienna, Austria. Her father, Wilhelm Wieselthier was a lawyer. Valluy attended theWiener Frauenacademie in Vienna from 1912 to 1914 and studied at the Vienna School of Applied Arts with Rosalinda Rothhansl, Kolo Moser, Jodef Hoffmann and Michael Powolny from 1914 to 1920. In addition, she worked as an auxiliary nurse during the First World War. From 1917 to 1922, she worked for the Wiener Werkstatte. From 1922 to 1927, she ran her own ceramic workshop in cooperation with the Augarten porcelain factory, which was newly founded in 1923, but also with other companies such as Friedrich Goldschider, Gmundner Keramik and Lobmeyr. Her expressive and humorous porcelain figures attracted attention at the Exposition Internationale des Arts Décoratifs et industriels modern in Paris in 1925 and are considered typical examples of the Art Deco style style. From 1928, the artist increasingly moved her center of life to the United States. She went to the International Exhibition of Ceramic Art in New York City in October 1928. In 1933, she moved to Chicago with Paul Lester Wiener...

Amphora Vase by Philipp Aduatz Limited Edition of 18 Dimensions: D 57 x W 24 x H 100 cm Materials: Glass fiber reinforced polymer, metal coating. In the design of the Amphora Vase P...

Decorated with pheasants and peacocks in gilt.

Stölzle-Oberglas, Austria. Four Beatrice and Nora vases in black art glass. White interior, 1980s. Measures: 25.2 x 11.5 cm. In excellent condition.

Stölzle-Oberglas, Austria. Three Beatrice and Nora vases in black art glass. White interior, 1980s. Measures: 25.2 x 11.5 cm. In excellent condition.

Stölzle-Oberglas, Austria. Three Beatrice and Nora vases in black art glass. White interior, 1980s. Measures: 25.2 x 11.5 cm. In excellent condition.