Austrian Vases

Carl Auböck #3787 "See through" vase, Austria, 2022.

Carl Auböck #3788 "Glove" vase, Austria, 2022.

Carl Auböck #3975 "Collar" vase, Austria, 2022.

Carl Auböck #3789 "Moon" vase, Austria, 2022.

Carl Auböck #3791 "Body" vase, Austria, 2022.

Carl Auböck #7231 "Hourglass" Vase, Austria 2022.

Polychrome Ceramic Vase by Gudrun Baudisch for Wiener Werkstätte Signed: '9139 W' ' Provenance: Important Private Collection, Chicago

An important and extremely large pair of Magenta Ground Vienna Porcelain Exhibition vases. Austrian, circa 1900. Each vase with blue underglazed ‘Beehive’ mark to interior of neck. Each vase is finely painted with classical scenes to the front and allegorical scenes to the back on a rich magenta ground with gilt foliate decoration. The vases are mounted by extraordinary gilt handles headed by winged female masks to the sides and grotesque masks to the shoulders. The spreading necks decorated with Greek key decoration are surmounted by domed covers and the vases are raised on baluster form supports put down on drum bases finely painted with panels stylised arabesque. The Vienna Porcelain Manufactory was founded in 1718 only eight years after Johann Friedrich Bottger and Ehrenfried Walther von Tschirnhaus had succeeded in unearthing the secret of Porcelain Manufacture for August the Strong, Elector of Saxony. On May 25, 1718, Emperor Karl VI signed a "special privilege" awarding Claudius Innocentius du Paquier the exclusive right to produce porcelain in the Austrian crown lands. Production being almost exclusively for the imperial household and the court nobility. During the rococo era, Empress Maria Theresia placed the company under imperial ownership and it was during this period that the manufactory began to produce the famous rococo genre scenes after Watteau. Under the management of Conrad Sorgel von Sorgenthal, the Vienna Porcelain Manufactory achieved an international reputation for its neo-classical style. After the wars with France brought the manufactory to the brink of ruin, the Vienna Congress at the beginning of the Nineteenth Century gave porcelain from Vienna a renewed upswing. Many important personalities of the time, including Czar Alexander I of Russia...

Cobalt blue ground beaded with raised gold decoration urn with fabulous hand painting. Origin: Austrian Date: 19th century Dimension: 39 in. x 12 in.

Art Nouveau loetz glass mantel vases with bronze mounts.

Finest Bohemian Art Nouveau Glass Vase: Shaped, blown, bulbous body with 12-lobed, slightly ribbed wall on a flush, round base, the wall raised to a spherical oval shape, slightly fl...

The Following Item we are Offering is a Rare Antique Hand Painted Austria Centerpiece Vase Urn. Beautifully Handpainted in Hues of Reds, Pink , and White Colors with Portraits of Bea...

This pair of late 19th-century Vienna porcelain lidded urns showcases exquisite craftsmanship and elegance. Each urn features a striking form with a domed lid and ornate handles, ref...

Ceramic vase signed Turn-Teplitz. Attributed to Paul Dachsel, Austria, circa 1900.

The Following Item we are Offering is a Very Fine Magnificent Royal Vienna Austrian Kaufmann Porcelain Vase. Vase has a Portrait of Maidens Sitting Outdoors with a Child. Finely Deta...

In this listing you will find a gorgeous Mid Century Modern ceramic vase, often referred to as Fat Lava, in rust orange and dark brown glaze and beautiful texture. The vase features ...

A very fine and rare 19th century Royal Vienna Austrian vase. Palatial in size with the finest details . A hand painted classical scene signed Wagn...

Vase Loetz (Lötz) Widow Klostermuehle Bohemia Art Nouveau Made by Loetz, Klostermuehle (Bohemia), circa 1902 Decor: Lemon Yellow Cytisus It is a very interesting Loetz Art N...

A pair of 19th century Louis XVI Style Royal Vienna Porcelain Iridescent pink vases with neoclassical scenes. Of rounded form these covered vases are spectacular. Each has a particul...

Finest Bohemian Art Nouveau Glass Vase: In shape blown low, cambered body on a large, round floor plan, triple indented wall with a mouth rim formed into a three-pass shape, polished...

Vase with glazed ceramic column and pure gold decoration. The base and vase are designed together and feature a classic, elegant and sinuous design. The decoration starts from bottom...

Form blown baluster-shaped body on a round, flush stand, bulbously widening and contracting to a short, wide neck. Cobalt blue underlay with silver-yellow-green crumb inclusions, 2 s...

This is a dramatic and impressive monumental handblown vase made in Austria. It is internally decorated with gold coils on the tall pink mottled trumpet shaped body. Overall subtle i...

Model-blown egg-shaped body made of marbled glass with irregularly elongated tips, three pairs of melted branches 'Asteln' made of green glass with orange-opal beads starting from th...

Austrian Huge Ceramics Vase 'Four Seasons' deriving from Keramos / Vienna manufactory, designed by Susi Singer (1895 - 1965) made circa 1925 Excellently manufactured ceramics vase of most interesting shape: The bellied vase of tapering type stands...

Finest large Bohemian art nouveau glass vase: Form-blown, flat, round bowl with a low, 9-fold wavy indented edge, wall and inside satin-finished, contact surface polished. Shape:...

Finest Bohemian Art Nouveau glass vase in the form of a blown, baluster-shaped body with a flared rim. Silver mounting in the form of chased flowers, enclosing the body of the vase l...

Pair of two midcentury drip-glaze ceramic vases with hallmark. Organic and expressive, these vases have an excellent color quality and richly dimensioned texture. The green vase...

A pair of large Royal Vienna gilt and painted porcelain ewers. Austrian, late 19th Century. 42.5cm high x 20cm wide x 17cm depth. This superb pair of large Royal Vienna gilt and...

Cylindrical vase modeled by hand with top. Austria early 20th century. Every item LA Studio offers is checked by our team of 10 craftsmen in our in-house workshop. Special restorati...

Gorgeous Art Nouveau Vase of very rare shape Made by Loetz (Lötz) Widow Klostermuehle Bohemia, circa 1900 Decor: amber-orange colored type of Papillon Form: round as well as bellied body with scalloped mouth and silver plated mounting Gorgeous glass item with vertical ribbings on surface, running from edge of mouth to area below. This vase's mouth is of irregular form, having extremely scalloped edge causing this vase's very special appearance. The decor is quite rare type of Papillon - amber-orange shaded and blue-golden shining due to its stunning iridescence ! Finally, this vase's round hollow body is attached to high holder which seems to have been manufactured especially for this glass item: It is a silver plated mounting made of pewter: This one has three arms at top area, holding the vase / the Stand is three-sided, excellently decorated with floral ornaments of reticulated type - most probably these are lady slipper orchids...

A very good quality pair of late 19th century Vienna porcelain lidded urns. Each with a cobalt blue ground, gilded scrolling boarders and romantic classical scenes.

Finest Bohemian Art Nouveau glass vase: Mould-blown vase with torus-shaped stand and funnel-shaped attached wall with trefoil-shaped, lobed mouth rim, wall and inside satin-finished...

The Layer Vase translates Philipp Aduatz’s sculptural design language into a small-scale, accessible studio edition. Produced in collaboration with incremental3d, it is defined by it...

Finest Bohemian Art Nouveau glass vase Blown, bulbous body on a round floor plan with a wide neck, narrowed at the top and indented four times to create a square opening on the li...

Art Nouveau ceramic fruit bowl stamped with a crown by, AUSTRIA AMPHORA 390042. Austria, CIRCA 1900.

This magnificent large Royal Vienna porcelain covered urn is Surmounted by domed cover with acorn finial and flanked by satyr mask handles, centered by a panel depicting scenes of th...

A beautiful antique Royal Vienna hand painted "Jeweled" porcelain portrait vase. The vase is painted with a portrait of a young lady wearing flowers in her hair. The iridescent red ...

A Fine & Large Austrian Antique Royal Vienna Iridescent Painted Vase. The front finely painted with two maidens bathing next to a river. The r...

A very fine 19th century "Royal Vienna" hand painted gilt bronze mounted porcelain covered urn. The 360 degree body finely painted in the Bouguereau style with a maiden playing a Lyre, other maidens in the background, and a cherub picking flowers near a river. The swirly neck and base extremely decorative and rare. The top with a pomegranate finial Austria, Circa 1890 Marked with the under glazed Royal Vienna Beehive...

A Very Fine 19th Century Austrian Royal Vienna Lidded Vase Titled: "Verschnrindene Illusionen" Circa 1870 Origin: Austria Height: ...

Alfonso Canciani (Italian-Austrian, 1863-1955) was a famous Italian-Austrian sculptor of the period of accession to the Viennese Secession. Son of a stonemason, after a realist period he managed to establish himself as a leading sculptor of the Viennese Secession. In fact, he worked in Vienna, where he had enrolled in 1886 at the Academy of Fine Arts, then at the Higher School of Sculpture and finally at the Special School, where he obtained the Rome prize for the sketch for Dante's Monument. He developed a notable business obtaining important prizes and numerous commissions. First among the sculptors of the Viennese capital, he was invited to join the Association of the Viennese Secession, of which Klimt was magna pars, after the exhibition of Dante's group in 1900 at the Secession exhibition, and obtained the most important Austrian artistic prize, the Kunstlerlpreis. This same work, presented in 1910 in Berlin, at the Great Art Exhibition, also received an important recognition here. He obtained the Rome prize in 1896, exhibited successfully in Munich and in 1899 at the III International Art Exhibition in Venice. In that period he made some statues of saints for the cathedral of Santo Stefano in Vienna, the monument to Wagner, the bust of Nietzsche for the University, the scepter and the gold chain of the University Rector, figures of Italian poets ( Petrarch, Boccaccio, Tasso, Ariosto). He submitted a sketch for the official monument to Empress Elizabeth, which was then built in Austrisn Gföhl and Pula. At the time of his accession to the Secession, he dedicated himself to decorating the facade of the Artaria house in Vienna in collaboration with the architect Max Fabiani. He later abandoned the symbolist decorativism of the Jugendstil for a more concentrated and vigorous style, approaching the Belgian sculptor Constantin Meunier for the theme of work, and preferring to exhibit at the Künstlerhaus. In Vienna, he was generous with advice and help with the Italians and in particular with his fellow citizens (such as the Brazzanese Luigi Visintin, then a university student). After the First World War, he returned to Italy and lived in Friuli, penalized by the fact that the Habsburg Empire had by now disappeared. Instead of large-scale public monuments, he then devoted himself to engraving medals (e.g. for Benedict XV and for the Italian mission in Vienna in 1919) and to designing funeral monuments (examples in Mali Lošinj and Trieste) and portrait busts (of Generals Carlo Caneva and Antonio Baldissera in Udine, sculptures of the War Memorial of Corno di Rosazzo). After all, he had already executed the Bab grave monument in the Döblinger cemetery in Vienna in 1909. He taught in Trieste from 1920 until 1935, at the local school of industrial art, where he had Marcello Mascherini...

A fine pair of Vienna style covered cylindrical vases, on square footed socle bases. The vases are decorated with classical scenes including Jupiter an...

Cylindrical vase modeled by hand with top. Austria early 20th century. Every item LA Studio offers is checked by our team of 10 craftsmen in our in-house workshop. Special restorati...

A rare and impressive garniture of three late 19th century Vienna style porcelain lidded vases, each with a burgundy ground with gilded boarders, motif and foliate decoration, inset ...

An Art Nouveau porcelain vase marked "Amphora" and "Austria" on the bottom, hallmarks of the Riessner, Stellmacher, and Kessel factory. Design shows evidence of the work Eduard Stell...